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Alkali Ike's Close Shave

"Alkali" Ike, with a luxuriant growth of beard that he has carefully fostered, determines to see the city for the first time. He arrives, and not being a good dodger, is knocked insensible by the first automobile he encounters. His disfigured face is shaven by a doctor, who adorns it with several large strips of plaster, gives him some new clothes and turns him loose. Arriving back in his home town he meets his wife's sister, attempts to embrace her and she, not recognizing his shaven face, summons the aid of a group of punchers who immediately put Alkali through a course of rough treatment, including a ducking in the watering trough, and finally land him in the town jail.

Alkali Ike's Close Shave

NR 1912
Broncho Billy and the Squatter's Daughter

Broncho Billy, half crazed with liquor, enters a saloon and demands a bottle of whiskey. This he absorbs about half, which places his physical and mental condition in a state of sub-consciousness. Completely intoxicated, Broncho Billy is placed on his horse and led away. Having ridden a few miles in this condition, he falls off his mount unconscious. Mabel Clark, a squatter's daughter, discovers him by the roadside, washes off his aching brow, and brings him to.

Broncho Billy and the Squatter's Daughter

NR 1913
The Stage Rustler

Outlaws Phil Bowen and Sam Lewis rob a stagecoach carrying Roulette Sue, the mining camp belle. Phil and Sue fall in love at first sight. When the alarm is given and the miners prepare themselves to pursue the bandits, Sue rushes to their hideout and warns them, but Sam’s unwanted advances toward her cause a bitter rift between the two partners. Days later, Sam corners Sue at a tavern. Phil hides nearby and shoots Sam to protect her. Believing Sue fired the shot, a dying Sam fires back and kills her. Sam is captured for his crime, ending the tragic romance born from the outlaw's love for the camp belle.

The Stage Rustler

3.5 1908
Broncho Billy's Conscience

Broncho Billy, ranch foreman, finds Tom Warner has squatted on a section of Stockdale's ranch. He complains to the owner, who tells him to oust Warner. The squatter, however, refuses to go. Shortly afterward, the ranch owner is shot. Broncho Billy, to get even with Warner, secretly arranges things so that his rival is accused and finally hanged on circumstantial evidence. The following fall, Broncho Billy proposes to Marguerite, but visions of the dead man haunt him...

Broncho Billy's Conscience

10.0 1913
Hardcore

Filmed in Nevada's barren Black Rock Desert in July 1969, "Hard Core" opens with an establishing shot of an expansive blue sky immediately evoking the American West, which sets the scene for De Maria's innovative and experimental film. The work intercuts two differing cinematic approaches: one that explores the observational potential of the medium through wide-angle, 360-degree shots that pan over the changing desert landscape, and the other that appropriates familiar visual tropes taken from the Hollywood Western movie genre—such as pistols, Levi's jeans, boot spurs, and leather chaps—and implements them in a performance. The soundtrack is an edited compilation of two of De Maria's "drum compositions," "Cricket Music" (1964) and "Ocean Music" (1968), which creates a sense of anticipation for the viewer. In the last minute of the film, a series of unexpected events unfolds in rapid succession, producing a dramatic climax.

Hardcore

6.0 1969
The Quakeress

The setting is an early American village, where a young Quaker woman, Priscilla, is in love with the schoolmaster, John Hart. The local minister, Rev. Cole, who calls on her at her cabin with flowers, is an unwelcome suitor. In revenge, he has "blue laws" passed, among them is one requiring attendance at church on Sunday. Priscilla refuses to comply with the law and is arrested. After being plunged in and out of water and pilloried, she is banished from the colony. John goes with her. They are attacked by Indians and John is badly wounded. Priscilla manages to get back to the village in time to warn the Puritans of an impending attack. They defeat the Indians after a desperate battle. The Rev. Cole, who has been mortally wounded, begs Priscilla's forgiveness and the Puritans make amends for their harsh treatment of her.

The Quakeress

NR 1913
Parson Sue

A parson arrives in the midst of a bunch of wild cowboys. Expecting a male parson, the boys set out in full force to receive him, but on the road when they suddenly run into the one-horse shay of a female parson, they keel over in surprise. Right after her arrival the boys begin to lay plans to get in right, while the parson loses no time in starting a campaign for the defeat of Satan. She begins by posting a sign near the town horse trough to the effect that "Cleanliness is next to Godliness." Of course the boys see the sign and immediately there is a sudden disposition among them to make use of soap, water and brush. One cowboy in particular is very much in love with the parson. He shows his affection only too plainly, and so the boys decide to play a trick on him. Their practical joke unintentionally is not only the means of frustrating a plot against the parson, but it brings the parson and her lover together.

Parson Sue

5.0 1912
Southern Tale

SOUTHERN TALE is the gripping story of Chris, a charming and volatile young man who seemingly has life figured out - a reliable best friend, an adorable girlfriend, and a lusty weekend lover - but when push comes to shove, he finds himself challenged by the missteps of his estranged father as he tries to escape his desolate hometown, where everything isn't always as it seems. When things don't go according to plan, Chris hits rock bottom and turns to an unlikely confidant; a mysterious hitchhiker he picks up alongside a dark highway.

Southern Tale

NR 2017
The Revenue Agent

The girl, on guard at the mountain defile, sees a strange man with all the accouterments of a painter. She hails him and he explains he is a landscape artist. Tom, coming along a moment later, also challenges him and is reassured of the stranger's calling when the stranger paints his picture. As the days go by, the painter and the girl meet frequently and Tom's attentions to the girl begin to be unwelcome, Tom is consumed with jealousy, but he likes the painter and he is a good loser. Then comes the denouement. The moonshiners learn that the painter is a revenue agent. Tom is about to kill him, but the girl buys his life at the price of her happiness. She tells Tom she will marry him if the spy goes free.

The Revenue Agent

7.0 1915