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A woman married to a former politician during the 1971 military dictatorship in Brazil is forced to reinvent herself and chart a new course for her family after a violent and arbitrary act.

An independent documentary about the world's most mysterious band, The Residents. The film covers stories, concerts, interviews, and rare clips that trace the trajectory of the American group over more than half a century. Awarded by the band itself, this production is the first and only one in Portuguese that dared to delve deep into the cryptic archives of the world's most anonymous group.

The Urucuia River flows through the mighty waters of the Minas Gerais backlands. Full of stories, the film follows the riverside communities of the region, immersed in the narratives of the fishermen, the fish, and the river itself.

The movie follows the life and career of Madame Durocher, first woman to be accepted in the Brazilian Medical Academy.

In 1973, after Pinochet's coup, Chile was one of the most dangerous places in the world. The only apparently safe place was the embassies. The film is based on real accounts by João Carlos Bona Garcia who spent 42 days inside the Embassy in these conditions “of not knowing if he would be alive the next day” and survived.

On May 1, 1994, Roberto Cabrini announced the death of Ayrton Senna on national television and, since then, has never stopped investigating the facts related to the fatal accident that occurred at the Formula 1 San Marino Grand Prix. Three decades later, RECORD and PlayPlus present a special documentary by the journalist with the most complete production ever made to date about the days leading up to one of the most remarkable events in the history of Brazilian sports.

This pseudo diary film is made of found materials from an unfinished 16mm film. Potenciais à Deriva is a film started by a Brazilian artist under a pseudonym while living in exile in Los Angeles, California. Isolated shots and previously assembled scenes reveal an intention to create a mysterious film comprised of disembodied interviews, empty rooms, radio recordings, soccer games, and sudden apparitions of the filmmaker that slowly ruminates on Brazil's colonial past, North American Imperialism and the military dictatorship of the time in a paranoid and anxious manner. Be aware that the film's final version never came to exist. This version presented is my mere attempt to produce a film with these otherwise lost images.

Set in Goianinha, a small town in the Brazilian countryside, the film follows the journey of young people who feel out of place in their own land. As they question their identity and sense of belonging, they face challenges in an environment where gender, racial, and sexual diversity still encounters resistance. While navigating both internal and external conflicts, they realize that, despite the town’s limitations, certain memories can redefine their connection to it.

a compilation of recordings from various filmmakers and people about their unforgettable interests and passions over the years.

A film in red, a film in pain.

It’s 1968, the military dictatorship is established in Brazil. After murdering a soldier, Alice flees to her hometown, a place she left as a teenager, and hasn’t come back since then. At the bucolic house, she finds her sister Carmem and her first love, Helena. As they organize their late mother's belongings, these women's relationship is put to the test. Alice hides the real reason for her return, Carmem dreams of reuniting with the son she hasn't seen for years and Helena, who became a nun, suffers trying to hide the love she feels for Alice. Powerless in the face of life's circumstances and censored in different social and personal layers, all that remains is to confront each other and themselves.

Apartheid, cinema, eyes, blood, resistence and revolution.

A short film directed and edited by Giovanna Massinelli that shows the immigrant struggle not only as a marginalized struggle, but a struggle of all peoples, a class struggle.

This is what we share?

within an imaginative script and its echoing sounds

I've been so uninspired lately.

Camera, political and sex.

A film in yellow.

Director Caio Omena presents his ideal about being against copyright.