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Celestine

The story opens with Celestine eluding arrest with a friend as the police raid a brothel. While hiding out in the hayloft of the Count de la Braquette's estate, she meets the hayseed handyman Sébastien and the butler Malou, who reward her favors with the offer of employment. In a manner recalling Terence Stamp's effect on the household in TEOREMA, Celestine's open and relaxed attitude toward sexuality has a transformative effect on the isolated, moribund inhabitants of the mansion, imbuing them with gift of renewed life for the men and women alike, that remains even after a third act twist that forces her to betray them.

Celestine

5.6 1974
The Year 01

The film narrates a utopian abandonment, consensual and festive of the market economy and high productivity. The population decides on a number of resolutions beginning with "We stop everything" and the second "After a total downtime will be revived-reluctantly-that the services and products including lack will prove intolerable. Probably: water to drink, electricity for reading at night, the TSF to say "This is not the end of the world, this is an 01, and now a page of Celestial Mechanics". The implementation of these resolutions is the first day of a new era, Year 01. The Year 01 is emblematic of the challenge of the 1970s and covers such diverse topics as ecology, negation of authority, free love, communal living, rejection of private property and labor.

The Year 01

6.6 1973
Midnight Party

Sylvia, a stripper, attends a party where the theme is a mock spy adventure. Unfortunately, she soon finds herself thrust in a real espionage adventure. There are these two playboys that invite her to their midnight orgy. Later, her communist rock star lover shows up in her dressing room and starts shouting anti-capitalist rhetoric. In the mean time, her hypochondriac husband keeps loosing money in poker games. And in between, she talks directly into the camera, trying to entertain us.

Midnight Party

5.0 1976
The Mad Adventures of Rabbi Jacob

In this riot of frantic disguises and mistaken identities, Victor Pivert, a blustering, bigoted French factory owner, finds himself taken hostage by Slimane, an Arab rebel leader. The two dress up as rabbis as they try to elude not only assasins from Slimane's country, but also the police, who think Pivert is a murderer. Pivert ends up posing as Rabbi Jacob, a beloved figure who's returned to France for his first visit after 30 years in the United States. Adding to the confusion are Pivert's dentist-wife, who thinks her husband is leaving her for another woman, their daughter, who's about to get married, and a Parisian neighborhood filled with people eager to celebrate the return of Rabbi Jacob.

The Mad Adventures of Rabbi Jacob

7.4 1973
The Annuity

In 1930, Louis Martinet, a peaceful sexagenarian, no longer has a long life to live according to the words of his doctor, Leon Galipeau, who sees to take advantage of the very interesting situation of the "future deceased". This one indeed has a small house in Saint-Tropez. Galipeau sniffs the windfall. Following his advice, Martinet agrees to give it in life to the brother of the doctor, Emile, and then rushes back to a health of iron. Worse, he even survives the war. Galipeau, exhausted, decide to use the great means to get rid of the importunce who persists in thwarting their project ...

The Annuity

6.6 1972
Daisy Town

When the members of a caravan of pioneers find a daisy growing in the middle of the desert they decide to stop there and to build their town on this very spot. Houses soon spring up like mushrooms, immediately followed by a bank, a saloon, a prison, etc. Daisy Town is born. Unfortunately a city does not go without its bad boys and the peaceful place is soon turned into a lawless place. To restore law and order, a lawman is needed. Lucky Luke, the cowboy who shoots faster than his shadow, will be this man: all the villains had better watch out!

Daisy Town

6.8 1971
Madame Claude

Based on a true story. Madame Claude, a well connected Parisienne with dark past, runs a network of high-class call girls. She sends her girls to any place in the world to satisfy sexual desires of wealthy and powerful men. Claude's manipulations also involve big business and politics. Meanwhile, photographer David Evans is trying to clear his own criminal record by providing the authorities with pictures of Claude's girls with important clients in compromising positions. But powerful men can do anything to keep their secrets...

Madame Claude

4.9 1977
Mamie Rose

Agathe and Regis have a little boy, Benoît, who is very capricious and sometimes aggressive. The couple, on the verge of divorce, is planning to go on vacation in order to better reflect on their decision. To do this, Agathe and Regis publish an ad in a newspaper: "Young couple seeks au pair grandmother to take care of little boy, 10 years old...". An old lady, Rose, shows up. She arrives with a fish and a bird she can't part with. The first contacts with Benoît are very unpleasant. Not discouraged, she realizes that he is unhappy and that he suffers a lot from feeling unloved in his family.

Mamie Rose

6.0 1976
La Tête des autres

Prosecutor Maillard can rejoice: he has just obtained the death sentence of an accused accused of murder. It is the third head he gets at the assizes. There followed an evening of rejoicing with his wife and friends, including the prosecutor Bertolier. The latter's wife is Maillard's mistress. The lovers left alone, the condemned man, Valorin, burst into the room. He managed to escape during his transfer to the remand center. Valorin immediately recognized Bertolier's wife. And for good reason: at the time of the crime, they were together in a brothel. Stunned by the miscarriage of justice he has just committed, Maillard then tries to rehabilitate Vallorin while trying to avoid a scandal in the judiciary. He then calls Bertolier to the rescue. Valorin is opportunely killed "accidentally" and ... everything will go back to "order".

La Tête des autres

7.0 1973
The Phantom of Liberty

This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.

The Phantom of Liberty

7.5 1974