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Alias Batman and Robin

Alyas Batman en Robin is a 1991 Filipino Batman comedy film produced by Regal Films spoofing the 1960s Batman television series. The movie was initially an unauthorized production, set to capitalize on the then in-production 1989 Batman film starring Michael Keaton. Warner Brothers threatened legal action and the release of the film was delayed until legal entanglements could be sorted out. The film was released in 1991, two years later than the intended 1989 release.

Alias Batman and Robin

5.0 1991
Obatarian

The pejorative word obatalian is a pun between the Japanese word obaasan (old lady) and the English word battalion. Obatalian are known to always enter a train running as fast as they can, bumping others people in order to catch a free seat before the others. They haggle things that aren't normally haggled like grocery store produce. They are fearless and pitiless, just like a battalion of barbarians. This anime is follows 6 stories of one such Obatalian and her wake of destruction.

Obatarian

NR 1990
Pening Pening Lalat

Zakaria (AR Badul) the interest hunt has shot a young man, Dino and bring it home. Dino, in fact prisoners who managed to escape from prison. He won the hearts of children Aliza Zakaria with heart. The police publish news about Dino and offers prize of RM10, 000 to anyone who manages to capture Dino. Oraza, forest officials never saw Dino as he hid in the woods. Dino became frightened and ran away from home Zakaria. Zakaria and Aliza met Dino and Dino surrendered after being persuaded by Aliza.

Pening Pening Lalat

NR 1990
All the Vermeers in New York

A parable of the missteps of life enacted in the hothouse world of late 1980’s New York, in which the art market and the stock market each boomed, and in process spawned a smorgasbord of “yuppie” delusions which still persist. Anna, a French actress studying in New York, crosses paths with a successful stock-broker, Mark, standing before a Vermeer portrait at the Metropolitan, thence ensues a peculiar romance of missed meanings and connections, with tangential asides to the steaming arts world and stock market, loft-mate conflicts, and, perhaps, love. Wrapped up in their blindered worlds, Anna and Mark deflect away from their chances, leaving at the conclusion the wistful face of Vermeer’s portrait enigmatically asking questions. All the Vermeers in New York is a comedy of manners which, as gently as a Vermeer, looks beneath the skin of this time and place, and of these characters.

All the Vermeers in New York

5.7 1992
Pongalo Pongal

Subramani, Vellaisamy, Arumugam and Ponrasu are four friends from poor family; they are graduate but they cannot find a job. Their fathers feel that they are good-for-nothing and decide to corrupt the politician Anja Nenjam to find them a decent job. Anja Nenjam is linked to Pannaiyar, a ruthless landlord who exploited the villagers. Pannaiyar orders him to flee with their money, otherwise, nobody will respect him. Their friend Pazhanisamy, who is supposed to be a supervisor in the city, is back to his village and was also cheated by Anja Nenjam. The five friends decide to become milk suppliers in their village.

Pongalo Pongal

NR 1997
Broadway Damage

A quirky, romantic comedy about the complexity and frustration of finding a true love in the gay community. Marc is a struggling actor who finds an apartment in NYC by searching the obituaries. He lives with his out-of-work, eccentric fag-hag Cynthia. His best friend, Robert, is secretly in love with Marc, while Marc falls head over heels for flighty studio musician David. Things heat up as Marc's desire for David keeps him waiting by the phone, while Cynthia gets financially cut off from her rich parents and Robert struggles to express his feelings for Marc.

Broadway Damage

5.9 1997
Plong (Naik Daun)

Darma (Deddy Mizwar), the owner of several companies, suddenly appoints his horse trainer, Ucha (Cok Simbara), as director of one of his businesses that was previously managed by old friends of Darma from the revolutionary period. Ucha attempts to revamps the company as expected, but his efforts are all undermined by Darma’s old friends. Ucha also runs into trouble at home, when his chubby wife lets his new position as director and her status as wife of the director go to her head. She is insistent that she needs a makeover and that their house needs upgrading in line with their new social status. As these various conflicts reach a head, Ucha finally confronts Darma with the reality of his friends’ betrayal, and threatens to quit. Darma understands the situation, but cannot bring himself to fire his old friends.

Plong (Naik Daun)

10.0 1991
Between Marx and a Naked Woman

Between Marx and a Naked Woman is the adaptation of a novel written by Ecuadorian Poet, Jorge Enrique Adoum. The scenes of this film insert us into Ecuador in the sixties, when the electoral struggle, convoked by the military government for a new return to democracy, is in full force. Galvez’s left-wing party must elect its candidate, but he is shoved to one side because of the criticism of the party’s political leadership. While his struggle becomes bitter, he must withstand the frustration of not being able to offer full love to Margaramaría, another party member.

Between Marx and a Naked Woman

6.7 1996
Aquí llega Condemor, el pecador de la pradera

The film follows the adventures of a French aristocrat, the "Condemor"and Lucas, his faithful Mexican servant, lost in the desert of Far West, looking for ways to return to Paris. Following an unintentional demonstration of courage, "Condemor" is appointed sheriff very much against his will and forced to chase the "One- Eyed" and solve the mystery of the whereabouts of Chico's father and also the location of the legendary El Dorado, the fabulous gold mine. The plot thickens when Condemor platonic love, the "Bella Jolly" saloon singer, is also kidnapped by the evil ...

Aquí llega Condemor, el pecador de la pradera

5.1 1996
The Myth of the Male Orgasm

The excesses of feminism and political correctness come in for some serious ribbing in this Canadian comedy, which might just give Rush Limbaugh a belly-laugh or two, along with anyone else who has ever thought that his pet term "feminazi" was humorous. In the story, Jimmy (Bruce Dinsmore) is having a mid-life crisis, and in order to get a handle on why he has so much trouble with women, decides to participate in a college-sponsored study on male sexuality. What he doesn't know is that the study is being run by some extremely radical, doctrinaire feminists, and that he's in for a nightmarish grilling. He shows up for his first sessions, is blindfolded, and is then put through his paces as a relentless female interrogator puts him constantly on the defensive for everything he has ever done with women throughout his entire life.

The Myth of the Male Orgasm

4.8 1993