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Red, White, and Zero

Composed of three shorts – Ride of the Valkyrie, The White Bus, and Red and Blue – from three of Britain’s most-celebrated directors - Lindsay Anderson, Peter Brook, and Tony Richardson. Comic legend Zero Mostel stars as an opera singer (in full costume) navigating the London transport network as he attempts to reach Covent Garden in 'Ride of the Valkyrie'. Scripted by Shelagh Delaney, 'The White Bus' blends realism, drama, and poetry as a despondent young woman travels home to the North of England. And Vanessa Redgrave stars in Tony Richardson’s romantic reverie and musical featurette 'Red and Blue'. Produced in 1967, but ultimately shelved.

Red, White, and Zero

5.0 1968
Let's Rob the Bank

Shopkeeper Victor Garnier has naively invested his family's life savings in an African mine, on his banker's recommendation. When the mine is nationalized, rendering the stock worthless, he considers himself shamelessly robbed by the bank; it seems only fair to him to return the 'favor' and rob the bank, teaming up with the whole family as they were all duped. Even for professionals such an enterprise -he decides to dig a tunnel- is quite demanding, but for simple commoners it's daunting, as they also have their personal downsides; thus Victor's wife has a most unwelcome tendency to blurt out the truth, even to the grumpy local copper: a crazy risk when you need to keep a criminal plan secret.

Let's Rob the Bank

6.5 1964
The Likely Lads

With the destruction of their previous neighbourhood has inevitably come the destruction of the lads’ favoured watering hole The Fat Ox. Again, it’s Bob rather than Terry who is visibly distressed by this. Upset and much the worse for free alcohol, Bob then storms into the library to seek sympathy from Thelma - who is, predictably, unimpressed. So when Thelma finds out that Terry has been getting semi-serious with glamorous Finnish shop assistant Chris, she takes it upon herself to try and pair them off for good via planning first a dinner party and then that mainstay of 70s comedy, a camping expedition. Of course, things don’t go quite according to plan and before you can say ‘I can see the way this is going’ we are set up for japes, larks and embarrassing incidents aplenty, which culminate in the lads getting rather fed up with their partners’ attempts to inflict the rugged outdoor lifestyle upon them and trying to hitch up and drive off with the girls still asleep in the caravan.

The Likely Lads

6.3 1976
Dangerous Brothers Present: World of Danger

The Dangerous Brothers was a stage and TV act by anarchic comedy duo Rik Mayall and Ade Edmondson, performing respectively as "Richard Dangerous" and "Sir (or occasionally Lady) Adrian Dangerous". Although originating before the show, they appeared in a number of brief sketches in the 1980s TV programme Saturday Live. Eventually being banned for being "too sexy and too violent", they staged a protest by returning as 'The Ben Elton Brothers', and blowing up the car park at LWT Studios. One of the final sketches prepared for Saturday Live was entitled 'Kinky Sex'. This fell foul of Channel 4 censors who banned it. The duo responded in the sketch Dangervision by apparently hijacking the programme and blowing up the wall on which the show's logo was painted in graffiti art. The banned sketch, which by modern standards seems fairly tame, was finally released on a compilation video The Dangerous Brothers present: World of Danger.

Dangerous Brothers Present: World of Danger

6.6 1986
Made in China

François, a young thirty-year-old Asian, has not been back in his family for 10 years after a violent dispute with his father Meng. Since then, he has always tried to avoid questions about his origins, until he lies to believe that he has been adopted. But when he learns that he is going to be a father, he realizes that he will have to reconnect with his past and his origins. Pushed by his companion Sophie, he decides to reconnect with his family and returns to his XIIIth native district to announce the good news, accompanied by his best friend Bruno. François is welcomed with open arms by his family, with the exception of his father and his younger brother. The return to his community is not going to be so simple .

Made in China

5.4 2019
Bonifacio in Summertime

Love has packed up and left the castle. The queen has snuck back to her Kingdom of Skedaddle. But one person’s loss is a scoundrel’s gain: Bonifacio, a teller of tall tales, sees in the forlorn queen the perfect target for his hackneyed charms. As summer approaches, he changes himself into a sweet talker and sings her praises. Things would have worked out perfectly if only Princess Molly hadn’t arrived on the scene. While visiting her mother, she quickly discovers the hoax: the queen thinks she’s found a new husband in Bonifacio. But the swindling storyteller is really only interested in the kingdom’s legends.

Bonifacio in Summertime

7.3 2011
Dismissed on His Wedding Night

A businessman is nicknamed "L'avvocato" and his driver, Oscar, is a yes-man. When L'avvocato has a crash while driving his car, Oscar is put in jail in his place. When Oscar gets out, he finds himself married to the beautiful Maria, but he can't even touch her: she is l'avvocato's lover. Afterwards Oscar is appointed manager, but he can't manage a dime. At the end he shall find himself again in jail, hoping that his "sissignore" (yessir) will let him have, sometime, a driver to send to prison in his place. —

Dismissed on His Wedding Night

5.8 1968
The Microscopic Dancer

“This is an absolutely new and extraordinary subject. A juggler takes in succession about a dozen eggs out of his servant's mouth. He breaks all the eggs into a hat, and after having beaten them up after the manner of a cook, he extracts an egg as large as the hat itself. As soon as he sets this egg on the table there appears a tiny dancing girl, full of life, as big as a baby's doll, and who performs on the table some beautiful stage dances. All of a sudden she increases to the size of a ordinary woman, and jumping on the floor she delights the audience with her turns. The juggler and the dancing girl disappear in the most extraordinary way.” (Méliès Catalog)

The Microscopic Dancer

5.7 1902