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Harakiri

Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin’s resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.

Harakiri

8.4 1962
The Magnificent Concubine

Perhaps the most notorious concubine in Chinese history, Yang Guifei set a pudgy standard of beauty in her days of glory during the Tang dynasty. The Emperor Minghuang was so besotted with the woman that when An Lushan stages his rebellion against the empire, the ruler takes Yang Guifei along with his imperial entourage in an escape to the mountainous area of modern-day Sichuan, and sanctuary of sorts. But the concubine had roused the jealousy of the court and unfortunately for her and to the great sorrow of the king, her brother and others among the king's retainers demanded she be strangled to death while they were still in the mountains. This is the story told in this interesting Taiwanese adaptation by director Li Han-hsiang (Li Hanxiang).

The Magnificent Concubine

6.0 1962
Japan's Longest Day

Following the detonation of the atomic bombs on Hiroshima and Nagasaki, the Japanese military and the government clash over the demand from the Allies for unconditional surrender. Minister of the Army Anami leads the military officers who propose to fight on, even to the death of every Japanese citizen. Emperor Hirohito, however, joins with his ministers in asking the unthinkable, the peaceful surrender of Japan. When the military plots a coup to overthrow the Emperor's civilian government, Anami must face the choice between his desires and loyalty to his Emperor.

Japan's Longest Day

7.3 1967
The Notorious Concubines

Based on the Chinese classic "Jin Ping Mei". Original Japanese cut directed by Koji Wakamatsu and produced by Shochiku. Set in Song-dynasty China, Wu Song rises to fame and becomes a guard captain. He is captivated by his brother’s wife, Pan Jinlian, whose beauty also ensnares the wealthy libertine Ximen Qing. To possess her, Ximen Qing has Wu Song’s brother murdered. When the corrupt authorities refuse justice, Wu Song is imprisoned, escapes with the help of the Liangshan bandits, and joins their ranks. Ximen Qing descends further into decadence, but Wu Song eventually returns, leading an attack on the town.

The Notorious Concubines

4.0 1968
Warrior of the Wind

A suspenseful Ninja fantasy based on Shiba Ryotaro's novel, woven with the mysterious fate and romance of Shinzo and a beautiful Princess who find themselves at the center of an intrigue surrounding the legendary land of Yasurai in the mountains of Kumano. Hidden gold, the love of a beautiful Princess, and the approaching evil sword all contribute in bringing you a Ninja action thriller that only the legendary actor Okawa Hashizo and the genius director Kato Tai could produce!

Warrior of the Wind

7.1 1964
Battle of the Japan Sea

Japan and Russia clash in what comes to be known as the Russo-Japanese War. An attempt by the Japanese fleet and army to take Port Arthur fails, and a Russian fleet bears down on the Sea of Japan. Admiral Heihachiro Togo sends his fleet to confront the Russians, with results which stun both nations. Meanwhile, Major Genjiro Akashi makes secret negotiations with the Bolshevik revolutionaries in Russia, negotiations that have repercussions far beyond the conflict at hand.

Battle of the Japan Sea

6.5 1969
The Hoodlum Priest

The first film in the 2 part series about Ryuzen, a renegade martial-arts priest who, in addition to breaking all the commandments against sex and gambling, opens his own gambling den in direct defiance of the local yakuza boss. Exciting action and a twisty plot this movie breaks new barriers in Japanese cinema. Katsu Shintaro is superb in one of his better non-Zato Ichi roles as he fights off the advances of a love-lorn woman and risks his life to defeat the powerful gambling boss who has a stranglehold on the town.

The Hoodlum Priest

7.3 1967
Miyamoto Musashi V: Musashi vs Kojiro

The fifth and final installment with the build up of the epic battle between Sasaki Kojiro and Miyamoto Musashi. With all the familiar characters making appearances: Otsu (Musashi's great love), Akemi, Matahachi (his former fellow soldier), old lady Osugi (still doggedly trying to defeat Musashi), and even the return of Priest Takuan (the man responsible for his journey towards enlightenment). But most of all, the boastful, long-haired and long-sworded Sasaki Kojiro.

Miyamoto Musashi V: Musashi vs Kojiro

7.3 1965
Shinsengumi: Assassins of Honor

Near the end of the nineteenth century, as the balance of power shifts from Shogunate towards the Emperor, Japan restlessly awaits the dawning of a new age. But not all are content...The Shinsengumi, a small army of samurai, farmers and peasants, band together to do battle against the tide of history. Their leader, Isami Kondo is a man who rises from farmer to fighter to head the fierce Shinsengumi brigade. Using a stern hand and a heart of gold, he rallies his men in defense of the tottering Shogunate. But bloodshed and treachery lurk around every corner.

Shinsengumi: Assassins of Honor

6.9 1969
Seven Miles to Nakayama

When a corrupt magistrate rapes Oshima, Masa (Raizō Ichikawa) avenges her by killing the officer, becoming thereby a fugitive, haunted and grief-stricken by the fact that Oshima committed suicide. Going underground in the gambling world, perpetually hiding from the law, Masa eventually meets a young woman named Onaka, who looks exactly like Oshima. Tales having two look-alike heroines are a commonplace in Japanese period films, a plot affectation inherited from the kabuki theater. Based on a novel by Shin Hasegawa, Nakayama shichiri was already twice filmed in 1930, one version directed by Namio Ochiai, and from which less than 40 minutes survive, the other directed by Kyotaro Namiki. Both are silent films, preserved by the Makino film institute.

Seven Miles to Nakayama

7.0 1962
Samurai Banners

Kansuke Yamamoto is a samurai who dreams of a country united, peaceful from sea to sea. He enters the service of Takeda, the lord of Kai domain. He convinces Takeda to kill the lord of neighboring Suwa and take his wife as a concubine. He then convinces the widow, Princess Yu, to accept this arrangement and to bear Takeda a son. He pledges them his life. He then spends years using treachery, poetic sensibility, military and political strategy to expand Takeda's realm, advance the claim of Yu's son as the heir, and prepare for an ultimate battle with the forces of Echigo. Has Kansuke overreached? Are his dreams, blinded by love, too big?

Samurai Banners

7.4 1969
Festival of Swordsmen

During the middle of the Kanei Period (1624-1644) Japan was in the early stages of its most peaceful era. This left a large number of unemployed samurai with nothing to do, and their morale suffered. In order to raise their spirits, the Shogun's Chief Advisor suggests that they hold a "Festival of Swordsmen" in the Shogun's presence. Problems arise when some of the martial artists bring their personal grudges to the competition. When Busshi Shirogoro (OTOMO) meets the daughter of the late Lord SANADA Yukimura sparks fly as she tries to use the competition to carry out her vengeance against Shogun Iemitsu.

Festival of Swordsmen

6.5 1961
Restoration Fire

Megastar Kataoka Chiezo is Vice-commander Hijikata Toshizo of the Shinsengumi in this realistic tale of Japan’s inner battles that led to the downfall of the Tokugawa shogunate. Excellent performances and extremely good swordplay highlight this glimpse into the heart and soul of Japanese history. Although known as “Razor Blade” Hijikata, the vice-commander is a man of deep conviction with a little-known sense of humanity. Starting after the famed Ikedaya Incident, in which they saved Kyoto from Choshu’s plot to burn the city to ashes, they work hard to change the public’s view of them as merciless killers to their true mission of protecting the shogun. This is an extraordinary tale of blood and guts! From the pen of award winning author Shotaro Ikenami (Bandit Vs. Samurai, Hunter in the Dark, Misumi's The Last Samurai)

Restoration Fire

7.0 1961
Beauty of Beauties

Hsi Shih: The Beauty of Beauties was one of the most ambitious films made in the Taiwan film industry in the 1960s. After leaving The Shaw Brothers studio in Hong Kong and moving to Taiwan, filmmaker Li Han-hsiang mounted this historical epic. Told through the story of Xishi (Hsi Shih), one of the 'Four Great Beauties' of Chinese history, the film portrays the war between two Chinese Kingdoms during the Warring States Period (475-221 B.C). After the kingdom of Yue is defeated by the kingdom of Wu, King Goujian of Yue takes pains to prepare for his revenge and rebuild his country. Knowing that King Fucha of Wu is lewd and lustful, he offers Xisi to the court of Wu to serve as Fucha’s concubine, with Fucha unaware that she is also a spy. She uses her charm to draw Fucha away from his office and governance, while King Goujian rallies his forces together to attempt to reclaim his lands.

Beauty of Beauties

7.0 1965
Miyamoto Musashi

In this first episode, we are introduced to Takezo, what Musashi used to be before he became the man of legend. His beginning are not exactly auspicious. He sides with the Toyotomi at Sekigahara, and as a result finds himself on the losing side of the historic battle. He and his friend Matahachi manage to escape the slaughter although the latter is wounded in his leg. They stumble across the young Akemi who makes her living with her mother Oko by robbing corpses of their armor and anything else they can sell. Oko takes it into her head to seduce Matahachi, which she does first by skillfully sucking the gangrene from his blood, and then just by sucking.

Miyamoto Musashi

7.3 1961