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Jahan Jahan Charan Pade Raghuvar Ke

Jahan Jahan Charan Pade Raghuvar Ke (English title: Footprints of Lord Rama in His 14 Years Exile) is a 26-episode documentary web series retracing the 14-year Van Gaman of Lord Shri Ram as described in the Ramayana. The series follows the sacred route from Ayodhya to Lanka, documenting over 200 historically and culturally significant sites across India. Filmed on real locations rather than studio recreations, it captures authentic rivers, forests, caves and ashrams linked to Rama’s exile. The first phase covers Ayodhya, Shringverpur, Prayagraj and Chitrakoot, including Ram Ghat, Kamadgiri, Gupt Godavari, Sharbhanga Ashram, Suteekshan Ashram and Viradh Kund. Upcoming schedules extend through Dandakaranya (Chhattisgarh), Panchvati (Nashik), Kishkindha (Hampi) and Dhanushkodi. Produced by Pomy Films, the series is hosted and directed by international award-winning filmmaker Sunil Babbar, blending spiritual reflection with on-ground historical documentation.

Jahan Jahan Charan Pade Raghuvar Ke

NR N/A
Karaikkal Ammaiyar

Karaikkal Ammaiyar is a 1973 Indian Tamil Saiva mythological film, written and directed by A. P. Nagarajan and produced by EVR Films. The film's soundtrack was composed by Kunnakudi Vaidyanathan. The film stars Lakshmi, who played the younger-age Punithavathi role, and K. B. Sundarambal, who played the old-age role—as the title characters, with R. Muthuraman, Manorama, Suruli Rajan, V. S. Raghavan, S. V. Sahasranamam, Sivakumar and Srividya playing supporting roles. Karaikkal Ammaiyar is one of the three women saints among the 63 Nayanmars and is considered one of the greatest figure of Tamil literature. She was born in Karaikkal during the Chola period, a maritime center. Ammaiyar was a great devotee of Lord Shiva and she is believed to have lived during the 6th century, named Punithavathi.

Karaikkal Ammaiyar

10.0 1973
Joymoti

In the late 17th century, a boy-king ruled the Ahom dynasty of Assam. But the executive power over the whole administration was vested on the Prime Minister. Owing to the presence of a large body of princes, each of whom was a positive material for insurrection, no king could sit on the throne safely. The Prime Minister, therefore, instituted search for the suitors to capture and kill them, or let off after mutilating thereby banning them for succession. The principal target of massacre was Godapani, a man of personal - vigor and energy. But Godapani became aware of The Prime Minister's design and fled to the Naga hills. Unable to trace Godapani, the army led by, one Gathi Hazarika, came upon his wife Joymoti. Gathi inflicted tortures on her to elicit the much sought-after information. She stuck to plea of ignorance, and replied to the increasing tortures by silence and patience. She breathed her last in the midst of torture.

Joymoti

8.0 1935
Four on Eleven : The Fading Glory Of Parsi Cricket

The Parsi Community has inked an incredible mark in Cricket, with a rich and storied legacy dating back to the early days of Cricket in India. Parsi Cricketers played a pioneering role in nurturing and popularising the game, producing some iconic cricketers. However, over time, the Parsi Community's influence on the sport has gradually declined, reflecting broader changes. While their contributions remain essential to the history of Indian cricket, the community's active participation on the field has diminished. But, is there still hope left?

Four on Eleven : The Fading Glory Of Parsi Cricket

NR 2025
Shree Gouranga

Sree Gouranga is a 1933 Indian Bengali biographical film that chronicles the life of the revered spiritual leader, Sri Chaitanya Mahaprabhu, also known as Gauranga. The film delves into the early life of Mahaprabhu, born Nimai in Mayapur in 1486, highlighting his mischievous childhood and subsequent intellectual brilliance. Despite family pressure to marry, Mahaprabhu prioritizes his spiritual journey and eventually leaves his home to become an ascetic. The film portrays his deep devotion to Lord Krishna and his eventual return to visit his mother, where he instructs his wife to worship the same deity. The film is a historical and devotional portrayal of the saint's life.

Shree Gouranga

9.0 1933
Ranadheera Kanteerava

Ranadheera Kanteerava is a 1960 Indian Kannada-language historical drama biographical film directed by the editor-turned-director N. C. Rajan and written by G. V. Iyer. It is one of the most popular films of acclaimed Kannada actor Rajkumar, who plays the role of an emperor Kanthirava Narasaraja I of the Wodeyar dynasty, Mysore, who was fondly named as Ranadheera Kantheerava. The film depicts the life of Kanteerava, who is known for his immense physical strength through wrestling. The film was credited to be one of the most authentic historical films made, since it was entirely based on the documents found in the Mysore Palace. The film also stars Udaykumar, Leelavathi, K. S. Ashwath and Sandhya in prominent roles.

Ranadheera Kanteerava

8.0 1960
Shahjehan

Shahjehan (a raw Rehman in one of his first releases) is approached by a Rajput chieftain, Jwala Singh, narrating the plight of his foster daughter, Ruhi (Ragini), who is blessed with unheard of beauty. This gives rise to an army of suitors, who indulge in violence to prevent her from getting married by scaring her to-be grooms. Her beauty, confined to four walls of Jwala's haveli becomes part of folklore, and street gossip, through the poetry of Sohail (Saigal) who accidentally catches her glimpse, and falls in love with her.

Shahjehan

5.4 1946
Ekti Jiban

Gurudas was a Sanskrit teacher in a village school in undivided Bengal. While teaching he felt the absence of an up-to-date lexicon in the Bengali language which has gained a new shape delinking itself from the original Sanskrit. In no time, he devoted himself to reconstructing a Dictionary and spent most of his life in pursuit of culling vocabularies from the mouths of common people. In the wake of the partition of Bengal in 1947, he came over to West Bengal and found shelter in a refugee camp. Meanwhile, he lost his daughter, son, and wife one after another, and was thrown into abject poverty still undaunted in spirit Gurudas went ahead with his mission. The only woman beside him was his widow daughter-in-law who kept vigil like unflinching flame of love and affection. When his work saw the light of day the erudite came crowding to show honor. The govt. conferred a befitting award but he refused. He was opposed to all these empty shows of honor.

Ekti Jiban

10.0 1988
Dakshayagna

Dakshayagna is a pivotal tale in Hindu mythology. It recounts the grand sacrifice ritual organized by Daksha, where his daughter Sati, wife of Lord Shiva, tragically immolates herself due to her father's insult to her husband. Enraged by this, Shiva destroys the sacrifice, leading to the creation of the Shakti Pithas. This event also sets the stage for the reincarnation of Sati as Parvati, who later marries Shiva. The story is central to understanding the complexities of Hindu deities and their interactions.

Dakshayagna

8.0 1934
God Is In The World

Devrishi Narad informs Bhagwan Shri Vishnu of atrocities committed by Mahaant on low caste untouchables. Narad is told that a devotee by the name of Eknath has already been born in Paithan, the grandson of Chakrapani, who will ensure equality for all. Eknath turns out to be precocious and is sent out to Janardhan Swami's Ashram. Years later he returns, weds his childhood sweetheart, Girija; visits the Char Dhams (Dwarka, Badrinath, Jaggannath Puri, & Rameshwaram) and sets out to do his fated task much to Mahaant and the Jagirdar Amar's chagrin - who arrest and put him behind bars.

God Is In The World

NR 1976