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Celestine

The story opens with Celestine eluding arrest with a friend as the police raid a brothel. While hiding out in the hayloft of the Count de la Braquette's estate, she meets the hayseed handyman Sébastien and the butler Malou, who reward her favors with the offer of employment. In a manner recalling Terence Stamp's effect on the household in TEOREMA, Celestine's open and relaxed attitude toward sexuality has a transformative effect on the isolated, moribund inhabitants of the mansion, imbuing them with gift of renewed life for the men and women alike, that remains even after a third act twist that forces her to betray them.

Celestine

5.6 1974
La Poupée

La Poupée is a series of three short films inspired from a comedy in four acts of the same name by Edmond Audran, performed for the first time at the Théâtre de la Gaieté in Paris on 21 October 1896. Young Lancelot, a novice from a very poor convent, is forced to marry to be entitled to an inheritance from his rich uncle. The prior, wanting to take advantage of this opportunity, finds a solution. The novice will marry an automaton and return to the convent. But a real young woman, the daughter of the automatized mannequins maker, decides to take the place of the doll.

La Poupée

NR 1897
The Four Troublesome Heads

One of the greatest of black art pictures. The conjurer appears before the audience, with his head in its proper place. He then removes his head, and throwing it in the air, it appears on the table opposite another head, and both detached heads sing in unison. The conjurer then removes it a third time. You then see all three of his heads, which are exact duplicates, upon the table at one time, while the conjurer again stands before the audience with his head perfectly intact, singing in unison with the three heads upon the table. He closes the picture by bowing himself from the stage.

The Four Troublesome Heads

7.2 1898