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La conquista de Albania

King Carlos II of Spain (r. 1665-1700) once sent his brother Luis to lead a military expedition into Albania and conquer that land for the Spaniards. Since Albania was a part of the dowry of Luis' wife, it seemed like a reasonable idea at the time. While that expedition and its final battle is the subject of this historical film, the scale involved can hardly do justice to the concept. The protagonists talk incessantly, and by the time they get down to the final grand battle, it turns out to be a skirmish between several dozen men.

La conquista de Albania

5.2 1983
Memorias del general Escobar

After the end of the Spanish Civil War, General Antonio Escobar Huerta stoically awaits his execution, accused of military treason and sentenced to death for having sworn allegiance to the Republic. Despite being a man of deep religious convictions, Antonio Escobar decided to make an oath honoring the legally constituted government of the Second Spanish Republic against the military uprising led by Francisco Franco and supported by the Catholic Church. While waiting for his execution in prison, he recalls the beginning of the Civil War, the years of battles during which he ascended to the rank of General, and his own decisions, of which he has no regrets. With a clear conscience, Escobar waits his own execution with the calm of those who know they have done their duty. "If my life and that of all who have fallen serves to avoid this from happening again, our blood will not have been in vain" - Antonio Escobar Huerta.

Memorias del general Escobar

10.0 1984
El balcón abierto

Film homage to the great Spanish poet Federico García Lorca, in which they dramatize fragments of his poems and the play "La casa de Bernarda Alba". From his texts, the voice of the poet himself weaves the plot. His characters come to life: El Amargo, which runs from a poem taken from "El Cante Jond" to the "Romancero Gitano". The Woman, blurred and present in so many of his poems. The Mother, a living synthesis of his play-writing. The balcony is open from the hidden Granada to exciting New York. From the rider of tireless riding to the mysterious baroque of Holy Week. From the first babble of the poet to his violent death. Spain is behind its lyric. Also in many images and tensions of the film. The argument of this one wants to approach the argument of a poet. His life and his work, united irremediably.

El balcón abierto

9.5 1984