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HSP: There Is No Escape from the Terrors Of the Mind

There is no escape… From one side of the globe to the other, there is no escaping the faces, the visions, the ever-watchful camera. There is no escaping the mask, there is no escaping the resonating echoes of images and sounds that cross each other over time. There is no escaping the cinema. There is no escaping the terrors of the mind. “A mysterious loner, perhaps a poet, journeys through a series of uncanny surrealistic landscapes with an unclear purpose. His adventure is divided into three sections. The main theme of this experiment is to compare the eerier qualities of different landscapes and interpose the characters within them, elaborating the project’s ongoing preoccupation with extracting sinister moods from ordinary settings. In a way, these can be seen as experimental horror films in which an atmosphere of dread is evoked and sustained without the expected narrative trappings.”

HSP: There Is No Escape from the Terrors Of the Mind

NR 2013
The Addicted

25 years after a patient in a drug rehab clinic commits suicide, 4 friends decide to spend a night in the abandoned clinic to try and film some of the reported paranormal goings-on. Shortly thereafter, an up and coming TV journalist is persuaded to spend a night in the clinic with 3 of her friends to try and film some of the spooky activity. In the course of one night, they discover the sickening truth about the history of the clinic and have to face the possibility that they might never leave.

The Addicted

2.0 2014
Painted Room

A fresh coat of paint signifies a fresh start, But I only feel the walls growing thicker, and the room getting smaller. Shot entirely on VHS, Painted Room is an eerie, esoteric exploration of displacement and memory, told through the quiet rituals of a painter moving into a new home. As he brushes fresh coats onto the walls, strange visitors begin to appear—ghosts not of the dead, but of the displaced. The film interrogates what it means to replace the old with the new. Each layer of paint becomes a scar of those who came before—a visual metaphor for lives overwritten but not erased.

Painted Room

NR 2025