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Father's Week-End

Goofy plays everyman again. He's an average working joe who demonstrates "the up on time/work on time/bed on time" routine while going from work to home every weekday. On Saturday night, however, he parties it up and attempts to get some rest the next Sunday but with his son around, it's impossible. He insists Dad take him to the beach and, although Goofy refuses, he ends up going anyway where he gets into all sorts of trouble mainly as the result of chasing his son all over the place. Worse yet, when he leaves, he falls victim to the world's biggest traffic jam. As a result of all this, he is relieved to go back to work the following week!

Father's Week-End

6.7 1953
El ruiseñor de las cumbres

Joselito is a shepherd who lives happily taking care of his sheep in the mountains. From time to time he goes down to the village where his parents live. His mother always expects him but his father is never there. When Joselito discovers the real reason for this absence (his father spends all the money the boy carries home in drinking) he decides to quit everything. Then he associates with Pepino a sympathetic rogue who believes that the voice of the shepherd is going to provide them a lot of money

El ruiseñor de las cumbres

4.6 1958
The Man Who Did Not Bother With Trifles

Lu Ban's second short titled The Man Who Doesn’t Bother about Trifles (不拘小节的人 bùjū xiǎojié de rén). He carefully toned down the political satire here, switching his target to intellectuals instead of bureaucrats. The main character, Li Shaobai, is a rude literary critic who goes to a conference to lecture about satirical literature. Li is absolutely full of himself, and constantly misunderstands other people. Like Before the New Director Arrives, The Man Who Doesn’t Bother about Trifles was greeted with plenty of positive responses. Still, while Lu tried to be more careful with this second short, this didn’t stop some critics from taking issue with its ridiculous main character and humor.

The Man Who Did Not Bother With Trifles

6.0 1956
Star mit fremden Federn

A striking resemblance between the hairdresser Franz Blume and the famous actor Günther Kolmin leads to a curious mix-up during a vacation in Feuerstein. Blume's initially shy attempts to defend himself are unsuccessful. It is believed that the star wants to maintain his incognito. And the hairdresser soon takes a liking to the role of the adored one, especially as Miss Petri never leaves his side. When the real Kolmin finally arrives on the scene, the embarrassment is almost unbearable. In the end, Blume is happy to be himself again and returns home to his fiancée in remorse.

Star mit fremden Federn

8.0 1955
Never a Dull Moment

Kay Kingsley, a sophisticated and successful songwriter in New York City. falls in love with a widowed rancher, Chris Heyward, she meets at the Madison Square Garden Rodeo and they get married, and leave for his ranch in the west. Her friends warn her of an early disillusionment with life on a ranch, far away from the glitter and bright lights of Broadway. Kay makes one difficulty adjustment after another, as the ranch is presided over by Chris's kids, and an incident occurs with a neighbor that prompts Kay to return to her glamorous life in New York. But she soon finds her heart is with Chris and his children.

Never a Dull Moment

6.1 1950
Sleep Happy

An exhausted Woody is walking the streets looking for a place to rest. He happens upon Wally Walrus' bed & board which welcomes boarders. He enters Wally's house, settles into bed, and sets his alarm. Unfortunately, Woody tends to be a noisy roommate with his constant snoring, chuckling, and moving about. Wally tries to silence him by all means possible but all attempts fail until, finally, the alarm goes off, the sun rises, a rested Woody leaves, and Wally has had one heck of a sleepless night.

Sleep Happy

7.1 1951
Cat's Meow

An orange cat lets it be known that it hates dogs. When the cat runs across a big mean looking bull dog, the cat does whatever it can to avoid the wrath of the dog while tormenting it. The cat comes across a device which lets it throw its voice, which the cat uses to trick the dog into thinking it's where it's not really located. Ultimately, the cat uses the device to turn another group of canines against one of their own. But the cat's action has an unforeseen consequence against itself.

Cat's Meow

5.9 1957
The Final Test

Legendary England cricketer Sam Palmer (Jack Warner) is due to bat in his final test match against Australia. He is desperate for his son Reggie (Ray Jackson) to see his final innings. But Reggie prefers poetry to cricket and when he is offered the opportunity to read his poetry to England's greatest playwright Alexander Whitehead (Robert Morley) on the last day of the test, the relationship between father and son is tested to the limit. As Sam prepares for his final knock, the conflict with his son weighs heavily on his mind, but he is also upset over England's young batsman and ladies-man, Syd Thompson (George Relph), dating the woman whom he hopes to marry.

The Final Test

6.7 1953
Meet Mother Magoo

Mr. Magoo brings in his mail opening up a flyer for a store's "83rd Anniversary Sale". Magoo thinks that the flyer is a letter from his mother about her "83rd birthday" and begins to worry that maybe he hasn't spent enough time with his mother lately. He goes to pay his mother a visit to make up for lost time but upon arriving, Mother Magoo doesn't quite appreciate Magoo's attempts at being helpful such as baking a feather duster thinking it to be a turkey dinner. So she uses psychology to eventually persuade him to go back home (at least until next year).

Meet Mother Magoo

10.0 1956