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Òrun Àiyé: A Criação do Mundo

Òrun Áiyé shows the journey of Oxalá (Carlinhos Brown) to fulfill his mission, the creation of the world. The animation will be narrated by the griot figure, represented through the historian, Ubiratan Castro (1948-2013), affectionately called Bira (Carlos Betão), who will lead the discovery of his granddaughter, Luna (Fernanda Crescencio), to the living memory that is the African continent. The gods Orunmila (Jorge Washighton), Oduduwa (Fábio Santana), Exú and Nanã will play a fundamental role in the outcome of this story.

Òrun Àiyé: A Criação do Mundo

6.5 2016
LGBTs no regime militar

In 1980, the first march of gays, lesbians and transvestites took place in Brazil in protest against the constant police operations that took place in São Paulo, which aimed to repress these groups. Based on Renan Quinalha's doctoral thesis, “Against morality and good customs: the sexual politics of the Brazilian dictatorship (1964-1988)”, carried out by the Institute of International Relations, a series of four 5 minute videos about the birth of the LGBT movement during the Military Regime.

LGBTs no regime militar

NR 2018
Participar: Experiência no Governo Democrático

Documentary about the resumption of popular participation, with the country's redemocratization, in public city planning policies. It gives examples of community councils and Neighborhood Friendly Societies in the health sector in Franco da Rocha, transport in Osasco and Santo André, community kitchens in communities and councils of employee representatives in companies such as Metrô and Emplasa, which still carried out training in auxiliary inspection system, with the presence of civil society, in the inspection of water sources and public transport areas.

Participar: Experiência no Governo Democrático

NR 1984
São Paulo: Three Visual Essays

São Paulo: Three Visual Essays redeems key characters of the city, with photographs taken in 1862, such as the ones by Militão Augusto de Azevedo, then onwards through the 20th century, with shots by Alice Brill, and finally through the 21st century, with pictures by Mauro Restiffe, among others. The visual communication of the city is presented since the painted walls of the 19th century to its neon lights and billboards by the 20th and 21st centuries. It also accompanies the grand transformations the city has gone through. Within the course of a hundred years, São Paulo, which started out as a village, transformed into one of the world's greatest metropolis.

São Paulo: Three Visual Essays

NR 2017