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Memphis Belle in Color

In January 1942, the U.S. military created a new bomber command, the Eighth Air Force, and sent a small contingent of men overseas to loosen the Nazis' grip on Europe. The command's star player was the B-17, a fast, heavily armed aircraft that changed the course of World War II. Witness them take on the mighty German Luftwaffe over enemy skies. Discover the story of how one B-17--the Memphis Belle--and its crew lifted the spirits of a nation and became a symbol of American prowess in defense of freedom.

Memphis Belle in Color

8.0 2019
Palais des Papes: A Gothic Fortress

Deep within its ramparts, Avignon is home to a medieval city and structure built over 800 years ago: The Palais des Papes, or Papal Palace, the largest Gothic construction of the Middle Ages. The work on the impressive building started in 1335 on a rocky outcrop to the northwest of the city by hundreds of workers, under the authority of the best French architects of the time, Pierre Peysson and Jean de Louvres. The majestic Palais des Papes houses exceptional frescoes, painted in 1343. Both fortress and palace, the Papal Palace is the symbol of the influence of the church on the Christian West during the 14th century.

Palais des Papes: A Gothic Fortress

NR 2019
Plutocracy V: Subterranean Fire

This documentary focuses mostly on the 1930’s to 1950’s – arguably the most important period in modern American history. These decades included the Great Depression, the peak of labor militancy in 1937 (probably the closest the US has come to a popular revolution since 1787), the rise of the “guest worker” phenomenon, the counter-attack against labor unions, the creation of the military industrial complex, the rise of the FBI, the foundations of the civil rights movement, and the purging of radicals from organized labor and public life.

Plutocracy V: Subterranean Fire

NR 2019
Archiving Time

In Taiwan, there is a group of people participating in this race against time. They are hidden inside the film archive of New Taipei City’s “Singapore Industrial Park”, where the 17,000-plus film reels and over a million film artifacts have become their spiritual nourishment. Day after day, they shuttle back and forth inside, carrying their doubts, their learnings, and their faith. What they are doing is awakening these long-neglected film reels, then piecing together the no-longer-existent social atmospheres and lives of distant pasts recorded on them. And spending time in this archive has become everyday life for these film archivists and restorers.

Archiving Time

NR 2019
Take

TAKE (te reo Maori: issue, promise, challenge) weaves mana wahine (female knowledge), dance and archival materials to retell the story of the removal of the ancestral Maori meetinghouse, Hinemihi o te Ao Tawhito, from Aotearoa, New Zealand to England in 1892. It is a call to return Hinemihi, embodied by Australian born Maori dancer and performance artist, Victoria Hunt. Set in the liminal spaces between history and emotion TAKE unfolds a story of origins, of traumatic events and colonial violence.

Take

NR 2019
Bellini: I Puritani

A passionate young couple finds itself caught up in a conflict between opposing political factions. Entangled as they are in a web of political intrigue, deception and madness, will the power of their love prevail? Set in England during the Civil War, Bellini’s last opera I puritani opposes Royalist cavaliers and rebellious Puritans. Its sweeping historical drama and romantic intrigues drew rapturous music of melancholy intensity from the composer. For the first time, this production includes the entire score written for the work’s Paris premiere.

Bellini: I Puritani

NR 2019
Mute Fire

On 6 March 1906, four men were executed for the attempted murder of Colombian president Rafael Reyes. The event was photographed, and the photos were later used for a fictionalised film on the failed coup. From then on, cinema in this South American country has been inextricably linked to its violent history. Moving images have been used for historiography, propaganda, disinformation and to instil unity in a nation that refuses to come together. Falsos positivos, murdered youths disguised as guerrillas by the army to simulate military success, are a common element.

Mute Fire

6.1 2019
Statement of Youth

At the start of the 80’s sport climbing was in its embryonic stages. Bolted routes were beginning to make a regular appearance, indoor climbing walls as we know them nowadays had not yet been invented and there was no such thing as being a pro athlete. During that period standards rose exponentially, from 7b+ as the cutting edge to 9a becoming the new world standard at the end of the ’80’s. In such a short period the sport changed beyond recognition and, in Britain, was fuelled by a small group of climbers who would do anything to climb full-time: sleeping in sheds underneath crags, shoplifting for food and clothes, and living off unemployment benefits. As illustrated in this film directed by Nick Brown, these climbers were living outside the rest of society and went on to become the most influential figures in the history of British sport climbing.

Statement of Youth

10.0 2019
1940: Taking over French Cinema

Paris, 1940. German occupation forces create a new film production company, Continental, and put Alfred Greven – producer, cinephile, and opportunistic businessman – in charge. During the occupation, under Joseph Goebbels’s orders, Greven hires the best artists and technicians of French cinema to produce successful, highly entertaining films, which are also strategically devoid of propaganda. Simultaneously, he takes advantage of the confiscation of Jewish property to purchase film theaters, studios and laboratories, in order to control the whole production line. His goal: to create a European Hollywood. Among the thirty feature films thus produced under the auspices of Continental, several are, to this day, considered classics of French cinema.

1940: Taking over French Cinema

9.0 2019
Les Justes

Today, immense confusion reigns over the quest for the absolute, revolt and fury, violence and its appendages. And many people plunge back in Albert Camus' work to find answers. In the foreword to his play, the philosopher and writer summarizes the intrigue as follows: "In February 1905, in Moscow, a group of terrorists, belonging to the Socialist Revolutionary Party, organized a bomb attack against the Grand Duke Serge, Tsar's uncle ”. The rapper and slammer Abd Al Malik offers with this "musical tragedy" a contemporary staging of "The Just", a complete creation, faithful to the text of Camus, but reinventing a scenic and musical language resolutely inscribed in our time.

Les Justes

NR 2019