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Imma is looking for a fake Neapolitan boyfriend to introduce to her mother, but she meets Omar, an Egyptian guy.

Three wives, very devoted to their patron San Girolamo, when they learn that their church will be closed and the saint's statue transferred to a museum near Naples decides to steal it. But they will have a surprise...

Two agents of a mysterious Ministry knock on a boy's door. They search his whole house and subject him to a dense series of questions about a past he seems to have left behind...

A cynical and opportunist building contractor falls deeply in love with biologist/Greenpeace woman. The only way for him to conquer her is to pretend to be an ecologist.

A village somewhere in the Italian countryside, a wayside inn on a road crossed by the occasional dog. Nothing more. Laurent Pelly’s production presents a deserted landscape in which the turbulent arrival of Doctor Dulcamara causes a sensation. And with good reason! He is said to be the inventor of a mysterious love potion… In opera, love philtres often provoke terrible tragedies. They also provide the pretext for this gentle comedy in which Sergeant Belcore and the timid Nemorino vie with each other for beautiful Adina’s heart. The stage is set! Bring on the music, which, if we are to believe Donizetti, was composed in a fortnight!

A Russian grand duchess, in order to avoid a marriage imposed on her by her family, pretends to have fallen in love with a movie actor and tells her relatives that she has married him. When they arrive, they are able to meet the grand duchess's supposed husband, as she has forced the actor to play the thankless role. But from the pretense and the often awkward incidents it causes, a lively and genuine affection develops between the two protagonists. And the grotesque episode ends with a real wedding.

The Turin area is devastated by floods: the Pô River has overflown and toxic waste from a local dump is now being carried by the stream. Which is why Augusto Vigano, the co-owner of a pub and a dedicated environmentalist, blocks, in the company of a group of friends, the train on which minister Antonelli is traveling. The politician, agrees to listen to the protesters'complaints and , filmed by television cameras, follows Vigano all the way to the dump. It is on this occasion that Vigano is noticed by a politician who sees at once the interest he can derive in having him elected. Augusto, who thinks that being elected to parliament is the best way to protect the environment more effectively, accepts his offer, without realizing that the cynical politician intends to manipulate him.

The composer's opera buffa transcends the spirit of Beaumarchais’ comedy and combines the absurd with a touch of satirical realism in a score where rhythm and virtuosity place the comic effects in an ongoing dramatic narration. As a result, the characters – Rosina in particular – gain a new degree of realism and break with the usual archetypes. Damiano Michieletto’s giddying production embraces this perpetual motion and carries in its wake the happy couple formed by Lawrence Brownlee and Pretty Yende.

Moses searches for history into palletes.

Marisa feels useless, old and abandoned, until she finds a new reason to live.

Italian comic and satirist Saverio Raimondo regales a Milan crowd with tales of online antics, awkward injuries and white-knuckle flights.

Guglielmo Speranza is a young man who, having just graduated from university, decides to ask his beloved to marry him, convinced that the most challenging period of his life is now behind him. This is how we meet the protagonist, who repeatedly addresses the audience directly to explain what is happening on stage. He always wears the same suit and, during the play, changes three beards, black, gray, and white (one for each act), symbolizing the transition from youth to old age.

A student falls in love with a woman he sees on a poster, with her face covered under a helmet.

A university student falls in love with a seamstress. But one day he meets a beautiful woman and things become complicated.

A traveling salesman in post WWII Milan pops into a movie house and the camera searches the faces in the dark watching.

Osvaldo is a normal family man who, however, hides a big secret: he is in fact dealing with illegal activities on whose trail, for some time now, there has been Lucio, a policeman whose life is destined to cross several times that of his "prey": the children of the two men, in fact, met and fell in love without knowing that their parents have been in indirect conflict for some time.

Andrea, Maurizio and Sergio are professional idlers, lazy, indolent and full of inventiveness. Maurizio is engaged to the policewoman Anna, of whom he is extremely jealous, Sergio still lives with his mother and Andrea is tyrannized by his wife and his brother-in-law, a former boxer. When a crew arrives in town to shoot a commercial, Andrea and Sergio meet two actresses; in the meantime, Maurizio is dumped by Anna. The three spend a large sum of money on a scratch card to travel to Sardinia in search of the actresses in the commercial.

In the confusion of combat, two Italian get separated from their squadron and become hopelessly lost. As they wander the countryside attempting to find their lost comrades, they have to adopt all manner of outrageous disguises to avoid death at the hands of whomever holds the reigns of control.

A comedy poking fun at earlier 1930s American crime films: A society lady goes after a gang of outlaws and lands up becoming involved romantically with a gangster.

A widowed grandmother lives alone in her house, every day they repeat themselves with the same habits, when one day something unexpected happens. From the radio there is a rumor that something terrible is awakening from the cemeteries, the dead have returned to walk among us!

An aging count courts a beautiful singer who is also wooed by his son-in-law.

A cinema becomes the site of sexual intrigue when a man looking for romance in the dark follows a woman into the movies and finds himself molesting her husband instead.

After the Movieland adventure, the new group decides to go big. Thus begins an adventure filled with magic, laughter, and excitement, set in one of the most magical places on earth: Disneyland Paris.

Marcello Zappatore is a thirty-three-year-old boy who, to earn a living, plays electric guitar in a satanic metal band known in the province of Lecce. Marcello's life is soon turned upside down by a special event: an annoying itch in his side later turns out to be a Stigmata. Divine gift or need for change?

The story of a young girl who, after many disappointments, no longer believes in love, until...

Taking to the stage in Milan, Francesco de Carlo opens up about bad habits, religion, politics and what he's learned from travelling the world.

After the Charlie Hebdo shooting events by the hand of jihadist terrorists David wants to bring on stage a play based on the late satyrical cartoonist George Wolinski's comicbook strips, but he struggles to finds cohoperation from institutional figures. He then agrees to direct in a small provincial town a stage play about an apulian folk dance, the Pizzica. Masterminding to disguise the original planned one, with its sexually explicit nature, into the accorded one he will gain the complicity of the curious cast hired on the spot. The start of the rehearsals will arouse excited consensus either censure which will lead to a growing boycott of the staging.

Not even the beam is perfect

Outspoken comedian Beppe Grillo reminisces about his long career, including the triumphs and controversies that fueled his rise in Italian politics.

A man and a woman try to win back their respective partners.

Four friends play soccer on the street. Suddenly the ball falls inside "Evil Grandma's" house.

Companion piece to Jovanotti's 1997 seventh studio album 'Lorenzo 1997: L'albero'. “The movie tells a story starting from the end, when the long-awaited L'ALBERO is finally done and we realize we made the PERFECT, DEFINITIVE RECORD! But a lightning destroys the hard disk it was stored on, there's no backup and we have the record company knocking at the door for the master tapes. My band and I then agree to the only possible thing: to redo the album in a very short time by facing an initiatory, esoteric, ramshackle, crazy, mystical, chivalrous, demented journey from which the album we all know will emerge, which is not the PERFECT RECORD... but comes from that idea.” — Jovanotti

No one better described the half-starved, struggling artists than Murger in his Scènes de la Vie de Bohème: artists ready to burn a manuscript to try to keep warm yet,in an era of triumphant bourgeois materialism, dreaming of another existence. Taking up these scenes of Bohemian life, Puccini offers us a heart-breaking love story and some of the most beautiful music in the history of opera in the story of the poet Rodolfo and fragile Mimi. The staging of this new production has been entrusted to Claus Guth who sets the drama in a future devoid of hope in which love and art become the sole means of transcendence.

These are difficult times for finding an apartment. The protagonists of this story find themselves lost in the voracious real estate market. On this occasion, the couple will meet Eduardo Bonacorso, a unique real estate agent capable of selling his mother to place this gem of an apartment.

It's Christmas. Mario, a forty-year-old unemployed grandfather who lives by his wits but has an equally chronic dream of becoming an actor, is hired as a caretaker (sixteen hours a day) of a grotesque nativity scene set up on the main street of Bari by a photographer who uses it as a backdrop for photographing children. For us, it's a great opportunity to make a documentary about him... But for Mario, too, we are an excellent opportunity to make his film, the dream he had in his drawer, the film about his life: we are his crew and he is the director! The result is a constant battle: between us, who want moments of the real Mario, the cheerful and optimistic one despite the objective difficulties of his existence, and him, who proposes a tragic but partial Mario, convinced that by loading his testimony with suffering and melodrama, the story of his life will have more appeal...

Two Favazza's families want the patrimony of the dead uncle. The Cav. Favazza thinks to be the only heir and he starts spending money making debits. But the old uncle in his will has left his patrimony to both families and the poor Cav. Favazza doesn't know how to pay his debits.....