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A Pantera Nua

Norma is a low middle class young woman trying to find a rich husband to have comfortable life. She poses naked for a men magazine expecting to be known in the upper class. She engages the gay Marcelinho, who is imposed by his father to get married to have the right to his inheritance, but when Marcelinho's father dies, he calls their deal off. Meanwhile, Norma meets the opportunist and gigolo Lincoln, who pretends to be a tycoon farmer, and they have a torrid affair. But Lincoln believes she is a rich woman from a wealthy family and he intends to marry her to have money.

A Pantera Nua

5.3 1979
Directions to Servants

A man claiming to be the heir of an estate in northern japan finds himself at the doors of his mansion, only to find it overrun by servants and maids playing pretend as master or mistress, while the real master is nowhere to be found. As he makes his way down the many rooms of the mansion and witnesses the staff's strange antics, he gradually loses his own role and sense of identity. In this subversive play performed by Tenjo Sajiki, the spectator is asked to question their own role as hierarchical structures are reversed and walls between character and actor, actor and audience gradually break down.

Directions to Servants

NR 1978
Teens in the Universe

Interstellar expedition equipped by "pioneers"(soviet scouts) reaches Alpha Kassiopea and finds that smart robots took control of whole planet. Their only goal - to make happy, as they understand, their masters. Happiness was, actually, satisfactions of primitive needs, and removing "disturbing" emotions like love, responsibility etc. A many years ago they succeeded in reaching this goal and all the people died out. A very few people escaped from "total happiness" and their descendants orbiting the planet in a big orbital station for many generations. Brave soviet pioneers land on a planet, destroy the robots and return it to the people

Teens in the Universe

6.0 1975
Die Zauberflöte

Wolfgang Amadeus Mozart's Magic Flute is undoubtedly one of the most multi-layered, profound, complicated, and therefore also most difficult to stage works in the entire opera repertoire. In terms of genre, it can only be understood if it is seen as a mixture of four things: a philosophically profound drama of ideas with countless encryptions, a naïve fairy tale, a bawdy comedy, and a crude Punch and Judy show. It is based on the intersection of the traditions of Baroque magic opera, Italian buffa, and Viennese Singspiel, where all manner of wonders are conceivable and permissible. Peter Ustinov's production appeals to all those who love a primarily fairy-tale-like interpretation; the atmosphere is traditional and conventional. An outstanding ensemble of singers has been assembled.

Die Zauberflöte

7.0 1971
School Teacher Dances... with Her Class

Girls' dance instructor Claudia Gambetti takes over the boy's gym class after gym teacher Martorelli breaks both his legs owing to one of his student's pranks. Soon both teachers and students are interested in learning more of Claudia's athletic dance moves. Director Fiorontori has made some debts betting on horses and wants Claudia to win a disco competition to balance the school budget, too. When the boys team are invited to face off against their superior Russian counterparts, Claudia calls in her dancing girls to be used as a secret weapon.

School Teacher Dances... with Her Class

5.1 1979
Cafer'in Çilesi

Cafer is the sole employee at the mansion owned by Atiye Hanım and Azmi Bey. Having worked at the mansion for many years, the owners trust Cafer implicitly. One day, Azmi Bey and Atiye Hanım leave for Romania for a month. They leave Cafer in charge of the entire house. After the homeowners leave, Cafer runs into his army buddy Refik. Refik, who was fired from his job the same day, moves into the mansion to stay with Cafer. Cafer's trust in Refik will get him into trouble.

Cafer'in Çilesi

4.9 1978