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Goya, May 3rd

Filming "Goya. May 3" is an innovative audiovisual project that makes a cinematographic recreation of Goya's painting "The Executions of May 3" through an 8K digital recording with real digital scenography under the direction of Carlos Saura, also from Aragón. This, with a multidisciplinary team, develop a dramatization as realistic as possible, making use of the latest filming technologies and with a careful artistic direction that pays special attention to styling, costumes, sound setting, etc., in a complex process whose novelty lies in the production, and with which it is sought to achieve an immersive experience of great impact for the visitor.

Goya, May 3rd

5.0 2021
Ludwig & Johanna

Ludwig van Beethoven, absorbed in his world, composes in the forest under the snowstorm. In the solitude of this place, his temple, he feels happy, full, fertile. Johanna, his sister-in-law, widow of his brother Caspar, approaches him by surprise and chases him through the trees, trying to reach an agreement with him about the guardianship of his son Karl. In his will, Caspar left his brother Ludwig as the sole guardian of his son Karl. But Ludwig was away for a few hours on Caspar's last night and when he returned in the morning the will had changed... Between them there is more than a hard fight for the child. They are two untamed, wild, asocial beings, fighting for their freedom.

Ludwig & Johanna

8.0 2021
sin título

"The prevailing stigmatization of the 'villero' universe is fed back by the images. In order to dismantle this stigmatization, other images must be presented or we need to reveal what the existing ones seek to cover up. The slum is usually represented from a limited and deceitful visual panorama. This representation has an intention. Cinema and television are two image-producing devices that strengthen the stereotypes that we have about the people who inhabit these spaces. And what happens in the field of painting? Do clichés reign there too? This visual essay seeks to confront various works by national painters and sculptors, belonging to the Palais collection, with the kinetic images of current cinema and television, to reflect on both the differences and the similarities in the meanings and discourses that both regimes of images can produce." César González

sin título

NR 2021