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Private Property

A woman living alone on an island must fight for her life in the directorial debut of filmmaker Elizabeth Dimon. Although reluctant to do so, island recluse Tess (Mirjana Jokovic) offers her home to Sam (David Thornton) and Nigel (Tomas Arana), a pair of tuxedo-suited (and blood-soaked) strangers who arrive via motorboat with an exotic animal in tow. Allowing them to heal their wounds but desperate to get them out of her home, Tess immediately hides her valuables and frequently makes for the cellar where she appears to speak with an unseen housemate.

Private Property

8.0 2005
Yellow Room

The Giallo film reinvented as an experimental S&M-tinged fever dream, told through a combination of color-gelled cinematography and jump-cut photographs, infused with dark sensuality and perverse cruelty. The short films of the directors of Amer are technically rawer than that film, but they show what was to come in terms of themes based on giallo films and an abstract style, from the use of still frames like in Chris Marker's La Jetée to harsh coloured lighting. They are worth seeing by themselves as a refining of their ideas into a fantastic debut feature film.

Yellow Room

5.6 2002
St. Andrew's Girls

A small town is struck by scandal when Jennifer Walsh, a troubled teenager takes her own life. But things aren't always what they seem. In the weeks before her death, Jennifer is thrown into detention with a twisted trio of "bad girls," the moral rejects of an oppressive educational system at St. Andrew's Catholic High School. These outcasts quickly form a strange bond, but the delicate balance of their friendship is threatened after Jennifer uncovers one of the girl's criminal activities. When the girl learns that Jennifer has a secret of her own, all Hell breaks loose.

St. Andrew's Girls

6.0 2003
La Isla

Hannah and Fanny's father once callously abandoned his family, which is why Hannah, at least, has little desire to rush to the funeral after their mother Martha announces the old man's death on an island in the south. But pregnant Fanny is determined to pay her last respects, and Hannah allows herself to be persuaded. She quickly regrets this, because for some reason (which could well have something to do with her father), the dead rise from their graves on the island and harass the living.

La Isla

4.0 2010