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Barbarosa

Karl Westover, an inexperienced farm boy, runs away after unintentionally killing a neighbor, whose family pursues him for vengeance. He meets Barbarosa, a gunman of near-mythical proportions, who is himself in danger from his father-in-law Don Braulio, a wealthy Mexican rancher. Don Braulio wants Barbarosa dead for marrying his daughter against the father's will. Barbarosa reluctantly takes the clumsy Karl on as a partner, as both of them look to survive the forces lining up against them.

Barbarosa

5.9 1982
White Apache

This film is based on a true story of an Irish baby brought up by the Colorado Apaches. When a group of outlaws attack and destroy a wagon train, the only survivor gives birth to a baby, whom the Indian chief, White Bear brings up as his son and calls him Shining Sky. Shining Sky grows up with the chief's son Black Wolf and by a stroke of fate kills his best friend and brother. Overcome by grief he leaves and goes to live in the world of white men but decides to go back to the world of his youth, leaving an enemy, Redeath, behind him whom he is destined to meet again and again.

White Apache

4.8 1987
Sing, Cowboy, Sing

Joe and Benny are two cowboys on tour in the Wild West as a singing duo, usually without a penny in their pockets to spare. Joe is a talented rodeo-rider, which fascinates the little girl Susanne and gives her the wish to have him as a father. Her mother Maria, however, is to marry the evil, rich farmer Dave. Susanne wants to stop the wedding, so she sneaks aboard Joe and Benny's wagon to persuade them to intervene. Dave brands them as kidnappers, forcing them to flee as outlaws to one of the families tyrannized by Dave. Together, they strike back at Dave, at which point Maria sees that he's the wrong man for her.

Sing, Cowboy, Sing

5.5 1981
Idiots' Battle

This black and white silent film with music by Helge Schneider, starring Udo Kier as a vampire and Alfred Edel as an Indian chief was commissioned by the Filmmuseum Düsseldorf to inaugurate their cinema organ. The look and feel of the film stems from the silent film era, but the camp style and over use of clichéd characters bears the trade mark of Schlingensief all over. “I love all things kitsch, like opera, and I feel inspired by music. I was interested in silent film but not a great deal”, said the director.

Idiots' Battle

8.0 1986