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Dang Ding Dong

Bung and Mas are two caretakers in an orphanage at the outskirts of the city. One night, Bung and Mas find a baby abandoned at their front yard. They have a dilemma: if they take it, they are afraid of being scolded by the head of the orphanage, Mr. Sastro; if they do not take it, it is against their conscience and profession. So they take the baby, and are relieved that he is well accepted by Mrs. Sastra and the children in the orphanage. Then Bung and Mas have an altercation with some thugs who chase them, and a car hits them so they end up in the hospital. But in the end, the children they care for are the ones who protect them.

Dang Ding Dong

NR 1978
Zünd an, es kommt die Feuerwehr

A morality tale from the time of the Saxon Kingdom. The von Siebenthal volunteer fire department has nothing to do. When their local pub is in a very dilapidated state, but the landlord has no money to renovate it, the fire department tries to help out by setting fire to it themselves, but it doesn't quite work. They look for a new object to set fire to, the supposedly empty prison. But there is only one prisoner, who is heroically rescued by Captain Kaden.

Zünd an, es kommt die Feuerwehr

4.7 1979
Pane, burro e marmellata

Bruno De Santis, successful TV presenter, was left by his wife Sofia. One day he decides to call her to convince her to come back but her device is broken. By a strange twist of fate, it happens in the house of three women, Vera, Simona and Betty, who, tired of their respective husbands and boyfriends, live together and manage a boutique. By them he is pitied, pampered and even hosted in their apartment. And so Bruno, little by little, becomes the sultan of the little harem.

Pane, burro e marmellata

4.2 1977
Women Cars Villas Money

Ali is the image of modern Africa. He happily returns from a football match on his motorbike but a nasty surprise is waiting for him at his parents' home: he finds Haoua, his bride-to-be, waiting for him. The wedding is celebrated shortly afterwards and the two begin living together under the same roof. They are strangers but cannot stand each other. Haoua is the classic traditional woman who has just arrived from the village, God-fearing and faithful to the laws of tradition. Ali's friends advise him to look for a second wife. He meets Henriette, an uninhibited and provocative city girl, the woman of his dreams. To meet Henriette's constant requests, Ali 'borrows' some money from the coffers of commander Soleymane, but he is discovered and ends up in prison. Henriette is furious and leaves him, whilst Haoua cries for him in despair.

Women Cars Villas Money

5.6 1972
På'en igen Amalie

Amalie is walking along the Copenhagen canal when a woman falls into the water. She jumps in and tries to save the woman, but ends up drowning herself. When Amalie wakes up in the hospital, she finds out that the other woman is dead and that the authorities believe she is the one who died. Now begins a long and tough battle against the bureaucracy of the Danish social system. It all ends with Amalie deciding to commit one crazy crime after another, culminating in an attempt to steal the crown jewels...

På'en igen Amalie

6.8 1973
Every Revolution Is a Throw of the Dice

A tribute to Mallarmé that not only asserts the continuing relevance of his work but also confronts its literary ambiguities with political and cinematic ambiguities of its own. In outline, the film could not be more straightforward: it offers a recitation of one of Mallarmé’s most celebrated and complex poems (it was his last published work in his own lifetime, appearing in 1897, a year before his death) and proposes a cinematic equivalent for the author’s original experiment with typography and layout by assigning the words to nine different speakers, separating each speaker from the other as she or he speaks, and using slight pauses to correspond with white spaces on the original page.

Every Revolution Is a Throw of the Dice

6.4 1977