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Scenes on Every Floor

The 1904–1905 Pathé short Un coup d’œil par étage (literally “A Glance on Each Floor”) is an inventive early comedy that presents a whimsical peek into life across multiple apartments in a single building. It plays with cinematic point-of-view and narrative structure in a way that was novel at the time. The film cuts between brief vignettes on each apartment floor: a man at a phone, a pillow fight between children, an elderly lady with a cat—and finally, a resident scrambling to extinguish curtains that have caught fire. Structured as a vertical tour ("par étage"), the short runs about 6 minutes in restored screenings and was featured in retrospectives on early cinem

Scenes on Every Floor

NR 1904
Mention particulière

Laura, 21, is determined to earn her High school diploma, just like anyone else. Except Laura is a bit different. She has Down syndrome. As she faces her own difficulties, she must also deal with the doubts of her loved ones and the occasional cruelty of her peers. Overcoming challenge after challenge between emotion and laughter, Laura battles for every inch of an opportunity that life tries to keep from her. Like a movie in which disability brings a fresh perspective on life challenges and the pursuit of happiness.

Mention particulière

7.5 2017
When Fall Is Coming

Michelle is enjoying a peaceful retirement in a Burgundy village, close to her longtime friend Marie-Claude. When her Parisian daughter Valérie drops off her son Lucas to spend school vacation with his grandma, Michelle, stressed out by her daughter, serves her toxic mushrooms for lunch. Valérie quickly recovers, but forbids her mother from seeing her grandson anymore. Feeling lonely and guilty, Michelle falls into a depression... until Marie-Claude's son gets out of prison.

When Fall Is Coming

6.6 2024
Influence Peddling

Maxime and Gerard are a couple of white-collar criminals condemned to 5 years in prison. Sandrine Athan, an honest and principled young police officer, is assigned the banal task of escorting them to the nearest prison in Melun. Things get complicated when killers try to knock them off. Meanwhile, they must contend with strikes which have paralyzed the country and make travelling a nightmare. Added to this mess are the prisoners' many botch escape attempts. All these complications turn a simple transfer into a hellish adventure.

Influence Peddling

4.4 1999
Le Banquet

Praised at the Théâtre du Rond-Point, dedicated to Molières 2019 by Molière for directing for Mathilda May, and for female revelation with Ariane Mourier, Le Banquet is a singular, strong, surprising and universal show. A wedding where everything goes wrong, a banquet where everything suddenly shatters. Without words but in a universal language, the characters love each other, confront each other, meet again, and get lost in a funny and hectic whirlwind. After the immense success of Open Space and when Mr. X was created with Pierre Richard, Mathilda May continues to make us dream and presents us here with a unique fresco. An exceptional spectacle.

Le Banquet

NR 2020
Attila Marcel

Paul is a sweet man-child, raised — and smothered — by his two eccentric aunts in Paris since the death of his parents when he was a toddler. Now thirty-three, he still does not speak. Paul's aunts have only one dream for him: to win piano competitions. Although Paul practices dutifully, he remains unfulfilled until he submits to the interventions of his upstairs neighbour. Suitably named after the novelist, Madame Proust offers Paul a concoction that unlocks repressed memories from his childhood and awakens the most delightful of fantasies.

Attila Marcel

6.8 2013
Shadow Play

Ada and Lise are both costume designers, the first is around 20, the other around 30. Both are working hard on their break through. There are also jobs for the movies. This is where Lise meets producer Alphonse, who is nearly 20 years older than she. Because he is unhappy with his girlfriend a secret relationship evolves. Ada has problems as well, but she's not the only one. There are also the young Emma and Nina, as well as Yves and Guido - enough people to get into complicated relationship entanglements.

Shadow Play

7.3 1996
My Night at Maud's

The Catholic Jean-Louis runs into an old friend, the Marxist Vidal, in Clermont-Ferrand around Christmas. Vidal introduces Jean-Louis to the modestly libertine, recently divorced Maud and the three engage in conversation on religion, atheism, love, morality and Blaise Pascal's life and writings on philosophy, faith and mathematics. Jean-Louis ends up spending a night at Maud's. Jean-Louis' Catholic views on marriage, fidelity and obligation make his situation a dilemma, as he has already, at the very beginning of the film, proclaimed his love for a young woman whom, however, he has never yet spoken to.

My Night at Maud's

7.6 1969
Grimpeur Étoile

In 1984, climbing virtuoso Patrick Berhault gave a night climbing demonstration with Nico Ivaldo in Finale Ligure, Italy. This close and spontaneous connection with the audience, the silence followed by the cheers of the crowd with each move, amplified the climbers' sensations, creating a powerful feeling that gave them a state of flow. This idea of ​​climbing dance took root and culminated in the film "Star Climber," composed of parodic vignettes retracing the history of climbing through the ages. Berhault, by turns a Cro-Magnon man, a Zulu in a trance, a troubadour climber accompanied on the flute by Catherine Destivelle, a Buster Keaton trying to climb his beautiful woman's wall, as Blues Brothers, Berhault and Robert Cortijo push the dial on rock 'n' roll 10 meters above the ground solo on the facade of a building at the crossroads of West Side Story and a Terry Gilliam film.

Grimpeur Étoile

10.0 1989