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Ghya Chang Fou

Ghya-chang-fou literally means 'suddenly beheading' in Bengali. it features thirteen unnamed people gathering in a mansion filled with archaic objects to celebrate what appears to be a communist revolution. Nothing seems real, roads open up to improbable places, places lead to impossible elevators, elevators lift people to unconvincing roads. Bacchanalian spirit steadily overtakes the initial deadpan seriousness. The encore of celebration sounds delusionary as the drunken conversation about communism, about its methods and means, about it intricate turns through history degenerates to bourgeois nonsense and decadence leading to absurd rifts, comic conflicts, unleashed orgies and debauchery.

Ghya Chang Fou

8.5 2017
Ondu Motteya Kathe

Janardhan a 28 year old Kannada Lecturer from Mangalore who is quite an introvert comes to know from an astrologer that he would attain sanyasa (embrace asceticism) if he doesn't get married within a year. Hearing this Janardhan is now in a situation of trouble & desperation as he has never had a decent conversation with females until now in his life & all the proposals his family has seen also has gone in vain as he doesn't look great,physically. Janardhan continues his search for a beautiful bride. In this journey he faces various situations & conflicts which in turn gives him a chance to revisit his inner core & experience his self discovery. Does Janardhan find his bride or does he attain spiritual path? forms the rest of the story.

Ondu Motteya Kathe

7.1 2017
Chakkara Maavin Kombathu

Uthaman and Jentry, who folloow Aalimammookka, a kind and helpful soul who loves the village and village folk. Both Uthaman and Jentry have a troubled childhood, whilst the former who comes from a very poor family aspires to enjoy luxuries, the latter yearns for parental love. The story takes a twist when Uthaman's father, Dasan tells him that Aalimammookka has many treasures and as Uthaman goes in the pursuit of the treasure, a series of interesting events unfold.

Chakkara Maavin Kombathu

NR 2017
Panchlait

Set in either the 1950s or 1960s, Panchlait tells the story of a small village in North India that still has no electricity and its people live in darkness, engrossed in its own little sorrows and joys. Godhan, who belongs to the Mahato Tola of the village, is outcast from the village after he refuses to pay any part of his inheritance to the village and is falsely accused by Munri's mother for singing inappropriate Hindi songs for Munri. However, the day that the tola decides to celebrate by bringing in their own panchlight, the sarpanch realizes that no one from the tola apart from Godhan knows how to light the petromax. Keeping aside his ego, the Sarpanch annuls Gordhan's punishment and sends a word for him, who finally becomes a part of the tola and also helps the village in being lit up, becoming the hero in everyone's eyes.

Panchlait

NR 2017
Crossroad

Crossroad is a first -of-its-kind portmanteau movie celebrating womanhood and tells the story of ten women, facing ten different life situations and explores how they tackle it. The movie encompasses ten feature films of fifteen minutes each, with each featuring prominent female artists from Malayalam film industry as the protagonist and is directed by a prominent Malayalam filmmaker. The movie showcases the vibrant facet of each woman and tells the story from her perspective.

Crossroad

7.2 2017