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Cidade; Campo

Two tales of migration. In the first, after a tailings dam disaster floods her hometown, rural worker Joana (55) moves to São Paulo to find her sister Tania, who lives with her grandson Jaime. Joana enters the universe of insecurity, replying to an application for house cleaning. She bonds with her colleagues, and their struggle for better conditions gives Joana’s life a new meaning. Her relationship with young Jaime brings back old memories. In the second part, after the death of her estranged father, Flavia (32) moves to her farm with her wife Mara. The couple suffer a shock of reality when facing the harshness of rural life. The contact with the abandoned house reveals to Flavia unknown aspects of her father. She begins to suspect that there is something supernatural in the woods.

Cidade; Campo

6.5 2024
Gondola

In the Georgian mountains, a cable car connects a village with a smaller town in the valley. Iva started working for the cable car as a conductor and is now in charge of handling the gondolas. While one gondola goes up to the village, the other goes down to the valley. Halfway down, the gondolas meet every half hour. This is exactly the moment when Iva and Nina, the conductor of the other gondola, meet each time. Where at the beginning only collegial greetings were exchanged, over time a flirtation develops. What follows is the big love and stress with the boss.

Gondola

6.8 2024
No Dogs Allowed

Fifteen-year-old Gabo seems like a regular teenager who goes to school, plays video games with his best friend, and does other things a normal teenager would do – except he’s not. He has tendencies he knows to be wrong, but cannot control. He befriends Dave, a much older man with his fantasies. Lines soon start to blur between a trusting friendship and being groomed. Once Dave is arrested on suspicion of statutory rape, Gabo must suddenly decide whether to testify against his mentor with the risk of exposing his secret.

No Dogs Allowed

7.5 2024
Hidden Era

Era Oculta – “Hidden Era” unfolds in the vibrant city of Maputo, where Rastafari artist Phambi fights with securing his son’s education amidst the rhythmic beats of Mozambique. Constantly on the brink of expulsion due to payment delays, Phambi’s artistic journey becomes a compelling narrative, showcasing the challenges and triumphs of an artist navigating the unique landscape of Mozambique. The film amidst the vibrant art scene, two young women, allies to Phambi, play a pivotal role in supporting his artistic endeavors. They willingly pose for him, adding depth and inspiration to his creations. Their presence in the film not only highlights the collaborative spirit within the artistic community but also brings a nuanced perspective to the narrative, reflecting the diverse voices that contribute to the cultural tapestry of Maputo.

Hidden Era

NR 2024
Fromental Halévy: La Juive

Fromental Halévy’s five-act grand opera La Juive (‘The Jewess’) is one of the most popular operas of the 19th century, captivating audiences ever since its debut at the Opéra de Paris in 1835. Set in the 15th century and full of pageantry, the subject is the forbidden love between a Christian man and a Jewish woman, and the tragedy that ensues. Oper Frankfurt’s contemporary staging won great acclaim, with Ambur Braid being lauded for her ‘luminous soprano’ as the heroine Rachel, and ‘vocal phenomenon’ John Osborn heralded in the role of her father Éléazar as ‘immensely moving’.

Fromental Halévy: La Juive

NR 2024
Sie sagt. Er sagt.

In a criminal trial at the Berlin district court, in which the accusation of rape is being heard, it is one statement against the other - a seemingly insoluble dilemma, both legally and humanly, that has enormous explosive power. Because beyond the professional and private future of two people, it is about nothing less than the values and prejudices that define us as a society. It is a case of high public attention: the well-known TV presenter Katharina Schlüter and the industrialist Christian Thiede have had a secret affair that has lasted for years, and now they are sitting opposite each other in the courtroom as hostile parties. On the witness stand, Schlüter describes how what was initially consensual sex in Thiede's apartment turned into rape. But are circumstantial evidence sufficient? Experts and witnesses are questioned, and an unexpected turn of events doesn't make it any easier for the court to decide on credibility and truth.

Sie sagt. Er sagt.

7.1 2024