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Ladies Room

In an ethereal, high-ceilinged room, women stand, waiting. Perhaps it's Purgatory and they're dead. In the room, two young women, one an actress and the other a psychologist, watch the last few days of their lives on a TV screen. Both are having affairs with married men, each has a long encounter with her lover's wife, and both these scenes take place in a ladies' room, one backstage at a play that's about to preview, the other at an opera house during the first act. The relationships between each pair of younger and older women take surprising turns, and in the room with the TV, a sylph asks probing and challenging questions of the two young women as they watch.

Ladies Room

4.0 1999
Dangerous Indiscretion

A rich man, his beautiful wife, and her young lover form a triangle of romance and revenge: One night, advertising executive Jim (C. Thomas Howell) picks up a beautiful woman in a grocery store and they have an affair. Unfortunately for him, she's Caroline Everett (Joan Severance), the wife of rich, powerful, and vengeful businessman Roger Everett (Malcolm McDowell). When he meets her again, their relationship blossoms. Roger finds it out, and sets out to ruin his life.

Dangerous Indiscretion

3.9 1995
Deadly Matrimony

Alan Masters is a despicable businessman with his hands in organized crime. He marries Diane, a kind and gentle woman, and abuses and batters her viciously. Sergeant John Reed has had enough of his city's organized crime and, against the wishes of his dirty-cop superiors, tries to get evidence against Alan Masters. After Alan finds out that Diane has been helping Reed, he beats her to death...and its up to John Reed to put him away for it, and clean up the dirty cops that want to stop him. Part I starts with Diane's death and then, in a flashback, details her struggles against abuse and Reed's struggles as he coaches her to gather evidence against Alan. Part II deals with Reed's struggles with intimidating cops.

Deadly Matrimony

5.6 1992
Alegría

Frac, a mime who is suffering from a severe bout of depression, happens to meet a troupe of circus entertainers and immediately falls in love with one of the stars, Giulietta. But while his affection for Giulietta and admiration for the performers gives him a new lease on life, Giulietta's father, the leader of the troupe, opposes the relationship and is determined to keep them apart. Meanwhile, Frac and Giulietta discover a gang of children who are held prisoner by a criminal leader who forces them to do his bidding, and they devise a plan to win the kids their freedom. .

Alegría

6.6 1999
Mr. Aiello

A father's love is not enough to keep his dreams and his family together in this drama. Joe Aiello (Tony Nardi) is an Italian immigrant who settled in Montreal and opened a construction firm in the early '60s. Thirty years later, Tony's business is a solid success, and Tony dreams of passing this legacy along to his family. But Tony's wife has passed on, his son Nuccio (Hugolin Chevrette Landesque) is developmentally disabled, and his daughter Bennie (Michele-Barbara Pelletier) can't decide what she wants to do with her life, dropping out of college against her father's wishes shortly before she is to graduate. Despite his disappointment with Nuccio and his exasperation with Bennie, Joe has a fierce love for his children, but Bennie feels that her father's affection is starting to crush her more than it nurtures her.

Mr. Aiello

6.0 1998
Bullet to Beijing

When long-time British agent Harry Palmer loses his job because the Cold War is over, he's promptly approached by a Russian bossman, Alex. In St. Petersburg Alex tells Harry of his plan for Russia's future, which is threatened because a deadly biochemical weapon called the Red Death has been stolen from him. He'll pay Harry handsomely to retrieve it. An ex-spy friend tips Harry off that it's being sent to Beijing by train, aboard which we begin to learn whose side everyone's really on.

Bullet to Beijing

5.2 1995
I Love a Man in Uniform

Henry Adler, an outwardly normal banker, yearns to make it in show business and still answers to his overbearing father. When Henry is hired to act in a television police drama, he realizes his big break has arrived and decides to do whatever it takes to get into the role — even if that means donning his police costume in public during off hours. It isn't long, however, before Henry begins to take the law into his own hands as his violent side chillingly emerges.

I Love a Man in Uniform

6.4 1993