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Come to Uncle

Antonis is the nephew of the good-hearted grocer Harilaos Toukouras. He is slothful and lazy but he is the only heir to his uncle, who considers marriage as the only solution to his nephew’s problems. That’s why he is looking for a bride for him by checking the newspaper ads. Due to a printing error, an ad for the sale of a sewing machine appears in the personal ads column, bringing uncle and nephew to the house of a serious and honest estate agent who has two single sisters.

Come to Uncle

6.8 1950
Casse-cou, mademoiselle!

Working for a stock-car team, Robert dreams of becoming a racing driver himself. For a long time this is only a pipe dream until one day fortune smiles on him when he saves the life of a young woman. Gisèle, the young lady in question, happens to be the daughter of a car manufacturer. Robert and Gisèle fall for each other and decide to marry. They get on quite well except on one point: Gisèle does not want her husband to take part in car races. But passion is the strongest and, breaking the ban, Gilbert wins the La Baule car event. Overcoming her aversion, Gisèle finally allows her husband to pursue his brilliant career.

Casse-cou, mademoiselle!

8.0 1955
Luxury Girls

Lorna, the daughter of an American playboy, enters a girls' school for the international smart-set, in the Alps, where the main course of study appears to be how to trap a rich man. At first, she is dominated and looked down on by the school ring-leaders, and forced into rooming with - horrors - a scholarship student. But when a rich young American shows interest in her she is elevated to the international clique of the upper-termers. Then she falls in love with - horrors again - a poor local mountaineer.

Luxury Girls

9.0 1952
El luchador fenómeno

Amado is an employee of a brewery that dreams of success in football. Inveterate dreamer sends a letter to the pantheon of athletes. There champions Assembly decides to send the spirit of a great scorer for help. However, the devil, a fighter with no luck, decides to take the place of the player and turn beloved wrestling champion. This is one of the first incursions of Mexican cinema to the sub-genre of movies precursor struggle and many others that followed over the decades of the 50s and 60s.

El luchador fenómeno

5.8 1952
A Street Cat Named Sylvester

The title of this cartoon is a misnomer, because it is in fact Tweety Bird who is the homeless one here, and Sylvester is Granny's pet. Tweety seeks shelter from a blizzard and taps on Granny's house door. Sylvester answers and grabs the canary. He tries to hide Tweety from Granny while evading the attacks of Hector, Granny's bed-ridden bulldog, who wants revenge on Sylvester for his broken leg. Tweety keeps escaping Sylvester's clutches, with Hector's help.

A Street Cat Named Sylvester

6.5 1953