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Něco je ve vzduchu

The urn supposedly containing the remains of Alice's grandfather falls out of the window and breaks. To Alice's great surprise, the urn is empty and the girl learns that the grandfather didn't die but disappeared under mysterious circumstances on the 2nd September 1946 in the town of Telc. Her grandmother claims that a mysterious young man with dark glasses was implicated in her husband disappearance. Alice is determined to solve the mystery. Grandmother's story leads Alice to a shoemaker who hands her Professor Jeník's - her grandfather's - invention, called the Force-fields Accelerator. Alice tells her boyfriend Petr about the device and the young man creates a time machine following the professor's instructions. The young couple then travel back to 1946 and there they indeed meet Alice's grandfather, and his daughter Blanka, who will later be Alice's mother.

Něco je ve vzduchu

5.0 1981
Man Pasand

Kamli belongs to a poor family. She sells datuns for a living. She sells them in local suburban trains as well as on railway platforms. One day she meets a bachelor named Pratap, who would like her to become a lady, and be educated, to which she agrees. She thinks that Pratap is in love with her, little does she know that she is the subject of a bet between Pratap and his friend, Kashinath, who both find her crude, crass, loud, and uncouth, so much so that both doubt that she can be transformed into a lady.

Man Pasand

7.0 1980
Part-Time Work

A comedy of everyday life problems of a "temporary" teacher who leads a very "temporary" life. For ten years, he temporarily lives with his married sister in a cramped, one-room apartment in which, his brother's-in-law sister also temporarily lives. He has a diploma, but not a steady job. He's a school teacher for a definite period of time with a "temporary" status. At the mean time, a boy who lives alone with his mother goes to the same school. He wants to have a father by his own choice, not his mother's. It seems that the teacher suits most of the boy's idea of a father. And the boy gains what he always wants.

Part-Time Work

6.4 1980
Dr. Sunhat

The play tells the story of a Bedouin family consisting of the father of Umbriek, the mother of (Intisar Al-Sharah) and the sons of (Abdul Rahman Al-Aql) and (Muhammad Al-Ajimi), waiting for their elder son Sanhaat (Ahmed Jawhar [?]) Who was sent abroad to study for the doctorate, but was surprised by his return and accompanied him His foreign wife (Abeer al-Jundi), which is difficult to adapt to customs and traditions, the family always relies on consulting uncle Abu Muslafah (Ghanem Al-Saleh) who, along with Dr. Sunhat's father, is trying to find a suitable job for their son, Dr. Sunhat, to be shocked by obstacles that prevent him from the job.

Dr. Sunhat

6.0 1987
Adiós, Miami

A sharp black comedy that lays bare the contradictions, obsessions, and moral emptiness of a Venezuelan man who has climbed the social ladder through easy money rather than effort. The film portrays a glittering yet hollow way of life, marked by excess, paranoia, and emotional dislocation. Oswaldo, weary of his stagnant marriage, embarks on a passionate affair with a television star, believing that money lies at the center of all human relationships. In a world where everything seems purchasable—desire, loyalty, even identity—the film exposes the seductive illusion and underlying madness of sudden wealth.

Adiós, Miami

7.8 1984
Anita – Dances of Vice

In modern-day Berlin (1987), Frau Kutowski goes insane, believing herself to be the (real-life) notorious Anita Berber, a nude art dancer/drug addict/scandalous figure of post-WWI Berlin. (Berber died of tuberculosis in 1928, having achieved significant success and recognition throughout the dance world.) Frau Kutowski is placed in a mental hospital, where in her own mind she acts out Berber's final days, including in her fantasies the hospital's staff and patients, to represent Anita's friends and associates.

Anita – Dances of Vice

4.9 1988
Tender Hooks

Mitchell leaves the comfort of suburban bliss convinced that no-one can assess life who has not experienced it first-hand. Clear about what is not appropriate for her, she is searching for what is: a choice. She takes a job at an inner-city hair salon and a room in a nearby boarding house. Here she meets Gaye, who lives on love and spurts on her asthma inhaler. Through a quirk of fate she meets Rex in the hall with not much on but the imprint of a boot on his behind. She takes him in, captivated by his smile. They warm to one another at once. Rex appreciates Mitchell's style and is impossible to ignore. The drawback is he comes fully loaded: Mitchell discovers that where Rex is trouble follows close behind.

Tender Hooks

8.0 1989
And the First Matakias

An unruly voyeurism, Simos, works in a hotel as a bourgeois. A gang of burglars has put in the eye of the hotel's safe. The members of the gang - five in number and very pretty women - are staying at the hotel, waiting for the proper opportunity for the burglary. Meanwhile, the hotel's daughter, Myrto, seeing that the hotel is not doing well, and believing that some people sabotage the business, represents the receptionist, in order to learn from the inside exactly what is happening. The passion of Simos makes him a companion of the five women's gang's plans, both to frustrate the burglary and to win the hand of Myrto, who has fallen in love with him.

And the First Matakias

4.3 1982
Ali in Wonderland

In the 1980s, barely 18 years after Algeria's independence, Algerian immigration to France massively fueled the construction industry, responding to a demand for hard, undervalued labor. Behind the idea of ​​"selective immigration," these men were recruited primarily for their bras and their knock-kneed hands, shaped by construction sites. Invisible yet essential, they built roads, buildings, and infrastructure, often at the cost of precarious conditions. Ali, an Algerian crane operator in France, philosophically accepts the harassment faced by immigrants like himself on construction sites and in daily life. He hopes to escape his situation with the money he wins in the lottery, and from the top of his crane, he allows himself to dream, observing the world through binoculars. One day, the jackpot falls...

Ali in Wonderland

9.5 1980
Maalamaal

Raj (Naseeruddin Shah) is a slum dweller, who one day comes to know that he has inherited the business and property from his grand-father worth 3.3 billion Indian rupees. Stunned and delighted at the same time, he gleefully arrives at his former grand-father's estate to claim his inheritance, only to be told that there is a clause attached: which is that he must spend 300 Million rupees in 30 days or else risk losing his inheritance altogether. How can a slum dweller who has never held a thousand rupees in his hands on any given day, be expected to spend 10 million a day?

Maalamaal

5.4 1988