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An unlikely band of misfits has made their home on a roof between a feed mill and the municipal waste treatment plant. But life is good, away from society and living of this leftovers. Lisbeth, Herbert and Walther have created their own self-sufficient little paradise. While Herbert is hunting cats, Lisbeth tends to the self-grown vegetables and Walther angles for usable scrap from the dump down below. One morning though, the peace is disrupted: A nameless, suit wearing stranger has appeared overnight and set up his tent among their huts. He does not speak, but obviously he intents to stay. The rooftop dwellers are anxious. Will he destroy their perfect little society? Or can he be part of it… incorporated so to speak... ?

After a series of career setbacks, a young man tries his hand at working as a sexworker, only to discover that this job has its own set of challenges. When he falls in love with a college student, making a living becomes even harder for him, because at first he doesn’t realize that the woman he loves works in the same line of business.

This film is a fine example of Seel’s saucy humour and his novel style, combining live-action and animation techniques, similar to Max Fleischer’s work in the US. When Pierette pours the contents of the artist’s pot of ink over herself at the end, the film seems to be spoofing Fleischer’s Out of the Inkwell series, which invariably ended with the animated clown Koko vanishing into the bottle.

In a small Gernan Village 3 old people die. Their Kids decide to keep acting as if their were alive, so they can get their retirement benefit.

The year is 1800. Leopold von Röckl and Ferdinand von Wangenheim, two extremely fun-loving guards lieutenants, before whom no coat is safe, leave the residence of the sovereign for a while - and for good reason: Leopold has begun an affair with Princess Gabriele, the sovereign's daughter, and the excitement surrounding it should subside somewhat in his absence; Ferdinand, meanwhile, travels to see Privy Councillor Krallinger, who is supposed to teach him a little about manners.

The film loosely retells the legend of the Alvensleben ring through a series of one-take scenes filmed at different locations in Kalbe. Each scene acts like a fragment of memory that moves between centuries. Historical reenactments mix with contemporary elements. Three brothers appear as rulers of modern "kingdoms": the supermarkets of Kalbe. Their conflict eventually leads to their downfall.

Henriette, the buoyant wife of a politician leaves her ambitious husband in the middle of an election campaign and begins a new life. The fact that, as the still legally married wife of a public figure, she takes a job as a model for lingerie just can't go well.

An alternate reality, the era following matriarchy. There are only a few women left; most of them have fallen in battle. They made the same mistake the men had made before. It’s hot.

Thousands of sharp jokes aimed at those in power, hundreds of personally signed petitions, countless charity performances for a wide variety of good causes, numerous charity wine auctions, and several hundred liters of beer personally consumed in support of Ute Bock's refugee aid project: Thomas Maurer's record as a do-gooder is undoubtedly impressive. Who could blame him for gradually developing a certain longing for a slower pace of life, serenity, and his own garage space in the house? Because, of course, mental space is the most important thing. But a spacious apartment also has its advantages. What could possibly be the problem?

a silent movie by Robert Wiene

According to the plot, which is not inferior in intrigue to foreign analogues, honorary members of Chinchinchenel Sergey Nikolaevich and Nikolai Sergeevich arrive at the Lyad psychiatric hospital No. 1 to visit a mysterious patient, Elena Stomach. And nothing foreshadows anything unexpected, but further events will make even a sophisticated moviegoer raise an eyebrow in surprise.

Karl becomes a father earlier than expected - at the same time as the delivery of his car. Chaos is bound to break out...

The plot of the lost film is divided into two acts. Ossi Oswalda and Victor Janson play two apartment seekers, while Marga Köhler is a landlady. The housing shortage is treated in sketch form and "in a joking manner [...] the real housing calamity", whereby "humorous aspects" are wrested from the "tragedy." Lubitsch and Kräly used a sketch in the film that they had written especially for Ossi Oswalda.

Intimacy, dairy products and a trip to the store with a secret. Two minutes of film and an unforgettable sequence shot.

In the tradition of a big gangsta rap collabo album such as "23" by Sido and Bushido or "Jung, brutal, gutaussehend" by Kollegah and Farid Bang, Haftbefehl and Xatar going by Coup present us "Der Holland Job", which was musically conducted by the producers Bazzazian and Farhot. Accordingly, it is a huge album that musically feeds on the current sound of French and American role models as well as the East and West Coast rap of the nineties. Exactly the approach that has helped both scene heroes to their current size in recent years. In interaction, the duo runs perfectly like Method Man and Redman and entertains - in all the harshness of the story and content - infinitely entertaining like the legendary films of Bud Spencer and Terrence Hill. However, only making a joint album would be out of the question for calibers such as Haftbefehl and Xatar. That's why a film was shot without further ado. The album "Der Holland Job" is accompanied by the short film "Der Holland Job."

The German Tourist Frank Fleischer gets into drugs and spy story.

For their 200th episode, the hosts of the Bavarian film podcast Viva la Movielución produced their second feature film. As with the 100th anniversary, they made their own show the subject once again, filmed live before an audience with guests and a Q&A.

The beer duck and memories of a youth in Kaltenmoor.

"Where is my money?" - the question that everyone is sure to have asked themselves at some point is the starting point for filmmaker Philipp Enders' journey through the world of finance. Guided by a mobile app, he ends up searching for his lost money not only at the European Central Bank (ECB) and the stock exchange, but also in a ruined Spanish building. His research uncovers a system of dependencies and the realization that the crisis in the financial system also holds an opportunity for change. With a wink, "Mammon" tells of the mechanisms behind "filthy lucre".

An anarchist surrealist film.

A public pool, a sociotope. A scene of daydreaming and gentle snoozing. It is a place where everything is fine, or at least it feels like it. The smell of summer is in the air. In the tightest of spaces many half-naked people share an afternoon, some hours with each other while time flies by so quickly. The madness of everyday life.

A new epidemic is gripping the country: smoking pot, cannabis per se, is corrupting the youth and no one seems to be able to do anything about it. Is that so? Eventually, the German government comes up with the idea of renting an island in the Mediterranean where all the country's stoners can be shipped off to be self-sufficient on the spot. Steve, who has just been ordered there by his father, soon realizes that not everything is as it seems...

The adventures of the unscrupulous successful therapist Mark Stroemer and his adversary Wolke Donner, who gains his trust under a false name in order to put a stop to his activities.

A city, a man, a woman. This time it's glittering Zurich. The protagonists: Karl and Lisa. They fall in love. The usual. But Karl is a so-called 'loser'. Does drugs, borrows money and is in debt everywhere. Responsibility is alien to him. He lives day to day, detests relationships and he's heading straight for the abyss. Finally, when he loses Lisa, too, he has a major breakdown and finally begins to fight for both her and himself. Lisa is disappointed by Karl's way of life, even though she isn't a shining example of responsibility herself. Both are running from reality. And what was that about 'devotion', 'freedom' and 'trust'? This is a film about love. Not the conquering-all kind but real love. With all its weaknesses, its volatility, and its egoism.