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Big Brother

Wu Min Chan and Kuang La Lung are subordinates of Commander of Northern Province, gunning for the post of Garrison Commander. On Wu's side are Shi Wen, and Sha Chung, while Kuang was assisted by Pei Chiang, Si Ma, and Niu Chung. Soon Shi gained power and sent Niu to kill Wu with Lui Yan's dagger, causing Lui Yan to commit suicide before the Commander. Niu became possessed with self-reproach, and was jailed for being drunk. Shi sent Pai Siow Lan, Niu's sweetheart to poison Niu. Pai drank the poisoned drink, and begged Niu to escape. Realizing Shi's true character, Niu went to seek Shi. In the end, Niu committed suicide after killing Shi.

Big Brother

9.0 1974
Young Hero of Shaolin

This film is about Fong Sai-yu going under cover as a servant in the villain's mansion. He is a famous fighter that fights for justice. While at the mansion he met the great Kow Lee played by Tao-Liang Tan also a great fighter that works there for the villain. He recognize Fong Sai-Yu right away and challenge him to a fight because he wanted to match his fighting skill with the famous fighter. At first Fong Sai-Yu declined but eventually agreed after the great Kow Lee threatens to reveal his identity. They met on top of a mountain where they fought to a draw and then became great friends. The great Kow Lee later help Fong Sai-Yu at the end of the film to defeat the villain who was very tough to beat.

Young Hero of Shaolin

4.0 1976
Chelsia My Love

For many years, Mr. Lee has been keeping a secret from his wife and two daughters that his elder daughter, Chelsia, is having some serious heart disease. Only his good friend, Dr. Fong, who made the diagnosis knows about it. Chelsia meets Ma, an overseas Chinese, at her secondary school graduation ball and gradually they fall in love with each other. Doctor Ma's son Chileung, who grows up with Lee's daughters, is fond of Chelsia while the younger daughter Chelwin loves him. However, neither of their affection is returned.

Chelsia My Love

7.0 1976
Dragon Blows

It starts out in rip roaring fashion, with our heroine (genre veteran Chiao Chiao) watching an out of control man rip the bodice from a struggling farm girl. Incensed by this brutality and no doubt offended by the film's one and only topless scene, she rams her fist through a brick wall and kills the man with her distinctive 'dragon blow'. Enter the film's male hero, her brother, who scolds his sister for using this deadly and forbidden weapon. The story then commences in earnest, as brother and sister end up protecting a poor orphan girl who has a valuable jade necklace that a nefarious criminal syndicate is desperate to obtain. Much mayhem ensues, though the film remains chaste and relatively bloodless after its promising beginning.

Dragon Blows

10.0 1973
Excelsior

Two petty adolescent street urchins Lo and Lung become inseparable sworn brothers who survive the cruelty of the streets. They are separated after Lo gets caught by the law trying to steal food. Years later, Lung grows up to be an enforcer for a gambling syndicate not knowing that it also fronts as a narcotics ring. To contrast Lo is raised in a law enforcement household and is sent out to investigate drug activity in the region. They reunite under a fragile alliance on the opposite sides of the law as their interests spiral into collusion. Things turn deadly after drug boss Ma retaliates by having Lo's stepfather killed and framing Lung for the deed.

Excelsior

NR 1973
Four Moods

Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.

Four Moods

6.8 1970
A Sorrowful Wedding

Chia-wen and Hsiao-fen are childhood friends. Chia-wen is the son of a rich landlord and Hsiao-fen is the daughter of a poor couple who works on the rich lanlord's land. Even as children Chia-wen and Hsiao-fen love each other deeply. Chia-wen is sent to school in the city. After graduation Chia-wen returns to the countryside and plans to make his childhood friend Hsiao-fen his wife. Chia-wen's father disapproves of the marriage between Chia-wen and Hsiao-fen and disowns Chia-wen. With the disapproval of their marriage, Chia-wen takes Hsiao-fen and they run away together. Unmarried, Chia-wen and Hsiao-fen live together and struggle to make a living.

A Sorrowful Wedding

NR 1979