34 Matches Found
A dramatic history of Pu Yi, the last of the Emperors of China, from his lofty birth and brief reign in the Forbidden City, the object of worship by half a billion people; through his abdication, his decline and dissolute lifestyle; his exploitation by the invading Japanese, and finally to his obscure existence as just another peasant worker in the People's Republic.
In ancient Pompeii, slaves are bought and sold for household chores and sex. A mysterious queen moves among the elite, meantime secretly helping the slaves to escape. Eventually her life is also in jeopardy, and as the volcano erupts she and the slaves attempt to escape while being chased by the military.
An insane young emperor finds his love of brutality and degradation surpassed only by his hunger for enslaved virgins, cruel vengeance, extreme acts of 'horseplay' and beyond.
As the Roman Empire slowly declines, Caesar Nero indulges himself in every known debauchery, including incest with his mother.
Based on the memoirs of author Curzio Malaparte, diplomatic liaison between the Allied and Italian forces after the defeat of the Nazis in Italy, The Skin follows the collapse of Italian society under the US occupation and the desperate measures required for survival.
The young noble Don Monza is caught and thrown out by the nun Virginia de Leva when she catches him flirting with one of her nun sisters across the stone wall between their gardens. He hears the rumor that she'd have an affair with her trustee - so he kills him in a set-up duel and aims to take his place. Against her initial resistance, Monza manages to win her heart - and to get into her bed. This doesn't stay a secret for long, but Monza, now in love, does everything to keep it going.
A journalist wants to make a film about the life and death of Claretta Petacci, the mistress of Benito Mussolini. For this, she will turn to her sister Miriam.
A biographical feature on the Italian literary giant, Gabriele D'Annunzio. Set in late 19th century Italy and France when the artistic style, Decadentismo, was beginning to take shape, the film focuses on D'Annunzio's life when he was already an established poet and journalist in Rome. A staunch opponent of democracy and commoners, he searches for passion and pleasure among the wealthy and noble. One such noblewoman Elvira Fraternali Leoni, serves as the muse for his first novel - The Pleasure (Il Piacere).
This film depicts the life of Saint John Bosco, who dedicated his life to rescuing abandoned and exploited street children in Turin.
Milan, the last months of WWII. While everything starts to crumble down, RSI police chief Bruno Spada tries to crush the local anti-fascist resistance.
The life of St. Francis of Assisi (1181-1226) as related by followers who gather after his death to tell stories so that Leone can record them: a privileged and virile youth, a prisoner of war, an heir who turns away from his father and gives all to the poor, a beggar for others, and an inspiration to friends who accept the Gospels' life of poverty.
Roman emperor Caligula leaves the last days of glory amidst orgies of food and sex. During a show by two nude slaves, the emperor is particularly attracted to one of them, Lysia, ignoring that she had been planted close to him with orders to murder him. Only, the young man makes her feel for him, passion and motherly love, and she'll protect him rather then fulfill her mission. Drama ensues.
A Roman agent is sent to Palestine to investigate rumors of the resurrection of an executed criminal.
1848, Tuscan countryside. Edo and Lupo are two peasants running away after having robbed their boss. Chased by mercenaries, they'll meet bandits, damsels in distress, eccentric nobles, and revolutionaries along the way.
After the bankruptcy of their father's stonemasonry firm, brothers Nicola and Andrea emigrate to America to restore their fortunes. After many adventures and near-disasters, they end up in Hollywood, designing sets for D.W. Griffith, and marry beautiful actresses. However, tragedy strikes with the arrival of World War I, which finds the brothers fighting on opposite sides...
On March 16, 1978, far-left terrorists of the Red Brigades kidnap Aldo Moro, leader of the Christian Democracy, the ruling party in Italy since the end of WWII. 55 days later, his body will be found in the trunk of a car. This is a neutral and factual account of what happened in between.
This 1982 biographical television miniseries, as seen on PBS's Great Performances, dramatizes the life of this classic Italian composer known for operas including La Traviata, Rigoletto, and Aida and his Requiem.
1770. Young Wolfgang Amadeus Mozart is hosted in a villa near Bologna, where he has to graduate. There he gets in touch with “normal” boys, falls in love for the first time and tries to escape his destiny of young genius.
One of the key factors in Italian unification was the overthrow in 1860 of Francesco, the King of Naples and the two Sicilies, who went into elegant but impoverished exile in Rome with his Queen, Maria Sofia. This seriocomic drama follows the deposed royals as they adapt to their new lives. The former king has recognized the political finality of his deposition, but his queen has taken to traveling in men's clothing all over Italy trying to foment an uprising to restore them to the throne. She is also frantic to have a baby, an heir, but the king has become celibate as a kind of homage to his beloved mother; he spends all his time lobbying the Vatican to get her declared a saint.
A fanciful biopic of legendary conductor Arturo Toscanini as a very young man.
The second part of Soviet filmmaker Sergei Bondarchuk's epic biography of John Reed. It is October 1917 and the American journalist has found himself and his wife, Louise Bryant, in Petrograd on the eve of the Bolshevik revolution.
The story of salvation is told from the perspective of the Roman governor in Judea, Pontius Pilate.
The film attempts to fill in the "missing years" of Jesus, from ages 3 through 12. When King Herod fearing that the Messiah has indeed been born, orders that all Hebrew male children under the age of three be slain, Joseph moves his family near Egypt. Here, Jesus, sensing His divinity, expresses a desire to return to Nazareth. Travelling homeward with His mother Mary, Jesus flashes forward to events that will unfold in his adult life.
Italian maestro Ermanno Olmi tells the tale of the journey of the Magi in this lyrical odyssey. The film focuses on a wise man who interprets his sighting of a comet streaking through the sky as a spiritual message. Joined by two associates, soldiers, villagers and others, the Magi sets out on a journey that tests his beliefs and strength.
To win a duel, a merchant makes a dangerous pact with an inscrutable spellcaster.
Raphael, Yervant Gianikian's father, survived the Armenian genocide in 1915 in Eastern Turkey. In April 1988, while living in Venice, he sat for his son's camera and read an excerpt from his memoirs, translated from Armenian into Italian.
The ambiguities of Verdi’s theatre are particularly clear in his baritone roles, among which is that of Boccanegra, corsair turned doge of Genoa and the troubled observer of the conflicts that tore apart 14th century landowners and peasants. An eminently political opera in which power struggles are interwoven with family conflicts, Simon Boccanegra echoes the life of its composer – the man who championed the cause of Italian unification and overcame the loss of his wife and children.
This extremely short film is dedicated to chronophotography, which—as is well known—is the prelude to cinema. As with one of my earlier films dedicated to Muybridge (The Naked Killer, 1982), this one was excavated from books and catalogues, that is, from typographic ink. I tried, in a certain sense, to reanimate the inanimable as does the photographer Duane Michals, having only, sometimes, three or four frames. I found older stroboscopic technology as well as more contemporary flicker effects to be very helpful here and there. I attempted to realize the cinematic identification of Skladanowksy with Avedon; contaminations, precisely, between creators of films and creators of photography, contemporary or not. It is surprising to see Michals, a contemporary photographer, bearing such a strong cinematographic resemblance to Londe, the proto-filmmaker. I hope, at least, to have told the story of their direct commingling, as if by a single secret author.
An Italian documentary.