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Good Morning

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

Good Morning

7.7 1959
Sans famille

The Remi abandoned by his foster father sold to the troubadour Vasalis, in his living through the rural villages the people to entertain, gehoplen his three dogs and a monkey. In the beginning Remi takes its new master, but a demanding and hard man, and the animals have not been too much with the clumsy boy. But gradually creates a bond between Remi and his new comrades, until their friendship is suddenly disrupted when Vasalis is arrested for vagrancy and sentenced. Then Remi, alone in the world, along with his animal friends in position to try to keep ...

Sans famille

6.1 1958
Poison

Paul Braconnier and his wife Blandine only have one thing in mind: to find a way to kill each other without risk. After listening to a radio show, Paul decides to go to Paris to meet a famous lawyer in the acquittal of the murderers. He tells the lawyer that he killed his wife. The lawyer asks Paul to reconstruct the circumstances of the drama. Without knowing it, he explains, in spite of himself, the way for Paul to murder his wife by putting the odds on his side to avoid death penalty or even be released...

Poison

7.2 1951
Miracle in Milan

Once upon a time a wise and kind old woman discovers a baby in her cabbage patch. She brings up the child and, when she dies, the boy, Totò, enters an orphanage. Totò leaves the orphanage a happy young man, and looks for work in post-war Milan. He ends up with the homeless and organizes them to build a shanty town in a vacant lot. But when greedy developers threaten the community’s land, Totò will need all the help he can get in order to find an impossible way out.

Miracle in Milan

7.3 1951
Sideshow Burlesque

Vic Vicers is the master-of-ceremonies of a burlesque-variety show with a carnival setting. A slapstick comedy sequence, featuring low-rent comics Miller & Leeds, involves a judge, a district attorney and some female defendants of less-than-sterling character. Lonnie Young dances a strip and the comics return with a routine in which one of them is cheated out of his money. Romo the Clown does some unfunny stuff mixed in with the dancing of Rusty Lane, Dora Lee, Micky Miles, Lynn Miller and Lorna Rhodes and a song by Joy Cheryl, and Vicers ends it all as a crackpot doctor examining one of the strippers in a burlesque-skit.

Sideshow Burlesque

NR 1954
Androcles and the Lion

George Bernard Shaw’s breezy, delightful dramatization of this classic fable—about a Christian slave who pulls a thorn from a lion’s paw and is spared from death in the Colosseum as a result of his kind act—was written as a meditation on modern Christian values. Pascal’s final Shaw production is played broadly, with comic character actor Alan Young as the titular naïf. He’s ably supported by Jean Simmons, Victor Mature, Robert Newton, and Elsa Lanchester.

Androcles and the Lion

5.9 1952
Guendalina

Wealthy teenager Guendalina is a child of divorce. Oberdan, likewise a teenager, is a boy from a blue-collar family. Escaping from the tribulations of her home life, Guendalina creates a dream world of her own, casting Oberdan as her personal Prince Charming. Despite parental objections, girl and boy fall in love. Interestingly enough, the relationship between Guendalina and Oberdan remains pure and chaste throughout their film, which is more than can be said for their parents. their respective parents behave with marked laciviousness.

Guendalina

6.5 1957
A Quiet Home

The composer Berki András, in his co-tenancy noisy with the barking of dogs and the hullabaloo of children, is unable to compose the new song for his fiancée, the singer, although the premiere is near. He cannot believe his eyes as he sees the official decision that he will soon get an apartment on his own. Yet his joy is soon over. The pharmacist Ács Éva arrives with identical documents. The situation which evolves as a result of the new co-tenancy forces them to cover up things before their partners.

A Quiet Home

10.0 1957
Mouse Trapped

Hickory and Dickory, the two mice, overhear a news report that all black cats will be exterminated because it is Friday the 13th. Doc, who is a black cat, is being hounded by the police. They try to "help" him but their attempts cause more harm than good (they tell him to hide in Cecil the bulldog's doghouse and inside a running dishwasher). When he discovers he's being given the "run-around", he tries to get his revenge on them (and on Cecil the bulldog) but all his attempts fail miserably.

Mouse Trapped

7.0 1959
Ten Tall Men

Sgt. Mike Kincaid of the French Foreign Legion learns, from a Riff prisoner, that an attack will soon be made by the villainous Hussin on the Legion's outpost of Tarfa. Kincaid volunteers to lead nine other Legionnaires on a mission to delay Hussin's attack till reinforcements arrive. When he discovers that Hussin plans to marry Mahla, a girl from a rival tribe, in order to build a coalition against the French, Kincaid kidnaps Mahla. Hussin forcefully takes her back, but by now his planned attack on Tarfa is crumbling and Mahla has begun to fall in love with Kincaid.

Ten Tall Men

6.5 1951
The Little World of Don Camillo

In a village of the Po valley where the earth is hard and life miserly, the priest and the communist mayor are always fighting to be the head of the community. If in secret, they admired and liked each other, politics still divided them as it is dividing the country. And when the mayor wants his "People's House"; the priest wants his "Garden City" for the poor. Division exist between the richest and the poorest, the pious and the atheists and even between lovers. But if the people are hard as the country, they are good in the bottom of there heart.

The Little World of Don Camillo

7.6 1952