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Lawless Range

Brothers, Sean and Tommy Donnelly live and work in modern day Texas. Tommy has always been troubled and Sean has always been there to help him but when Tommy gets himself $6,000 in debt there's not much Sean can do. The money is owed to some very dangerous people and neither Sean nor Tommy has a spare dime. Worse, at every turn, Tommy manages to find a way to exacerbate their already difficult position. The situation escalates to the point where Sean is faced with a decision: stand by his brother or give up on him once and for all.

Lawless Range

4.0 2018
Riders of the Whistling Pines

While trailing Forest Ranger Charles Carter, who is suspected of permitting lumber man Henry Mitchell to cut restricted timber, Gene fires at a dangerous mountain lion and apparently kills Carter. Actually, Bill Wright, Mitchell's associate, killed Carter because the ranger had discovered tussock moth infestation in the forest, and if the infestation was not reported, the trees would die and have to be cut, thereby profiting Mitchell and Wright. In order to compensate the best he can, Gene sells his sportsman's camp and gives the money to Carter's daughter Helen . En route to Texas, Gene discovers the infestation and is assigned by the Forest Department to supervise the program of spraying the area with DDT from the air. After the first day of spraying, the DDT is blamed by furious stock men for the many animals found dead of poisoning.

Riders of the Whistling Pines

5.7 1949
The Woman of the Town

Bat Masterson, who after failing to secure a job as a newspaper reporter becomes marshal of Dodge City. Preferring socializing to peacekeeping, Masterson falls in love with Dora Hand, the obligatory golden-hearted chorus girl whose concern for the welfare of her fellow citizens at time reaches Madonna-like dimensions. When Dora is shot down cattle baron King Kennedy, Masterson begins taking his job seriously. After taking care of Kennedy, Masterson determines to enshrine the memory of Dora, whose efforts to clean up Dodge City were largely ignored by the "decent" townsfolk.

The Woman of the Town

6.4 1943
Annie Get Your Gun

This 1967 TV Movie featured the cast of the recent Lincoln Center and Broadway Revival of the classic musical. Starring Ethel Merman, who recreated her original 1946 role as sharp shooter Annie Oakley, the telecast co-starred Bruce Yarnell, Jerry Orbach and Benay Venuta. Running only 90 minutes and with no studio audience, this TV version was the most popular single musical special of the season for NBC. It raked in a total of 60 million viewers. The special retains a certain notoriety as a "lost" program. Seemingly the only surviving videotapes were erased at some point, with no copies found in the collections of Merman or composer Irving Berlin. A complete audio recording captured by a fan off the television can be sourced for listening online.

Annie Get Your Gun

7.0 1967
Six-Shooter Justice

John Gregg and his daughter Mary, on their way to Burro Springs, a boom mining town, lose their way and stumble into "Jawbone," a dilapidated town. Here they meet Mike Hernandez, a good-looking bad man. Mary, thinking Mike a gentleman, takes a liking to him. "Cheyenne" Harry, a homely looking good man, comes to Jawbone and Mary believes him to be a weak character. He becomes fascinated with her. Gregg hires Mike Hernandez to guide him to Burro Springs, displaying his small store of gold when paying Hernandez. Later, Gregg and his party become lost in the desert, and run out of water.

Six-Shooter Justice

NR 1917
Land of the Lawless

Johnny Mack Brown goes up against a female boss villain in this unusual Western from Monogram. Hired to look into dirty dealings in the town of Medicine Flats, Johnny learns that Kansas City Kate (Christine McIntyre), the owner of the Golden Spur Saloon, has been waging a war against local prospectors, one of whom is found murdered. Not appreciating Johnny's interference, Kate has her henchman Cameo (Tristram Coffin) take a shot at him and when that fails, hires a notorious gunslinger, the Cherokee Kid (I. Stanford Jolley).

Land of the Lawless

9.0 1947
Houston: The Legend of Texas

Sam Elliot stars as Sam Houston, the visionary who nearly single-handedly forged the state of Texas into a powerful entity in its own right. Refusing to forget the Alamo (as if anyone could), Houston led the military in Texas' rebellion against Mexico. G.D. Spradlin co-stars as President Andrew Jackson, with Michael Beck appearing as Jim Bowie, James Stephens as Stephen Austin, and Richard Yniguez as Mexican General Santa Anna. Lensed on location in the Lone Star state, this sweeping made-for-TV film originally occupied three hours' screen time on November 22, 1986. Its title at that time was Houston: The Legend of Texas. ~ Hal Erickson, Rovi

Houston: The Legend of Texas

7.2 1986
Rockin' in the Rockies

Rancher Rusty Williams is away at agricultural college and leaves his spread in the hands of his older cousin Shorty. Shorty wants to do more than run a ranch, however -- he wants to prospect for gold, but he has no money. He recruits a pair of partners in the guise of two runaway vagrants and a pair of backers in two stranded singers. But then Rusty shows up, and his four somewhat bumbling hired hands manage to compound Larry and Curly's deep ineptitude, and Rusty wants them all out of his hair.

Rockin' in the Rockies

5.8 1945
Alim

Crimea. The middle of the 19th century. A proud and brave jigit Alim Aidamak who cannot put up with the workers’ abuse, works at the leather factory of the greedy Ali-bay. One day he responds in kind. He is fired, but he takes the memories of the beautiful daughter of his ex-master, Sara, with him. Young people went their separate ways. Alim takes the revolutionary path; he and his friends go to the mountains and start an underground struggle. Only his name is enough to terrify landlords, Mirzas and civil servants. Authorities send a Cossack detachment to catch the Crimean Tatar Robin Hood. The adventure film, which reminds an American western, was filmed based on a Crimean Tatar legend, which in 1925 was turned into a play by the repressed Crimean Tatar writer Ipchi Ümer. The shooting of the film under the script of the Ukrainian avant-garde poet Mykola Bazhan began in the autumn of 1925, when the indigenisation policy in the national republics caused demand on the national plots.

Alim

NR 1926