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Betrayal

Wealthy widow Helen Mercer hires a young woman, Gretchen Addison, to act as her personal assistant and companion. Unfortunately, Helen is a poor judge of character, as Gretchen is part of a murderous extortionist duo with her boyfriend, Jay. However, Gretchen has second thoughts when she develops genuine affection for Helen. When Gretchen informs Jay that she wants to call off their plot, he refuses and carries on with the plan. Now both Helen and Gretchen may be in grave danger.

Betrayal

5.9 1974
The Hostage Heart

When billionaire industrialist goes into a hospital for a heart operation, some people who claim to be revolutionaries enter the operating room and draw guns and holds the man and the entire surgical staff hostage. They then demand 10 million dollars. The administrator calls the police and the FBI. The police claim jurisdiction over the matter and the man in charge is intent on taking them even if some of the hostages get killed. Eventually they learn that some of the people in hospital are with them.

The Hostage Heart

8.0 1977
The Heroin Busters

Drug use in the city of Rome is at an all-time high. Children score from dealers in front of their schools, mules waltz straight through airport security, and Interpol's main man, Mike Hamilton, is at his wits' end. Fed up to the back teeth with the local police force's incompetence, his only hope is to rely on one of his own men, Fabio, an officer so deep undercover that no-one but Hamilton knows who he really is. Even as Fabio gains the trust of cartel leader Gianni, however, the dealers are edging ever closer to the truth, and when his cover is blown, the hunter becomes the hunted as Fabio finds himself alone in a desperate fight to survive.

The Heroin Busters

6.4 1977
Ann and Eve

The story concerns the Yugoslavian holiday of two toothsome Swedish girls. One of the girls, played by Maria Liljedahl, is (metaphorically speaking) a world-champion in the promiscuity sweepstakes, bedding men (and women) in great profusion. Somehow, the movie also manages to be about film reviewers and film directors. Variety commented '...the film's inherently good visual and physical qualities are themselves dissipated in [the director's] cynicism, ennui, and involuted intellectual mirror tricks.'

Ann and Eve

3.4 1970