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Party of Fools

Paris, 1894. Who is Fanni, who claims to be voluntarily locked up in a women-only mental institution? Searching for her mother among the multitude of so-called 'madwomen', Fanni discovers a community of modern heroines who defy her expectations, along with the unexpected friendship of fellow patients. The sumptuous and renowned 'Party of Fools' of the asylum is in preparation. Politicians, artists, and socialites will flock to it. It’s her last hope of escaping the closing trap.

Party of Fools

5.7 2024
The Most Precious of Cargoes

Once upon a time, a poor woodcutter and his wife lived in a great forest. Cold, hunger, poverty, and a war raging all around them meant their lives were very hard. One day, the woodcutter's wife rescues a baby. A baby girl thrown from one of the many trains that constantly pass through the forest. This baby, this "most precious of cargoes", will transform the lives of the poor woodcutter's wife and her husband, as well as those whose paths the child will cross—including the man who threw her from the train. And some will try to protect her, whatever the cost. Their story will reveal the worst and the best in the hearts of men.

The Most Precious of Cargoes

7.7 2024
Lumière, Le Cinéma!

In one of those wonderful coincidences of history, lumière, the French word for “light,” was also the last name of brothers Auguste and Louis, whose brilliant invention, the cinematograph, helped to inaugurate the most beloved art form of the last 130 years. Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. The result is not only a glorious re(telling) of the genesis of cinema but a profound meditation on the beautiful world captured—and the mysterious world imagined—by the Lumières.

Lumière, Le Cinéma!

7.0 2024
Meeting with Pol Pot

Democratic Kampuchea (Cambodia) - 1978. Three French journalists are invited by the Khmer Rouge to conduct an exclusive interview of the regime's leader, Pol Pot. The country seems ideal. But behind the Potemkin village, the Khmer Rouge regime is declining and the war with Vietnam threatens to invade the country. The regime is looking for culprits, secretly carrying out a large scale genocide. Under the eyes of the journalists, the beautiful picture cracks, revealing the horror. Their journey progressively turns into a nightmare.

Meeting with Pol Pot

5.9 2024
Bonnard, Pierre and Marthe

When French painter Pierre Bonnard met Marthe de Méligny, he didn’t know this self-proclaimed aristocrat would become the cornerstone of his life and work. From this moment, she became more than just a muse for the “painter of happiness”, appearing in more than a third of his work. Together, they reached their artistic fulfillment thanks to a colourful love, different from the standards of their time, nurturing the great mystery around their relationship. Based on a true story.

Bonnard, Pierre and Marthe

6.3 2024
Russia, China, Iran: The Axis of Revenge

Russia, China and Iran: three former empires are determined to take their revenge and reassert their power after centuries of humiliation. Since the start of the war in Ukraine, they have never been so aligned on the international stage. Their common goal: to put an end to Western hegemony, restore their zone of influence and propose a new model of society. To achieve this, they are waging a hybrid war against the democracies: military, technological, economic, informational and ideological. Are they on the verge of joining forces to create a new world order?

Russia, China, Iran: The Axis of Revenge

6.7 2024
Missak Manouchian and the Red Poster

In February 1944, in a courtyard at Fresnes Prison, the Germans staged a spectacle to stigmatize a group of communist resistance fighters—all foreigners and mostly Jewish—who had been arrested a few weeks earlier. The propaganda aimed to discredit these fighters, portraying them as terrorists and criminals, even though they had managed to carry out numerous attacks against the occupiers in Paris. The red poster, plastered in thousands of copies across the country, would immortalize them in legend. They were subsequently executed at Mont-Valérien, near Paris. Missak Manouchian, the Armenian who led these fighters, now embodies this group in the collective memory as he is enshrined in the Panthéon, on behalf of all his comrades, 80 years after their execution.

Missak Manouchian and the Red Poster

7.6 2024
Miss Violet

France. End of the 19th century. Louise Violet 40, a Parisian teacher, is sent on a mission to the French countryside. But in a place where the daily life is linked to the seasons, land and crops, she must first convince parents to send their kids to school. With the help of the mayor, she is gradually accepted by the parents and their children. But soon, her past catches up with her. Despite the obstacles she faces, Miss Violet will give her heart and soul to her belief that education is the key to freedom.

Miss Violet

6.9 2024
Jean-Philippe Rameau: Samson (Festival d'Aix-en-Provence)

When, in 1733, Voltaire, the most brilliant mind of his day, collaborates with Rameau, its greatest composer, in undertaking an ambitious reform of operatic practice, the result is the biblical opera Samson. But the libretto is condemned and the score lost – possibly reworked here and there in later compositions. Claus Guth and Raphaël Pichon, haunted by this interesting project that had turned into one of the most intriguing failures in operatic history, have tried, not to recreate the letter, but to revive the spirit: to marry a strong, noble libretto with the most eloquent music.

Jean-Philippe Rameau: Samson (Festival d'Aix-en-Provence)

NR 2024
Iphigenie en Aulide /  Iphigénie en Tauride @ Festival d'Aix-en-Provence 2024

A decade before the French Revolution, in a country riven with bitter polemics, Gluck throws the history of opera into confusion by raising it to an unheard-of peak of tragic intensity. Experiencing his two Iphigenias in a single evening goes beyond the norms of operatic life: it is to enter the very heart of the curse on the family of King Atreus of Mycenae, to follow a logical destiny through a cycle of endless violence. How does the victim of Aulis become the murderess of Tauris? That is the burning question that Dmitri Tcherniakov must adress, plunging the spectator into the midst of a household haunted by the dead and setting in train an implacable process of dehumanization, with parallels to our world today. Conducting Le Concert d’Astrée, Emmanuelle Haïm drives this dual tragedy to the summit of its expressive power, leaving humanity to be translated through arias of the utmost poignancy.

Iphigenie en Aulide / Iphigénie en Tauride @ Festival d'Aix-en-Provence 2024

NR 2024
Nowhere

Three different epochs through the gaze of three children: Zelinda, who loses her mother to the Spanish Flu during World War I and sees the specter of Nazism loom; Assunta, who lives during the Nazi occupation between bombings, raids, and executions; Icaro, who abandons the countryside during the Years of Lead (“Anni di Piombo”) and accepts a new life. A story across the difficulties and the troubles of the 20th century between memories, affection, nostalgia, and gratitude.

Nowhere

7.5 2024
39-45, elles n'ont rien oublié

This film traces the journeys of four French women during World War II. Now aged 90 and over, they recount in vivid detail and with incredible dignity how they survived from 1939 until liberation, sharing intimate testimonies in which their own stories intertwine with the greater narrative. Four women's destinies (a member of the Resistance, a survivor of the Ravensbrück and Bergen-Belsen camps, the daughter of museum curators, the daughter of a soldier) who lived through the war with courage and self-sacrifice.

39-45, elles n'ont rien oublié

9.7 2024
L'Épreuve du 100 mètres

Pushing the limits of the human race: that is what runners aspire to when they take to the Olympic 100-meter track every four years. But for Usain Bolt, the record holder for the distance with his explosive 9.58 seconds, to become the fastest sprinter in history, crossing the finish line at some 44 km/h, it took more than a century of technical refinement. From the early days of sprinting to Usain Bolt's records, directors Jean-Christophe Rosé and Benoît Heimermann trace the history of the 100 meters, the flagship event of the Olympic Games, and its champions.

L'Épreuve du 100 mètres

7.0 2024