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The Sex Victims

A lone truck driver who is lured into the woods by a nubile Lady Godiva discovers after he’s slept with her that all is not as it seems. The Sex Victims (1973) is very much part of the Britsploitation fold, featuring gratuitous nudity, working-class vernacular and rough sex. Yet director Derek Robbins also veers into some of the same uncanny territory directors like José Larraz would later explore at feature length, making it a unique hybrid. In fact, The Sex Victims would make a perfect bill cousin for Larraz’s Vampyres (1974) for the way in which it combines ample nudity with supernatural elements. (BFI)

The Sex Victims

5.0 1973
Dr. Jekyll & Sister Hyde

In foggy London Dr Jekyll experiments on newly deceased women determined to discover an elixir for immortal life. Success enables his spectacular transformation into the beautiful but psychotic Sister Hyde who stalks the dark alleys of Whitechapel for young, innocent, female victims, ensuring continuation of the bloodstained research. With each transformation Sister Hyde becomes the more dominant personality, determined to eventually suppress the frail, ineffectual Dr Jekyll forever.

Dr. Jekyll & Sister Hyde

6.1 1971
The Pyjama Girl Case

Two seemingly separate stories in New South Wales: a burned, murdered body of a young woman is found on the beach, and a retired inspector makes inquiries; also, Linda, a waitress and ferry attendant, has several lovers and marries one, but continues seeing the others. The police have a suspect in the murder, but the retired inspector is convinced they're wrong; he continues a methodical investigation. Linda and her husband separate, and there are complications. Will the stories cross or are they already twisted together?

The Pyjama Girl Case

5.8 1977
Ghost of the Mirror

Adapted from a Tang Dynasty fantasy tale, Sung Chuen-sau used the story of a scholar meeting a female ghost at night, but emphasised neither the killing nor horror but the literary and romantic elements. Scholar Chan (Shih Chun) stays in a remote mansion outside the city. People often fall into the mansion’s well for no apparent reason. Chan looks into it. Later, he sees the girl from the well, Susu (Brigitte Lin), waving to him. She begins to wait on him nightly. Susu was from a wealthy family, but was running away from bandits during wartime, and committed suicide by jumping into the well rather than be caught. After her death, her spirit was controlled by Du Long (Pai Lin). Du Long has forced her many times to harm Chan, but she never has the heart to carry it through. Chan’s pity for her soon becomes love. He goes into the well to retrieve an old bronze mirror, and eventually succeeds in freeing Susu. In the end, to rescue Chan, Susu fights with Du Long and they destroy each other.

Ghost of the Mirror

7.0 1974
Leyenda Macabras de La Colonia

The Mexican luchador Tinieblas buys an ancient painting of a dead woman ignoring the warning that it is haunted. Later, after a fight his partners El Fantasma Blanco and Mil Máscaras joins him in a party at his apartment with two beautiful ladies, but when the clock reaches midnight the painting transports them all to colonial times. In order to return home they must face Spanish Conquistadores, Aztec Warriors and an evil witch whose mother, an unstoppable living dead hungry for human sacrifices, is the woman in the painting.

Leyenda Macabras de La Colonia

5.6 1974