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Girls und Panzer das Finale: Part 1

Too much tankery and not enough studying for her entrance exams has landed Momo in the hot seat! Luckily her friends won’t let her flunk out without a fight, and they’ve hatched a foxy plan to put her back on top. Miho’s stepping down to let Momo take up the mantle of commander, because if she can lead the team to victory in the Continuous Cup, Momo can retake her exams. The stakes have never been higher for the team as they fight for tank supremacy both on and off the combat field!

Girls und Panzer das Finale: Part 1

6.8 2017
Sex, Coffee, Cigarettes

Eleven comedic vignettes featuring conversations – some important, some less so – held in restaurants over coffee and cigarettes (how quickly time flies – cigarettes are banned in Russia’s restaurants now). The conversations are candid, and even veer into the territory of murder. In the final credits, the director apologizes to Jim Jarmusch, whose work (in the anthology Coffee and Cigarettes, which Jarmusch shot in pieces over many years) Oldenburg-Svintsov is clearly indebted to. Sex, Coffee, Cigarettes’s kinship with Jarmusch’s film extends to the fact that superstars play tiny roles in almost all of the vignettes.

Sex, Coffee, Cigarettes

4.3 2014
Meddling Mom

Take Carmen Vega downtown and book her! Carmen (Sonia Braga) is guilty as charged of scheming with her two best friends, Marisol and Valeria (Rose Abdoo and Saundra Santiago) to stick her nose in everything in her two adult daughter’s lives. From secretly leaving baby books out for recently wed daughter Yolanda (Ana Ayora) and her husband Rico (George Contreras) to manipulating youngest daughter Ally (Mercedes Renard) into a doomed date with best friend Marisol’s son Pablo (Rafael Amaya), Carmen can’t stop interfering. Now, the notorious mother of good intentions with equally hideous results is about to get a crash course in butting out!

Meddling Mom

4.3 2013
Oblomov

St. Petersburg, mid 19th century: the indolent, middle-aged Oblomov lives in a flat with his older servant, Zakhar. He sleeps much of the day, dreaming of his childhood on his parents' estate. His boyhood companion, Stoltz, now an energetic and successful businessman, adds Oblomov to his circle whenever he's in the city, and Oblomov's life changes when Stoltz introduces him to Olga, lovely and cultured. When Stoltz leaves for several months, Oblomov takes a country house near Olga's, and she determines to change him: to turn him into a man of society, action, and culture. Soon, Olga and Oblomov are in love; but where, in the triangle, does that leave Stoltz?

Oblomov

6.3 1980
C'est la vie!

Max is a battle-weary veteran of the wedding-planning racket. His latest — and last — gig is a hell of a fête, involving stuffy period costumes for the caterers, a vain, hyper- sensitive singer who thinks he's a Gallic James Brown, and a morose, micromanaging groom determined to make Max's night as miserable as possible. But what makes the affair too bitter to endure is that Max's colleague and ostensible girlfriend, Joisette, seems to have written him off, coolly going about her professional duties while openly flirting with a much younger server. It's going to be a very long night… especially once the groom's aerial serenade gets underway.

C'est la vie!

7.0 2017
Pretty Guardian Sailor Moon Special Act: We're Getting Married!!

A sequel to the series, set four years later, that portrays the wedding of Mamoru and Usagi. Before their nuptials they must do battle with Mio Kuroki who has been resurrected and claims to be the new queen of the Dark Kingdom. She kidnaps Mamoru and Usagi and intends to force Mamoru to marry her. However, the Shitennou are revived and help their master to defeat Mio's youma, Sword and Shield. Meanwhile, the Sailor Senshi, minus Sailor Mars who is hospitalized with injuries from battling Mio while in her civilian state, use the Moon Sword provided by Queen Serenity to restore their power, enabling them to transform and face Mio.

Pretty Guardian Sailor Moon Special Act: We're Getting Married!!

8.8 2004
My Frivolous Friend

Arvīds Lasmanis can't hold any job for long because he is not ready to tolerate deceit and slapdash work. He still has to feed his family, by chance he finds a well-paid job as a gravedigger. A friend helps Arvīds to find a place in a construction team, but other workers don't approve of Arvīds' high principles. His wife accuses him of not knowing how to make money, the family lives crammed in one room of a shared flat. The Soviet absurd comedy tells a story about a man who, while at odds with the system, won't lose his conscience and his true self, even if it means saying no to wealth and comfort.

My Frivolous Friend

5.6 1975