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Isabelle aux Dombes

Pialat's first film was the short Isabelle aux Dombes, shot in 1951 when the director was 26 years old. The film is an entirely silent montage of documentary footage, ragged experimental techniques — mainly some negative-image inserts — and symbolic psychodrama that's surprisingly not too different from the work that Stan Brakhage would begin making just a year or two later. Images of death proliferate throughout the film, and what started as a loose documentary soon becomes an eerie psuedo-horror piece that's obsessed with death and decay.

Isabelle aux Dombes

5.4 1951
Premonition

After a violent car wreck nearly takes his life, Detective Jack Barnes begins having inexplicable and terrifying premonitions of horrible disasters. At first his warning calls go unheeded, but as the premonitions begin to come true Jack is shocked to find himself wanted for questioning by the FBI. He goes on the run, narrowly avoiding both the FBI and a band of terrorists on the verge of unleashing a deadly attack. As he scrambles to unlock the meaning of the visions, he must race against the clock to stop the terrorists before they can strike again.

Premonition

4.4 2005
Nighthawk: Maison Margiela Artisanal 2024

A film based on an original concept by John Galliano and directed by Sasha Kasiuha. Founded in the proposition that opened the 2024 Artisanal Show in January 2024 – “Would you like to take a walk with me, offline?” – the cinematic experience elucidates and elaborates the haute couture collection for posterity. In a fast-paced culture, it serves as an articulated desire to be present in the moment, and in the memory; values key to Maison Margiela.

Nighthawk: Maison Margiela Artisanal 2024

NR 2024
The Bloodthirsty Fairy

Two mysterious men dressed in black and with cigarettes dangling from their mouths drop a large, presumably heavy (since it takes two to carry it) package off on a doorstep and walk away. When the home’s owner returns he drags the package inside, then goes about doing a few more activities before deciding to finally open it. Upon removing the paper, he notices it’s a large steel barrel. Using a blowtorch, he gets the lid off and sees it’s full of oily water… but rising out of the water is a nude, voluptuous, smiling woman, who immediately starts to entice the man by massaging her breasts. Naturally, being in a barrel for who knows how long, she needs to get cleaned off and hops into a bubble bath. While she’s lounging in the tub, the man gets into bed, lights a cigarette and starts to remove him clothes in anticipation. We get to see fantasies from both the man and “the fairy.” —The Bloody Pit of Horror

The Bloodthirsty Fairy

5.3 1969