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Detour Into Madness Vol. 2

FORCED SURVIVAL: A teenage girl enters a motel room to commit suicide, only to find a serial killer/rapist waiting for her. THE CALL GIRL: Two drugged out siblings decided to kill a Call Girl just for the thrill of it. But when the girl returns from the grave to haunt them, they turn on each other. THE BOYFRIEND KILLERS: 3 girls decide to kill off a cheating boyfriend. LESSER OF TWO EVILS: A man is held captive by a girl looking for revenge. But is he guilty or is she crazy? DIARY OF A BLACK WIDOW: A teenage serial killer recounts her exploits, and the day she finally met her match.

Detour Into Madness Vol. 2

8.0 2006
The Power of Fear

Ivan, a cynical journalist, is assigned to investigate mysterious events in a small town. During his first night, he is seduced by a strange and mysterious girl. As they embrace, she transforms into a hideous demon. Ivan fights the creature, managing to strangle it. But it is too late, Evil has been unleashed. When Ivan is charged for the brutal murder, he feels his last hope disappear. As he is overcome by the dark forces trying to pose as his soul, Ivan comes to realize that his only hope lies in his power to find the faith that he once lost

The Power of Fear

3.6 2006
Hide and Go Kill 2

When her classmate Ritsuko disappears, her friend Ryoko is desperate to find her. When she discovers that Ritsuko was playing a strange game online of hide and seek, she begins to wonder if it could be related to her disappearance somehow. Ryoko then discovers that the game is more sinister than it appeared at first. It is linked to demonology and the supernatural. Will she be able to get past her fears and superstitions to discover what secrets the game of hide and seek might hold?

Hide and Go Kill 2

5.5 2009
A Film by Aravind

Aravind (Rajiv Kanakala) and Rishi (Rishi) are childhood buddies. They struggled together to come up in life and settle as director and hero respectively. They delivered two consecutive hits together and are in search of a script for a 3rd film. Of the scripts sent by various story writers, Aravind finds one script to be interesting. But that script was smudged with ink after 60th page (25th scene). He summons his assistant to scout for the writer and takes Rishi for story discussions on that script to his remote wooden guesthouse located few kilometers away from the city. The scenes mentioned in the script come alive. As the things get scary, Aravind wants to see what would happen in the next scene and realize that the rest of the script is smudged by ink. The rest of the story is all about what happens next.

A Film by Aravind

7.0 2005
The Butterfly

The year is 1996, about five years before September 11. But the foundations are already being laid. Because the world is a complicated place, and nothing starts just one day before. The place is Afghanistan, in the heat of civil war. Thousands of people who have lost their lives, their possessions, and their homes are waiting for the fighting to end. Yusuf and his friends, however, are going there for humanitarian aid. As Yusuf and his friends prepare to set out, Osama bin Laden is crossing the Afghan border to his new headquarters. Yusuf and his friends meet thousands of people in Afghanistan that year, and one of them is a young man who will become known to the whole world on September 11, 2001.

The Butterfly

6.0 2009
Dumpster Baby

A premature crack baby abandoned in an inner city dumpster embarks on a surreal journey through a landscape of urban decay in directors James Bickert and Randy Hills. Left for dead and doomed to die, the helpless child's chances for survival fade with each passing minute. The young infant's will to survive is strong though, and in the following days the struggling child encounters a series of bizarre characters ranging from an adulterous surgeon to a malevolent street pimp and a crack-smoking hooker whose motherly instincts offer a shimmering ray of hope in the child's bleak future.

Dumpster Baby

3.6 2000
Yellow Room

The Giallo film reinvented as an experimental S&M-tinged fever dream, told through a combination of color-gelled cinematography and jump-cut photographs, infused with dark sensuality and perverse cruelty. The short films of the directors of Amer are technically rawer than that film, but they show what was to come in terms of themes based on giallo films and an abstract style, from the use of still frames like in Chris Marker's La Jetée to harsh coloured lighting. They are worth seeing by themselves as a refining of their ideas into a fantastic debut feature film.

Yellow Room

5.6 2002