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The Hunchback of Notre Dame

Paris, 1482. Today is the festival of the fools, taking place like each year in the square outside Cathedral Notre Dame. Among jugglers and other entertainers, Esmeralda, a sensuous gypsy, performs a bewitching dance in front of delighted spectators. From up in a tower of the cathedral, Frollo, an alchemist, gazes at her lustfully. Later in the night, Frollo orders Quasimodo, the deformed bell ringer and his faithful servant, to kidnap Esmeralda. But when the ugly freak comes close to her is touched by the young woman's beauty...

The Hunchback of Notre Dame

6.7 1956
The Knight of the Night

Paris, 1884. Bella Fontanges, a renowned ballerina, is married to Georges de Segar. But after just a few years together, the couple slowly sinks into weariness. Bella has forgotten what happiness used to taste like. Then a mysterious squire appears. Aware of the couple's faltering situation, he makes Bella and Georges a most astonishing proposal: he claims to be able to separate Good from Evil in Georges. Reluctant at first, the couple eventually agrees to play along. But it's not long before they realize that in Georges, it's Evil that has prevailed.

The Knight of the Night

6.1 1953
Isabelle aux Dombes

Pialat's first film was the short Isabelle aux Dombes, shot in 1951 when the director was 26 years old. The film is an entirely silent montage of documentary footage, ragged experimental techniques — mainly some negative-image inserts — and symbolic psychodrama that's surprisingly not too different from the work that Stan Brakhage would begin making just a year or two later. Images of death proliferate throughout the film, and what started as a loose documentary soon becomes an eerie psuedo-horror piece that's obsessed with death and decay.

Isabelle aux Dombes

5.4 1951