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Witches

The deceased owner of a medieval castle stipulated the following in his will: The heir to his mighty estate would be the elder of the two stepsisters, Katharina and Margrit von Kronberg, namely Margrit, if she married Heinz Wagner, a cousin who had just returned from captivity. When Margrit observed Katharina and Heinz rendezvousing at a nearby lake, Margrit demanded that her husband leave the castle immediately, before she, the elder sister, and Heinz were married. Furious, Katharina then plotted to poison Margrit. Only when Katharina dreamed that the village youth would avenge Margrit's violent death according to ancient tradition and that she, Katharina, would be burned on a pyre like witches in the Middle Ages, did she, after awakening from this nightmare, abandon her bloody plan. Her change of will is rewarded: Heinz has decided to marry Katharina and not Margrit.

Witches

9.0 1949
The Artificial Man

Part of the artificial-creature series encompassing Der Golem (1914 and 1920), Alraune (1918, 1928, 1930) and Metropolis (1926), 'Homunculus' was the most popular serial in Germany during World War I even influencing the dress of fashionable Berlin. Foenss, a Danish star, is the perfect creature manufactured in a laboratory by Kuehne. Having discovered his origins, that he has no 'soul' and is incapable of love, he revenges himself on mankind, instigating revolutions and becoming a monstrous but beautiful tyrant, relentlessly pursued by his creator-father who seeks to rectify his mistake.

The Artificial Man

6.2 1916
10/65: Self-Mutilation

Kren’s 10/65 Selfmutilation is developed from a Gunter Brus “action”. What the film emphasizes is the surrealistic drama of symbolic self-destruction that Kren drew out of Brus’ action, pacing out each gesture so that one gets a tense, iconoclastic revelation of a man covered in white plaster lying surrounded by razor blades and a range of instruments looking as if they have been taken from an operating theatre. The blades, scissors and scalpels are gradually inserted into him in a ritualistic self-operation. (Stephen Dwoskin)

10/65: Self-Mutilation

5.9 1965
Phonomanie

A masked man in a suit gains access to an apartment; secretly, systematically and silently kills everyone present in a bestial way. Unnoticed, he leaves the scene. On a weekend trip some time later, Samantha and her friends realize that this incident was probably not the only one, because the culprit has left a trail of horror. Without further ado, they decide to do some research on the matter themselves, without realizing what they are going to do for a chain reaction. A horrible horror trip begins, because someone plays a deadly game ... Do you trust your friends?

Phonomanie

NR 2019
Lesser Miracles

How do you know if you are insane? Riley Carpenter, her devoted husband, Morgan, and their beautiful baby daughter, Vivian, live in a small rural town in Northern California. After Riley and Vivian survive a savage car accident, Riley begins to hear a strange voice that no one else seems to hear. Riley dismisses the phenomenon as her imagination at first, but soon the strange Voice makes eerie predictions about the near future that inevitably come true. Despite fears for her own sanity, Riley and the Voice make a vow to protect her family no matter the cost.

Lesser Miracles

NR 2013
Sounds of Fear

Maria's life is upside down. After a traffic accident, nothing is the same. She has terrible nightmares and suddenly sees through strange eyes one night. They are the eyes of a serial killer who is up to mischief in the small town of Unna in the Ruhr area. When Maria goes to the police, you don't believe her, although the extensive search for the murderer has so far been unsuccessful. The situation worsens as Maria begins to fear her best friends. Slowly but surely she thinks she is going crazy.

Sounds of Fear

1.0 2004
The Phantom of the Opera

Das Phantom der Oper was a 1916 silent film. The film, also known as Das Gespenst im Opernhaus, is notable for being the first film adaptation of the 1910 novel The Phantom of the Opera by Gaston Leroux. The film is now believed to be a lost film. No copies, photographs or even a poster of the film remain. All that is known is that it was made in Germany in autumn 1915, directed by Ernst Matray, starring Nils Chrisander as the Phantom and Aud Egede-Nissen as Christine, and Raul played by director Ernst Matray.[1]

The Phantom of the Opera

10.0 1916