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Подводная лодка

The American submarine is rushing to the intended target, from where the U.S. ballistic missiles are shot. For the third month the boat has been on a cruise, everyone is tired of this life, the captain is nervous - the speed is at the limit of the machine's capabilities. Only the chief mate, the only person on the boat who will not hesitate to press the fatal button, feels confident ... When the target is only minutes away, the radio operator raises the alarm: the Moscow radio announces that an important government message is about to be announced. The base is silent. Fearing that war has broken out, the captain declares combat readiness, but at the same time Moscow radio reports the launch of the world's first cosmonaut.

Подводная лодка

9.0 1962
Kahreden Kurşun

Yılmaz and a friend go to a bar called Maça Kızı. Yılmaz meets a girl there. The girl's mysterious demeanor suggests that she knows something. After a while, the two friends start following her. The girl enters a heroin factory. The man who manufactures heroin is the girl's father. When they decide to raid the secret network uncovered through their surveillance, Yılmaz is trapped and captured. While the smugglers are taking Yılmaz to the marble cutting machines, his friends notice the situation and rescue him. The heroin smugglers set another trap to kill Yılmaz. But Yılmaz escapes this trap as well, and in the ensuing gunfight, the girl's father is killed, but the smugglers are also captured.

Kahreden Kurşun

9.0 1965
Bandipotu

Sathyasena (Gummadi), the king of Gandhara, suffering from paralytic legs leaves the rule to his vicious brother-in-law Soorasimha (Rajanala), the army commander. Dharma Nayaka (Chittoor V. Nagaiah) is one of the victims of Surasimha’s tyranny. Dharma’s brother Veera Nayaka (Mikkilineni) as a masked man rebels against Surasimha by leading a group of men. He robs the royal wealth and distributes it to the poor. While he is looting the wealth of princess Mandaramala (Krishnakumari), Dharma’s son Narasimha (N. T. Rama Rao) fights with the masked brigand and is surprised to find it is his uncle. He learns from Veera how Soorasimha has ruined their lives. Meanwhile, Surasimha plots to ascend the throne by marrying Mandaramala. In an act of deceit, he eliminates Dharma Nayaka and Veera Nayaka. Narasimha takes the place of Veera Nayaka as the masked rebel, annihilates Soorasimha and ascends the throne after marrying Mandaramala.

Bandipotu

7.0 1963
Dua Kali Duapuluh Empat Djam (2 X 24 Djam)

Norman’s house is robbed but one of the robbers, Bing, is captured when his car hits a building. Bing is the husband of Hayati, Norman’s ex-fiancee. The leader of the gang, Wikarta, kidnaps Bing’s wife and children to ensure that Bing will not confess to the police. Wikarta, is actually in love with Hayati, and takes the opportunity to win her heart. The victim of the robbery, Norman, decides to take matters into his own hands, and gangs up with Godfried, a reformed criminal. The police set their deadline: two times 24 hours. When they finally catch the crooks, it is proven that Bing was forced to join the robbers because he lost too much in gambling.

Dua Kali Duapuluh Empat Djam (2 X 24 Djam)

NR 1967
Datok Merah’s Grandson

A period drama with Malay symbolisms, myth and folklore, the title Chuchu Datok Merah points to the mental image Malays have of themselves as descendants of Hang Tuah, the legendary Malay warrior of Malacca. Awang Janggut is very much a pseudo-warrior. Instead of a “keris”, a warrior’s weapon, he owns a prize-winning rooster. His battlefield is the cock fight arena. Home is a big but empty house inherited from his ancestor, and prefers living in poverty to working. The closest he comes to the high life of a warrior is when a rich businessman employs him as a bodyguard after he prevents hooligans from taunting the latter’s daughter Siti. Despite knowing Awang is married, Siti continues to flirt with him, causing him to leave his pregnant wife alone. She eventually falls sick and has a miscarriage. The film is a social criticism of people who rest on their laurels and ancestry instead of working for themselves. It is also one of the finest examples of the anti-hero in Malay cinema.

Datok Merah’s Grandson

NR 1963
Dağlar Şahini

Sahin works as a farmer for Hidir Aga. Sahin is in love with Zeynep who is fancied by Hidir's son Suleyman, too. Enmity comes to exist between Sahin and Hidir Aga. Hidir denounces him to the gendarme chief Hasan. Yet Hasan believes Sahin and sets him free. Hidir urges Zeynep to get engaged with his son. Sahin kidnaps Zeynep. Suleyman and his men follow them, Zeynep kills Suleyman. Hidir and his men are after them now. They find their trace. Zeynep gets injured in the fight and dies. Now, the time has come for Sahin to take revenge and death is inevitable.

Dağlar Şahini

9.0 1969
Gecelerin Kralı

Kenan acts tough with his two friends. He collects protection money from nightclubs by force. His girlfriend Nesrin wants Kenan to quit his job. At first, Kenan refuses. However, when one of his friends dies in his arms during a fight, he repents. He marries Nesrin and they have a child. He makes a living as a taxi driver. One night, his close friend Selim comes to his house injured. Before he can explain what happened, he dies. The next day, men seeking Selim's money kill Nesrin and her son. Kenan breaks his vow and sets out to avenge his family.

Gecelerin Kralı

7.5 1967