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Algeria 1954, The Revolt Of A Colonized

This film presents the point of view of an Arab from Algeria who rebels against colonization. He analyzes the process of awareness, the transition to revolt, to armed insurrection. Algeria and the settlers are seen through this lens and not the way a Frenchman saw the country. He gives voice to the Arabs at a time when this word was not heard: sometimes it was not even produced, at least publicly. The testimonies are based on real propositions, most of them were made to the author during his stay in Algeria from 1948 to 1956, then in 1958 and 1959. The comments are borrowed from the texts of Arab theorists of the revolution Algerian. This film thus completely evacuates the point of view of those who are not insurgents; he does not give the opinion of the colonists. It is the direct expression of what was the revolt of a colonized person: it thus constitutes the very type of the historical document.

Algeria 1954, The Revolt Of A Colonized

10.0 1974
Allegro Barbaro

Zsadányi flees from the authorities with his goddaughter, Bankós Mari, and they escape into the forest. The film then skips ahead thirty-fold years: Zsadány and Mari are now lovers, with the sound of war in the background halting their romance. The old friends of Zsadányi have joined with the Nazis, and the landowner living with his peasants in a socialist community grows distant from them. Zsadányi is held responsible for political problems in the country, and will pay with his life.

Allegro Barbaro

6.9 1979
The Country and Science

The Voronezh Nuclear Power Plant reactor; Novgorod’s archaeological excavations. Archaeologist Boris Rybakov on importance of historical science. Lenin’s Materialism & Empirio-Criticism. The first university dept of natural compound chemistry in the Soviet Union, located in Tashkent, Uzbek SSR. Agriculturalist Pavel Lukyanenko develops winter wheat varieties at Krasnodar Research Institute of Agriculture. French physicist Hubert Curien on USSR–France collaboration in nuclear physics. Foreign members of the USSR Academy of Sciences: Albert Einstein, Max Planck, Niels Bohr; theoretical physicist Igor Tamm on nuclear transformations in planetary & meteoritic matter, study of the Moon in relation to the Earth’s evolution. Dedicated to the 250th anniversary of the founding of the Academy of Sciences. Archival film, photographs, manuscripts, books, interviews from Academy members, explore its role in the development of science, economics, and its prominent figures throughout its history…

The Country and Science

NR 1974
God Is In The World

Devrishi Narad informs Bhagwan Shri Vishnu of atrocities committed by Mahaant on low caste untouchables. Narad is told that a devotee by the name of Eknath has already been born in Paithan, the grandson of Chakrapani, who will ensure equality for all. Eknath turns out to be precocious and is sent out to Janardhan Swami's Ashram. Years later he returns, weds his childhood sweetheart, Girija; visits the Char Dhams (Dwarka, Badrinath, Jaggannath Puri, & Rameshwaram) and sets out to do his fated task much to Mahaant and the Jagirdar Amar's chagrin - who arrest and put him behind bars.

God Is In The World

NR 1976
The Outlaws of Sevenhorses

The third movie in the Haiducii series, set in Muntenia during the Phanariote period. Lady Ralu needs a million galbeni to buy a jewelry collection from Vienna. In order to satisfy her desire, the Phanariot ruler institutes the "birul vacăritului" (the tax on the cowherd), impoverishing the people. The band of outlaws led by Anghel Șaptecai, after the death of Captain Amza, tries to recover the galbeni, forcibly taken from the tormented people. In the end, captain Mamulos catches Anghel and sends him to the pit.

The Outlaws of Sevenhorses

7.1 1971
Léon Degrelle, Autoportrait d'un fasciste

On the sidelines of history, some characters, often ignored of the greater public have, in the shadows, had a decisive weight on the most important events of our century. We are presenting you there «unknows». A two-part documentary, which is a two-and-a-half-hour interview with Léon Degrelle himself, was produced for FR3 in 1978 by Jean-Michel Charlier, as part of the series "LES DOSSIERS NOIRS" (The Obscure Records).The first part, "LÉON DEGRELLE: CHEF DE 'REX'" and the second part, "LE 'VOLKSFÜHRER' LÉON DEGRELLE".

Léon Degrelle, Autoportrait d'un fasciste

NR 1978
Atlas: A Sketch of the Rise and Fall of the Roman Empire

Atlas gives the viewer an overview of the rise and fall of the Roman Empire. Beginning in 500 BC, a time clock at the bottom of the screen marks off the years – eight to a second – as the boundaries on the animated map change, showing both the growth including the conquests of Alexander the Great, as well as the decrease as the power of the Romans declined. The film concludes with the invasion of the Huns and the sack of Rome in 476 AD. Music by David Spears.

Atlas: A Sketch of the Rise and Fall of the Roman Empire

NR 1976
Shinjuku Station

The Shinjuku district was the epicentre of Tokyo's art scene and the political fever pitch where protests took place on a regular basis during the 1960s. Jonouchi's compilation footage of the area defies documentary imagery and transforms itself into something altogether more poetically subjective, attempting to capture the chaos of the location through his camerawork and editing. In 1974, Jonouchi projected images of the past onto himself whilst reciting Dada-influenced and virtually inaudible poetry generating a cacophony of images and sounds, drawing from and participating in the maelstrom of political and artistic expression during the era.

Shinjuku Station

NR 1974
Power

Titled Power, Tretti's sophomore film was a sort of Mel Brooks' History of the World, in which Tretti explored the history of mankind from one precise point of view: how the powerful ruled over the weak. A man confused as the God of Fire in prehistory; Jesus and Muhammad deciding who must eat what and when because of a power no one has seen; Tiberius Gracchus killed by the senate because he was fighting for the people. Tretti had a bullet for everyone. He loved to unmask those who claimed to be on the side of the less fortunate, showing the three powers - military, commercial and agricultural - sitting on three thrones and chatting on how they can suck life out of men and keep power tight in their hands.

Power

9.0 1972
The Black Ships

Created with imagery taken from the 19th-Century Japanese woodcuts on display in the Smithsonian Institution’s exhibition “The Japanese Expedition 1852-1866 of Commodore Matthew Perry,” the film records the opening of the country to Western trade from a Japanese perspective. In Charles’ words, the film “shows something of the special and rare situations that existed when these two cultures came together…one very sophisticated, one with a highly developed technology.” The soundtrack juxtaposes the visuals, with music from the album “Banjo Kings,” an early-American fife-and-drum recording from the Smithsonian Institution archives, and traditional Japanese music from tapes provided by the Japanese embassy.

The Black Ships

6.5 1970