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Three sequences which could have formed separate stories are linked together to give a larger perspective on the nature of reality and film. The three episodes are joined together by one film crew at work. In the beginning, the crew is introduced as they juggle their dual roles as State-supported propagandists who laud their government and society, and as private movie makers working on their own film. Next, they are in a restaurant looking for suitable locations to film when the eatery’s owner is induced to wax long and lugubriously on his miserable life. In the last segment, two extras are in the background of a scene, sitting at a table in a restaurant. It slowly becomes apparent to one of them that the man he’s sitting with tortured him more than 40 years ago at a Nazi concentration camp during World War II.

Sequences...

6.9 1982
Marry me even though I'm crying

George, the director of a branch of a large American company, is a big, incorrigible womanizer. When the General Manager of America announces that he will come for an inspection, George is a little confused, because the General wants to stay at home, in a family environment and not in a hotel. But the good lad knows another path. George rents a beautiful young lady and christens her his husband. Wedding photos and other hilarious tricks are put into action to fool Mr. General.

Marry me even though I'm crying

10.0 1988
Don't Look Back, There Is a Horse Behind Us

Postwoman Mrs Skorepa, her husband the ambulance driver Mr Skorepa and their eleven-year-old twins Petr and Pavel live in Prague in Malá Strana (Lesser Town), one of the Prague's historical and oldest quarters. The boys are crazy about cars and everything linked to them. They don't share their father's love of classical music. On the other hand, they are crazy about the newly announced scrap yard competition for paper collection. The lottery tickets awarded for every ten kilograms of old paper collected could win them a go-kart.

Don't Look Back, There Is a Horse Behind Us

6.3 1981
Shall we go for... Coffee?

Odysseus and Giblas (Giorgos Pantzas and Stathis Psaltis) come to Athens, hoping to make their lives. They find a room and work at the Aristomenos factory (Grigoris Vafias). When the rumors about the attempted murder of his son Giorgos Pantzas organized the factory, Odysseus, who looks amazing, will take on the role of salvation to deceive the killers. Odysseus, without knowing what is happening, charismatically emphasizes his boss's son and gives benefits to the workers. Soon it is revealed that the very son of the factory was the one who spread the rumors and Odysseus, taking the part of the workers clean, destroying an agreement with Arab entrepreneurs, overcoming his superiors and finally resigning.

Shall we go for... Coffee?

5.3 1981
Le rescapé de Tikeroa

In 1939 a French policeman (Jacques Martin) is forgotten on a Polynesian island, during an administrative tour. When war broke out, he knew nothing about it and it was only when a German ship called that he learned of the gravity of the events. On the tone of comedy, this drama describes the relationship between this ex-policeman still imbued with administrative stupidity and the naive but joyful population of the island. The comedy prevails over the drama and the gendarme will not take long to acquire the joie de vivre of the natives.

Le rescapé de Tikeroa

NR 1981
The Revenge of the Teenage Vixens from Outer Space

The Vixens are coming! They've landed on earth to wreak havoc on the male student bodies of Mayfield High. You see, there are no men on their native planet, and every so often, they'll visit earth to fulfill their ravenous desires. Unfortunately, the adolescent boys are no match for these lustful aliens, and in their frustration, the Vixens zap them with their ray guns and turn them into garden variety vegetables--tomatoes, zucchinis, carrots, pickles, even squash!

The Revenge of the Teenage Vixens from Outer Space

5.6 1985
Where Are You Going?

In this comedy, a mathematician is so bored and burnt-out with his career that he rebels, first by crawling under a table during an interminable faculty meeting and then by throwing his telephone away, locking his wife out of their apartment, and running off on his own. At this point, the comedy takes a turn when the rebellious mathematician follows a strange wheel and meets a goatherd who shelters him in his humble abode. Events change from a bit odd to totally bizarre as the mathematician continues on his journey of escape.

Where Are You Going?

6.5 1986