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The Savage Guns

This Western is set in the Mexican valley of Sonora not that far south of the state of Arizona. It's just after the American Civil War, and a former Confederate officer, Mike Summers has taken refuge in a small town in the valley. He has married and is hoping to live in peace the rest of his life. Instead, he and his wife and the rest of the town are suffering the depredations of a brutal gunman, Danny Pose, and his gang of outlaws. Summers holds off picking up a gun because of his personal vow of non-violence. But the situation deteriorates and a new ally comes into the picture, Steve Fallon, a wandering gunslinger who may not be able to handle the bad guys alone.

The Savage Guns

5.0 1961
Tuset Street

Barcelona 1967. The pop culture revolution. Jordi (Patrick Bauchau) is a rich playboy who runs around with a bunch of high-end hippies, smoking, drinking, dancing and daydreaming about Tuset Street, an effort to develop a popular street in the newer section of Barcelona after the models of Haight Ashbury Street in San Francisco and Carnaby Street in London. Jordi and his gang represent the new Barcelona, wealthy, artificial and striving for imported sophistication. On the older side of the city is El Paralelo, the theater district. At El Molino, one of its many music halls, performs Violeta (Sara Montiel), a showgirl in the old style tradition who supplements her singing income with prostitution. Somehow Violeta represents the old values, the "real world" living along side an artificial creation such as Tuset.

Tuset Street

4.5 1968
Acteón

An expressionist reimagining of the classic Greek myth involving Acteón and Diana, transposed to Spain's Costa Brava by a future auteur of horror cinema. Based on the myth from Ovid's Metamorphoses in which Acteón accidentally catches a glimpse of Diana, the goddess of love, and is subsequently turned into a deer for his dogs to devour, Jorge Grau's modernist retelling resets the story to contemporary Spain, where a fisherman – played by Martin LaSalle, star of Bresson's Pickpocket – follows an enchanting, flirtatious stranger into the city.

Acteón

5.6 1967
Posición avanzada

During the Spanish Civil War, a command takes the night to reach an advanced position, surrounded by the enemy, to protect the ford of a river. The next day, soldiers from both sides arrange a truce for fishing trouts and exchange cans and cigarettes. But foreign forces relieve the besiegers during the night and kill an unsuspecting soldier who was waving to return to fishing. While the position is strengthened, a soldier escapes to the nearby village to see his family.

Posición avanzada

7.0 1966
Wherever You Are

Lisa, a young wealthy has just been dumped by one of her lovers. One night at a bar in Torremolinos met Paul Vallier and asks Rudolph will you call tonight? Vallier is a writer in crisis intellectual and sentimental. Lisa falls for him but he is engaged to another man. An overdose of pills makes it look clear and at the last moment when he would fly out with her fiance is advised by an old friend of Vallier to return to him. Well it does and it is in the same bar and join hands.

Wherever You Are

6.3 1964
The Wanton of Spain

In the last years of the Middle Ages, the Corpus Christi procession takes place in the Spanish city of Toledo. There, the young Calixto meets the beautiful lady Melibea, and he falls in love immediately, trying to court her, but getting only the rejection of the young woman. Determined to make her his mistress, Calixto chases her wherever she goes, thus causing "incidental" encounters. Then the lover decides to follow the advice of his servant Sempronius and go to an old bawd called Celestina, who, with the help of her evil arts and tips, bow down Melibea's will and causes tragic consequences for everyone.

The Wanton of Spain

6.6 1969
Spain Again

David (Mark Stevens) is a physician who returns to Spain 30 years after his involvement in the Spanish Civil War. Now a member of a medical convention, he looks up old friends and finds his former lover, now a married woman with a flamenco-dancing daughter. He and the daughter (Manuela Vargas) have an immediate and mutual attraction to each other. He considers running away with the exotic beauty before asking his wife to join him for an extended vacation after the convention .

Spain Again

6.5 1969
Los atracadores

The film is divided into three parts: 'Restlessness', 'Violence' and 'Death', to explain the motivations, evolution and defeat of three young misfits from Barcelona who end up being robbers. The way of crime is an easy way for them: a boy and a worker without a job or benefit are induced by 'el Señorito', the son of a rich lawyer. Together they form a band. Hard and violent, the film is made with a clear intention of social criticism and research of realism, culminating in a final scene that raised quite controversial.

Los atracadores

5.0 1962
Nuevo en esta plaza

Film that tells the biography of the great bullfighter Sebastian Palomo Linares Linares, with the very skilled actor who plays the character. Palomo Linares belongs to a poor family but with great human values​​. He, like many others of his age, has a dream: to be a bullfighter. He works as an apprentice shoemaker fights secretly at night in the meadows. After a career of suffering and obstacles, the boy never lost hope, typical of his strong Christian convictions, and became a teacher, finally achieving success in the sand. The film shows with particular clarity the great Spanish tradition, as is the art of bullfighting.

Nuevo en esta plaza

7.3 1966
Siempre es domingo

In a sector of Madrid inhabited by families of a well-off class, a gang of boys and girls has continuous fun, sleep and drink, while their parents ignore practically everything. However, each of these young people has, to a greater or lesser degree, a problem. The parties and parties enjoyed by a group of young people from the upper class are the basis of the story that explains this film. Among them we find the famous couple, once happy, formed by Carlos Larrañaga and María Luisa Merlo. Directed by Fernando Palacios, and with a script by Rafael J. Salvia and Pedro Masó, " It's always Sunday " has no greater intention than entertainment, despite giving history a certain sociological touch, for that of valuing the behavior of the Youth of the time.

Siempre es domingo

7.0 1961