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Vay Başımıza Gelenler

The film is about a group of friends planning a robbery. Halis is about to be released from prison. Although he plans to go into business with Kamil, whom he met in prison, they are unable to achieve their goal. Halis then returns to running his repair shop. Shortly thereafter, Kamil also moves to the neighborhood and settles in next to Halis. Meanwhile, the neighborhood is in dire straits and struggling to make ends meet. Kamil is also suffering from the same problem. One day, while unloading goods at Galata Tower, Kamil sees some jewelry that piques his interest. Determined to steal the jewelry from the exhibition, Kamil tries to convince the neighborhood residents to help him. However, the mafia has also taken action to get the jewelry.

Vay Başımıza Gelenler

6.1 1979
Happy He Who Like Ulysses

For 25 years now, under the Provence sun, Antonin, a farmhand, has shared his work and everyday life with a horse named Ulysse. What a shock when Pascal, the farmer, tells him he has decided to sell Ulysse to a picador for being too old. Not only will he be separated from his faithful companion, but he is well aware too that the arenas of Arles mean death for Ulysse. Being unable to stand such injustice, Antonin runs away from the farm in the company of Ulysse. Together, they go through the Lubéron, the Baux de Provence, the Alpilles, the Crau and the Vaccarès. Yet, their journey is no pleasure cruise, specially when it comes to crossing National Road 7. After a visit to Marcellin, an old friend of his, Antonin sets off again with Ulysse, this time towards the Rhône River.

Happy He Who Like Ulysses

6.9 1970
Manuel

Directed by Alfredo Anzola, Manuel (1979) is a Venezuelan drama that explores themes of love, faith, and resistance. The story follows Aparicio and his wife, Alma Rosa, as they welcome a new priest, Manuel, to their coastal village. As Manuel becomes acquainted with the community, he discovers that the village is slated for demolition to make way for a tourist development. Deeply moved by the villagers' plight, Manuel joins the local fishermen in their struggle to defend their land. During this time, he also finds himself drawn to Alma Rosa, leading to personal and moral dilemmas. The developers, aware of Manuel's growing influence and his feelings for Alma Rosa, begin to monitor his actions closely. The film delves into the complexities of human relationships and the fight against displacement.

Manuel

9.5 1979
No Magic from Tomorrow

Mr. Tau, the quiet and kind magician with a bowler hat and an umbrella, shows up unexpectedly on the wings of a plane during flight. The terrified crew contact the airport security service. After the plane lands, Mr. Tau disappears. The third security inspector Málek is determined to catch the hooligan at any price. To achieve this, he gives up his holiday to visit the children's summer camp. Mr. Málek's son, who just like all the other children is delighted by the new camp cook, Mr. Tau himself, has unknowingly set the inspector on the magician's trail. But the children at the camp are determined not to let their beloved magician get caught and ingeniously place all sorts of traps in Inspector Málek's way.

No Magic from Tomorrow

7.6 1979
Gora Aur Kala

The Emperor of a distant Kingdom in India is overjoyed when his wife gives birth to twin sons. Before he could announce his joy openly, his enemies, Zoravar and Shamsher, take over the castle, killing him instantly. His loyal employees, Prithvi and Dilawar, escape with the children - one son ends up with a blood disorder that discolors his skin and leaves his left arm paralyzed, and is left with a dacoit. The other son is brought up by Army Chief Prithvi Singh, while the empress herself is held captive. Years later, the sons have grown up, the one with the dacoits is called kaali Singh, while the other is called Karan. The twins come to know of each other's existence, they reunite, and free their mother. But there is one thing that divides the twin - the beautiful Princess Anuradha.

Gora Aur Kala

6.0 1972
Saturday, Sunday and Friday

SABATO (first episode): A company receives the visit of a very very important person. This person works for a biggest Japanese society, and this encounter is decisive for the small Italian company. DOMENICA (second episode): After a hard day of job, a man returns in it's house for sleep. But a series of facts hinder this, and the poor man does not succeed to sleep. VENERDI (third episode): A famous and rich creator of sexy ballets have various problems with a dancer. She want to leave the theater and marry a Mafia man.

Saturday, Sunday and Friday

5.2 1979
Královské řádění

The already old King Charles IV. is fully devoted to politics and reigning and does not have as much time for his wife Anna Svídnická (third in line) as the young and in love monarch would like. Anna therefore weaves a small intrigue to incite the king to jealousy. The second picture from the life of the aging Charles IV. concerns his last wife Elizabeth. On the contrary, she does not desire the king's tenderness at all and prefers to devote herself to the problems of the monarchy. But this time it is the king who craves marital joys, and therefore tries to arouse jealousy in the queen...

Královské řádění

NR 1975
Macho e Fêmea

Juliano is a millionaire who leads a boring life amidst the facilities that money provides him. One day, he decides to change his routine and associates with a mad scientist, Professor Kunz, who invents a magic potion, a drug that releases the other side of the personality of those who consume it. Juliano becomes a guinea pig and tries the potion, transforming into the beautiful Juliana (Vera Fischer). However, the effects of the new drug will cause many confusions between the millionaire and the crazy professor, creating complicated situations for both of them.

Macho e Fêmea

4.3 1974