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The Student Prince

Tang Wan-tung, the son of a Southeast Asian Sultan is a student in Hong Kong. Only Uncle Mui, his guardian, knows his identity. Tang is known as "student prince". He organises an embassy variety show. Tang invites Lai Tsi-king, who has a lovely voice, to perform in it, but it ruins her chance to study music abroad. Lai’s parents want her to marry Tung Fook-si, the son of a merchant. Lai asks Tang to act for her parents, like a prince courting her. Her parents are convinced, but Tung is not fooled. Tang smuggles Lai out to perform in the embassy. Lai's performance earns her a chance to study overseas, but her parents will not support her. Tang borrows money from his father, but is refused. He pawns his father’s ring to help Lai pay the tuition. Tung takes his father's ring and sells it. Tung's father alerts the police. The rings turn out to be a pair. The police think Tang stole the diamond ring, but Mui tells the truth. Tung is arrested and Tang and Lai have a happy ending.

The Student Prince

NR 1964
Take Me Over

Campbell Carter, in the process of building a luxury hotel, is aggravated by the fact that he cannot acquire a coffee bar and adjoining antique shop owned by Sid Light and his younger brother Bill. Carter tries several unsuccessful tricks to further his own ends. Largely due to the fact that Carter's daughter Carole falls in love with Bill, there is a conciliation between Carter and Sid who go into partnership. Sid's new idea of a band-and-dance show in Twenties style is incorporated in the hotel.

Take Me Over

9.0 1963
Halløj i himmelsengen

The beginning of the 20th century. The main character is the young, charming Count Pierre de Sauterne. There have been several conflicts between him and his aristocratic uncle, who, due to his fanatical interest in cars, is called Tøf-Tøf. The authoritative older gentleman also has a pronounced weakness for the female sex, and it irritates him that his nephew far surpasses him in this regard. Uncle Tøf-Tøf decides that Pierre must spend his summer vacation in a secluded family villa on the North Sea coast as punishment, but not long into his stay, two charming girls seek shelter from a thunderstorm.

Halløj i himmelsengen

6.3 1965
Good King Dagobert

Mr. Pelletan's rascal son Bébert son got another F for playing in class. His punishment is an essay on the Merovingian king Dagobert. All they know is he had eight wives and reunited Francia. The ignorant knave's irreverent imagination turns that into a harem and a ludicrous war without armies, loaded with anachronisms, in a race against rival king Charibert for the crown of Reims. The king's right hand, archbishop Eloi, the later patrons saint of carpentry, is portrayed as an inventor.

Good King Dagobert

7.2 1963
The Beauty of the Adriatic

The Beauty of the Adriatic was created as a promotional tourist film, but through its unusual and even bizarre formal devices it overcomes the promotional function. The narrator of the film is constantly communicating with the viewer, exclaims and inserts jokes, and we also see him in the film as a guide entertaining us with various gestures and movements. In the film there are also interspersed humorous animated scenes, an interview with Hamlet, poetic sequences and stylized scenes such as one where the camera is "looking for" the lost guide.

The Beauty of the Adriatic

NR 1962
The Greatest Wedding on Earth

Leung Sing-por and Liu Enjia reunite with director Wong Tin-lam as they carry their inter-cultural feud to the dining table in this foodie comedy. This time, the two plump stars play owners of competing restaurants—Cantonese cuisine in one and Northern cuisine in the other, of course—whose rivalry heats up when their respective children decide to get married. While the script by Eileen Chang cleverly uses the two regions' foods to bring out clash of cultures, the film's title already says that it is ultimately a heartwarming film about two decent men who must put petty arguments aside for their children's happiness.

The Greatest Wedding on Earth

8.0 1962
Crazy Love

Correlated with Susan Sontag's theorization of kitsch as well as employing the queer lingo of "camp," this film's relentless equal opportunity pop-art montage shattered the foundations of conventional cinema, making it a true document of the Shinjuku underground scene. Director Okabe himself appears recreating his favorite roles from Bonnie and Clyde to Spaghetti Westerns, as well as incorporating quotations by inserting stills of Godard, Kennedy’s assassination and the Vietnam War.

Crazy Love

4.3 1968