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The Golden Sparrow

Chandra Mohan is the son of a rich mother (Shanta Kumari) and fun-loving father. His mother asks him to marry, but his father advises him to run away from home and enjoy life. His mother announces rewards for those who find him. He tries to escape all these people. A criminal gang which has an eye on his properties sends one of their female members (Vijaya Nirmala) to attract him. But she falls in love with him. The remaining story is about how they both escape the criminal gang and unite.

The Golden Sparrow

9.0 1968
Three Daughters

Three stories with three central female characters linking the stories together. The first one concerns an orphan girl who grows attached to the postmaster she is caring for after he teaches her to read and write. The second one is a supernatural tale about a woman obsessed with the jewels her husband buys for her. The final one follows a young man who falls for an unconventional girl from his new village instead of his arranged bride, the daughter of a respectable family.

Three Daughters

7.6 1961
Bhoot Bungla

Rekha and her uncle Shyamlal are the only survivors in their family which has a long and painful history of death under bizarre and suspicious circumstances while living in their ancestral property. Rekha and Shyamlal leave their ancestral property in fear and settle down in the city where Rekha meets a jovial and rowdy bunch of youngsters belonging to the Youth Club. Members of the Youth Club decide to unravel the mystery of Rekha's ancestral property and hope to find out if those deaths are freak accidents or an ancient curse.

Bhoot Bungla

7.7 1965
Dil Tera Diwana

Wayward, brash, and disobedient Mohan (Shammi Kapoor) is sent by his angry dad Diwan Badriprasad (Ulhas) to a retired army captain Dayaram (Om Prakash) to learn some discipline and respect. But Mohan asks his friend Anokhe (Mehmood) to switch places with him, and Anokhe agrees to do so. Mohan meets with Meena (Mala Sinha), who lives with her blind dad (Manmohan Krishan). Anokhe is welcomed as Mohan by Captain Dayaram and his daughter Malti (Shubha Khote) in their household. Eventually both Malti and Anokhe fall in love. Things start to get even more muddled when Captain Dayaram finds out that Anokhe is married to another woman, and that Anokhe drives a rickshaw. The police are notified and they are asked to arrest Mohan - they arrest 3 Mohans. Who is the real Mohan?

Dil Tera Diwana

6.5 1962
College Girl

In India, girls from their very birth are taken for a liability upon their parents; thus the mothers of the nation are looked down on in their own homes. Kamala represents such afflicted Indian girlhood. She is the daughter of Judge Ram Pershad who is illiterate and has orthodox views about girls. She stands first in the Matriculation Examination and has an ardent desire for studying in college in order to become a doctor. Judge Ram Pershad is totally against college education for girls. It is his faith that any money spent on the sons alone is money well-spent merely because they are sons and will stand by him in his old age. Kamala is determined not to bow before injustice, but to secure her rightful place in society. She makes an all-out bid to join college with the contrivance of Dr. Ratanlal, a close friend of her father. In college, she comes across Shyam, who helps her in many difficult situations.

College Girl

NR 1960
Johar-Mehmood in Goa

Mary and Peter fall in love with each other and are about to get married, when Peter is asked to re-join his regiment to go to war. Shortly thereafter, he is missing, believed to be dead, leaving behind a devastated Mary who subsequently gives birth to twins, and leaves them on the doorsteps of two Goan households, and becomes a nun. Twenty four years later, India is a free country, while Goa is under the rule of the Portugese, Mary is the Mother Superior; Peter, who is still alive, is the Deputy Superintendent of Police in Goa, who has been entrusted the task of apprehending two revolutionaries by the name of Ram and Rahim - none other than his very own sons. Watch what happens when duo unleash a series of attacks against the oppressive Portugese regime, including robbing the Bank of Portugal, disrobing an arrogant Superindent of Police, Alburqueue, then setting his house on fire, joining hands with dreaded bandit Daler Singh, and abducting the daughter of the Goa's Hakim, Rita.

Johar-Mehmood in Goa

7.7 1965
Biwi Aur Makan

Four young men re-locate from a village in India, to a big city. While attempting to access accomodation, they are repeatedly told that rooms will only be rented to married couples, not to bachelors. Frustrated at this, two of them disguise themselves as women, and pose as wives for the other two males. They are able to secure accomodation with the Mishra family. Complications arise when the two "women" fall in love with Mishra's two lovely daughters - with results that can only be described as hilarious.

Biwi Aur Makan

8.0 1966
Bluff Master

Ashok, is on a lookout for a job. But that does not stop him from putting on airs and bluffing, pretending that he is from a rich family. As luck would have it, he get a job of a photographer for a fictitious tabloid - Bhukump, only to lose it, because he had the misfortune to click the photograph of the owner's daughter Seema slapping an eve teaser. Never one to give up, he somehow meets her and convinces her of his good intentions. When she falls in love with him, Ashok tries to give up bluffing. But it is too late. No one believes him.

Bluff Master

6.6 1963
Waris

Due to disagreements in the King's household, his wife and son decide to move away from his kingdom. Years later, the King passes away and the palace decides to locate the Prince, so that he can claim his rightful place on the throne. They locate three young men, all claiming to be the prince. The Palace officials put them to the test, and one by one, all of them pass various tests imposed on them, leaving the officials in a quandary, as to who the real prince is between these three young men.

Waris

6.3 1969
Chaudhary Karnail Singh

Chaudhary Karnail Singh is a 1960 Indian Punjabi movie based in the pre-partition times of India. The film was one of the earliest works of Prem Chopra. The film won a National Award. In a village circa post British rule in India, a noble Sarpanch, Karnail Singh, is forced to chose sides between his son, Buta, and a Muslim couple, Shera and Naji, who want to get married amidst violent clashes between Hindus, Sikhs and Muslims before the formation of Pakistan; as well as deal with suspicious Indian Government officials.

Chaudhary Karnail Singh

9.0 1960
Bharosa

Ramdas is a trusting individual, and trusts everybody around him. When times turn bad for him, he entrusts the life of his son, Bansi, to his trusted employee, Ronaklal, and departs. He regularly sends money to Ronaklal to provide for the upkeep of his son, but Ronaklal uses this money to educate his son, Deepak, keeps Bansi uneducated, and makes him do a lot of manual work. Years pass by, Ronaklal is now crippled, and is dependent on Bansi, as Deepak has left him, got married to a wealthy girl, and lives with his in-laws. Ronaklal is unable to show his face to Ramdas, and avoids him, and Bansi has grown up without knowing who his real father is. Will Ronaklal be able to tell Ramdas the truth when he returns, or will be just let Deepak be the sole heir to all the estate and the property?

Bharosa

9.0 1963
Love in Tokyo

Gayetridevi sends her son, Ashok to get her grandson from Japan. Gayetridevi had an elder son, who married a girl of Japanese origin without her blessings. She wants Ashok to get married to Sarita, but Ashok does not show any interest in Sarita. In Japan, Ashok meets with Asha and both fall in love. Asha's uncle wants Asha to marry Pran, but Asha does not like Pran and runs away with Ashok. Pran runs down Ashok with his car, and Ashok is hospitalized and may lose his eye-sight. Gayetridevi will soon find out which of the two girls - Asha - who she does not approve of - or Sarita, will take of her blind son.

Love in Tokyo

4.7 1966
Shudhu Ekti Bachhar

Shudhu Ekti Bachhar is a romantic comedy that is based on a comical situation which finds the female protagonist having to marry a complete stranger according to her father's will. The stranger she is to be married is a funny boy whom she is at cross ends with. The story goes on with this baseline, that they agree to stay married for a year and the comedy rolls on there forth. There are many quarrels, misunderstandings and childlike fights, which all add to the comical content of the movie. All characters add life to the story with hilarious punch-lines and comical episodes. And in the end the two main leads falling in love with each other and living happily ever after.

Shudhu Ekti Bachhar

10.0 1966
Jhumroo

Anjana lives a wealthy lifestyle with her dad, Dwarka Nath, in a hilly region in India. When she returns home after several years, she finds that her dad has become more strict and a disciplinarian, and even has his erring employees and villagers flogged. Then she meets with local villager, Jhumroo, and both fall in love with each other. Jhumroo takes her home to introduce her to his mom, Kamla, who approves of her instantly. When Dwarka comes to know about this, he is enraged, and quickly announces her marriage with his Manager, Ramesh. Jhumroo is heart-broken and goes to meet with Anjana, who does tell him that she loves him, but must obey her father. What Jhumroo and Anjana do not know is that she is not Dwarka's daughter, but is the daughter of Kamla, and abducted at a very young age.

Jhumroo

8.0 1961