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Disillusioned by years of futile bloodshed, General Chang Ta initially refuses the emperor’s call to defend the collapsing dynasty. It is his wife, Chen Pi-niang, a woman of exceptional intelligence and resolve, who urges him to answer his duty. At Tzu Lang Chow, she bids him farewell with a lock of her hair, a symbol of devotion and sacrifice, as he marches toward a seemingly hopeless battle. While Chang Ta fights at the front, Chen Pi-niang organizes local militias and leads a daring volunteer fleet of fishing boats to deliver supplies and strike the enemy. As defeat closes in and betrayal looms, husband and wife each face their fate with unyielding loyalty to their country.

Lee Sun-fung is renowned for adapting literary classics for the silver screen. To commemorate the seventh anniversary of the Union Film Enterprise known for producing quality films and co-founded by Lee, Human Relationships is adapted from writer Ba Jin's novel into film. The Yiu family moves into a manor. Mrs Yiu, while frustrated by the way her step-son is spoiled by her husband and mother-in-law, develops a friendship with a kid (Michael Lai) who steals flowers from the mansion's garden. She later learns that he is the son of the place's former owner whose downfall at middle age is the result of being spoiled when young. Lai was only a child but gained a foothold among seasoned veterans like Cheung Wood-yau, Ng Cho-fan and Pak Yin.

It was assisted by the Qing army and some traitors (Fan Cheng-En), who captured Guangzhou and massacred the civilians for three days until Sun Yat-Sen established the Republic of China and Chiang Kai-Shek succeeded in the Northern Expedition.

A mix of supernatural tone, comedic banter and nudity with musical numbers, it takes a while before this story of two scholars being courted and haunted by both, fox spirits and malicious ghosts, gets started. Do the scholars side with the fox spirits, trying to achieve immortality or are they being bewitched by it? It leads to a wild ending with a battle between humans, fox spirits and ghosts that seems more like a Halloween costume showcase than anything else.

Based on Louis Cha's novel Fox Volant of the Snowy Mountain.

Continuing the story of Part I, the plots follows the tragic fate of teahouse songstress Shen, who is forced to become the mistress of the evil warlord Liu. When the latter discovers that she has had a secret rendezvous with her lover Fan, he tortures her to insanity. A fine melodrama, indeed the best a studio can offer in its time, The Story of Three Loves is also the last film of screen diva Grace Chang who plays two roles, the tender and affectionate Shen, and the arrogant and spoiled He...

The Birth of Yue Fei is a Hong Kong Drama starring Sammo Hung in a child role

In 1966, like in The Love Eterne, Ling Bo took up the male lead in Forever and Ever, despite Shaw Brothers' earlier plan of having her as the female lead. Facing opposition from fans, they finally arranged for her to star as a male student named Xiaowen. Wicked rich man Liu, portrayed by Lo Wei, the director of this film, wants Xiaowen to marry his daughter (Lin Yu) who is suffering from leprosy, thinking that marriage will take away her disease. Although Xiaowen discovers Liu's plan, he is still in love with her and hopes that a miracle will cure her disease...

Special agent Xiang Cheng and his men are sent to Russia to investigate a Chinese crime ring.

While Wong Fei Hung is away traveling, three ruthless villains pretend to establish a temple as a front for a range of criminal activities including kidnapping young woman to be used as sex workers. Wong’s wife is told about the goings on by a student and together they take on the gang. Eventually Wong Fei Hung returns and the operation is raided by the married couple and their students. But the villains have filled their temple with traps and secret rooms.

Historical drama.

Historical drama from Hong Kong directed by Leung Siu-Bo.

A 1986 film directed by Li Han-Hsiang. Nominated for Best Film in the 6th annual Hong Kong Film Awards.

Chu Yuan was a patriotic poet and statesman in ancient China, born over 2000 years ago in the state of Ch'u of the "Warring States" Period, a period of transition from Slavery to Feudalism System. Ch'in, Ch'u, Chao, Wei, Yen, Han and Chi were the Seven States occupying various parts of China at incessant war of annexation with one another. Of the Seven States Ch'in grew most powerful. Vis-a-vis Ch'in's military pressure and Ch'u's political corruption, Chu Yuan advocated alliance with Chi to resist Ch'in abroad, and political reforms at home so as to unify whole China. Chu Yuan's political viewpoint met with sabotage by slave-owning aristocrat bloc, was unable to be carried out in Ch'u. Being so indignant he finally took his own life by jumping into the river. His poems "Li Sao" "Tien Wen" etc. in the development history of Chinese literature, shone with everlasting brilliance.

"The Biography of Sakyamuni Buddha" reproduces the journey of Sakyamuni from the birth of a prince, his renunciation, ascetic practice, seeking the Tao, until he became enlightened under the bodhi tree and became a Buddha more than 2,000 years ago.

Most of the Liang family are murdered by Ling Guixing and the surviving son Liang Tianlai (Ng Wai-Kwok) wows to bring him to justice. Fighting against corruption in several courts, his only main witness is beggar Afeng but as Ling has people around him willing to bribe and murder, soon Liang is left alone. All up until he meets what seems like the last upstanding official...

Based on a popular folklore from ancient China, THE LORD OF HANGZHOU is the chronicle of Emperor Qianlong's many secret tours to Southern China, and the friendship he developed with Miqi, a big spender from a wealthy family. Their relationship laid the background for what was to follow, as Miqi subsequently headed to the Capital City after losing all his fortunes...

Shot at the same time as the inaugural chapter, The Story of Wong Fei-hung, Part Two is a continuation of the story. Solving the cliffhanger at the end of Part One and carrying on with a series of fights against a lineup of martial artists recruited by Master Wong's nemesis, Part Two culminates in a showdown with Grey Hair Fu, played by the great character actor Sek Kin, who is to appear as the archvillain in most of the following chapters, each time in a different guise.

Beyond the Great Wall is a true story based on how Wang Chao-chun sacrificed her love and life for the good of the Chinese people during war time fears between China and the Huns.

It is a simple story with a deep meaning. When the beautiful chanteuse Hung (Law Yim-hing) is forced to marry Commander Lau (Lau Hark-suen), her brother (Cheng Wai-sum) interferes but is brutally beaten to death. Hung also falls to her death when she tries to escape. The siblings are only hastily buried in a coffin home, which is haunted soon afterwards. Hung's lover Wong (Wong Chiu-mo) later sneaks into the haunted house hoping to see her for one last time; Lau, meanwhile, insists on inspecting the coffin home and the corpses to prove that ghosts do not exist…The film creates an eerie and uncanny atmosphere with its well-designed camera angles, sound and editing. The haunting looks of the two ghost characters are a nod to Hong Kong's typically told horror stories.

Emperor Chin invaded smaller neighboring kingdoms. The crown prince of Yin visits Emperor Chin, who uses a 'beauty trap' to hold the crown prince as a hostage. With the help of his wife, Prince Yin escapes. He plans to assassinate Emperor Chin. Fan Yu Kei recommends King Or. In order to carry out his dangerous assignment, King Or kills his own family to relieve himself of all cares. Finally, King Or fails in his mission.

The film traces the life and times of Esther Eng, a San Francisco native known as Hong Kong’s first “directress.” She directed 10 Cantonese talkies.

A robber named Zhang Kui hid in a coffin to avoid the authorities before being transported to another associate. Instead of joining his friend in a major robbery, Zhang Kui ran away together with wife and daughter. Zhang failed to escape, but his daughter would train as a marital artist until she can take revenge for her father.

Wong Fei-Hung takes on the the five wolves gang.

The lovely Li Hsiang-chun stars as a poor beauty who is drugged, ravished, lied to, locked in a burning store room, left to drown, and chased by sword-wielding ruffians, among other things. Her only hope is her betrayer's new wife, played by the strong and sensual Ivy Ling Po. Dawn may come, but the questions is: will it be too late? Director/writer Kao Li shows both restraint and sadism in this historical melodramatic tearjerker.

Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes. ‘Movie-fan princess' Connie Chan Po-chu not only sings Cantonese song and huangmei tone solos in the film, she also wows the audience by taking up the doumadanrole for the first time as the Tang dynasty female general Fan Lei-fa, showing off her superb operatic martial skills, together with Shum Chi-wah, inherited from Peking opera master Fen Ju Hua. Yu Kai's weaponry prowess and renowned female comedian Tam Lan-hing cross-dressing as a male general are also brilliant in this gem.

This is a Historical Drama that was written and directed by Doe Ching. It was produced by the Shaw Brothers Studio.

In the third and Final film of the Exiting Martial Arts Trilogy, Sam the Iron Bridge is now Governor of Canton.

He is sent by the gods to do battle with the monkey King who is up to more magical mischief than is good for him.

In 1941, Hong Kong was the Casablanca of the East, a city full of war refugees, profiteers and spies. With the sudden attack by Japanese troops, a Canadian soldier's Christmas promise is broken during the Battle of Hong Kong.

A Shaw and Sons production about a couple who loves each other but end up marrying different people because of parental pressures.

Having devoted much of his career to programming and film history research, Law Kar, a.k.a. Uncle Kar, places himself before the camera for the first time. This nostalgic trip down memory lane, as he recounts his personal and cinematic experiences, from film criticism, experimental filmmaking to auditioning for Federico Fellini, cumulates in a brief history of Hong Kong cinema itself. Reflecting on the past 80 years, Law Kar's affectionate documentary sheds light on local movies and Chinese cinema, brooding over the socio-political transformation of our perplexed city, as the restless cinephile ponders the role cinema and art play in times of crisis.

A Hong Kong historical drama

The film was filmed for Chiang Kai-shek's re-election of the president. The history teacher introduced the origin of the Youth Festival to the students: Fujian Lin Juemin left his wife and went to Spike to engage in revolutionary work; Guangxi Wei Yiting took the uprising with the master Li Deshan, Sichuan Yu Peirun and Pei’s brothers fought in the righteousness, and a total of 72 martyrs uprising under the leadership of Huang Keqiang , determined to overthrow the full Qing

During the Warring States Period, Nung-yuk, the Princess of Qin, denounces the mundane world and dreams of marrying an immortal. This extends to her criteria for choosing a husband: excelling in flute playing. Once, she is captivated by the tune 'Three Melodies of Rainbow Dress' and mistakes the qin player Siu Sze for a fairy. Yuk then persuades Sze to sit the national exam for a better future. Sze's music attracts hundred of birds. Yuk returns to the palace pleading with her father Esquire Muk to agree to their marriage. Despite the Empress Dowager's opposition, Yuk leads a secluded life with Siu afar; a noble breed thus living a hard life. The King lets her go, only granting an annual visit. A year later, Yuk and her husband returns for a visit. The Queen still wants to break them up. Later, Jin State sends people to discover the whereabouts of their Princes. Siu is in fact the Prince of Jin. With Muk’s blessings, Siu marries Yuk in Jin, a marriage which brings peace to both states.

Production company Taoyuan chose for its inaugural film a comedy and Fong Yim-fun gets to take a break from playing long-suffering roles and showcase her talents in making us laugh! She plays the spritely titled character, brandishing a fresh image. The film is an adaptation of the literary classic Romance of the Western Chamber, in which the Prime Minister's daughter (Law Yim-hing), under siege from rebel soldiers, is rescued by a plan formulated by a poor scholar (Law Kim-long), with whom she is in love. But her mother (Poon Yat On) reneges afterwards on her promise to let the rescuer marry the daughter, and the clever Red Maid steps up as go-between, devising a series of sharp-witted tactics to help the lovers.

A Cathay Studio production

A Taoist priest herds his jiangshi charges across the country, but they are not all what they seem.

A Shaw Brothers Chinese Opera based on the Qing dynasty musical play that recounts the death of the Ming dynasty through the love story of its two main characters, young scholar Hou Fangyu and a courtesan named Li Xiangjun.

Taiwanese horror movie from 1966.

Based upon a hugely popular romance novel by Shanghai writer Zhang Henshui, the film tells the intriguing relationship between a rich Beijing college boy and three young women: a street artist, an upper class lady, and a teahouse songstress.

HK historical drama

HK historical drama.

Upon becoming Prince Regent, the bellicose Lord Biu of Wu sends commander-general Si Ching-wan to rage wars between the Zhao and Chen Kingdoms. A small state that is long on literary excellence but short on military might, Chen is defenceless against the invading forces. The compassionate general answers the pleading of the Chen princess, Fung-ming, to sign a treaty of peace. In his speech to the lord, Deputy General Lau Mo-yeung accuses Si of treason so as to lay claim to Chen. The lord dispatches the valiant fighter Lui Chen-sing to Chen on an assassination mission, but the assassin is vanquished. Si prevails on Lui of his patriotism. Lord Biu fights Chen. In a dire attempt to redeem Chen, Si surrenders to the Wu camp. Lui pretends to have blinded Si to extricate him. The duo ally with a band of chivalrous fighters to overturn the corrupt regime. Dispossessed of his throne, Biu commits suicide. Si returns to his land to serve as an aide to the young king and marry Fung-ming.

A mysterious figure posing as Sun Wukong causes chaos in the Water Curtain Cave, humiliates He Xiangu, and confuses Liu Yaojin, the lady of the Liu family. The immortals attempt to subdue the troublemaker with spells but fail repeatedly. As celestial tensions rise, the Jade Emperor steps in to investigate. With help from Tang Sanzang, the truth begins to unfold.

In a society obsessed with economic development, the old and the young are often ignored. A young man from a rural area is hired to take care of an old man living on a farm. The old man stands firmly on keeping his home, while the young man works hard to make a life for him and his girlfriend. However, the two are met with the harshness of a society that's leaving them behind. In the end, they become victims to a fate they did not choose.

The film opens with a travelogue, showcasing West Lake and the real Mainland Chinese locations used by the film to which only the Left Wing of Hong Kong Cinema had access to at the time. The title character is a young woman raised by her courtesan aunt in the West Lake scenic resort area in Hangzhou. Siu Siu is perused by a local Official, but falls in love with the son of the Prime Minister. They marry, but are separated by the Prime Minister who arranges another marriage for the son. Siu Siu remains at West Lake, where she regretfully uses the desire of the earlier Official to help another of the girls find happiness.

This is a story of how Ru Ji, a farm girl of Chao Kuo, who sacrificed her own life to save her country and people in the year 257 B.C.

'Trailblazers in Habits' is an intimate portrait of a group of American Catholic nuns, the Maryknoll Sisters, who have accompanied the disenfranchised in their struggle for social justice. By turns tragic and joyous, yet always inspirational, this insightful documentary is a revealing portrait of these courageous women. A moving and absorbing chronicle that spans 100 years and several continents, the film celebrates the intelligence and tenacity; the love, compassion and generosity of these early feminists.

Based on Louis Cha's novel The Book and the Sword.