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Island of the Doomed

A group of tourists arrive to see the botanical gardens on a small island off the Italian coast. The only inhabitants of the island are the famous botanist Baron von Weser and his two faithful servants; all of the other residents fled after a series of mysterious deaths. When the car driven by the tourists' guide hits one of the baron's servants, von Weser explains that the death was due to a rare and incurable disease, not the accident. That night, the guide and Cora Robinson, one of the guests, are found murdered with all the blood drained from their bodies.

Island of the Doomed

4.8 1967
Nocturne 29

Portabella’s first feature, co-scripted by poet Joan Brossa, became one of the most influential works of the Barcelona avant-garde, although like all his early films, it circulated only in an underground fashion. Eschewing dialogue, the director constructs a non-narrative story in fragments that reveal the daily lives of an adulterous couple interspersed with a cryptic stream of unrelated imagery. The title of this homage to directors including Eisenstein, Antonioni, Bergman, and Buñuel refers to the 29 “black years” of the Franco dictatorship. — chicago.cervantes.es

Nocturne 29

5.5 1969