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Maravillas

A young Catholic girl takes viewers through a changing Spanish political and social landscape as she develops from her confirmation day to adulthood. Her first experience with the real Spain comes when her Jewish godfathers cannot come to her confirmation. One of the godfathers, using a ring, poses an early challenge to her innocence that puts her in danger. He later returns, indirectly introducing her to a new boyfriend. If he is one of the symbols for Jewish life under Franco, or for a Judeo-Christian interaction, that interaction is complex. The young woman encounters different lovers as she grows into adulthood, but at the same time she is burdened with financially supporting her father and his own rather decadent lifestyle. Again, this difference in generations could be understood as a difference between the "new" and "old" Spain; it is up to the viewers to interpret the story elements as they decide.

Maravillas

5.2 1981
La mugre

Lights of colors, Spotify playlists and lots of beer cans. This is how the party where Ada, Rita and Marc celebrate one more night of their eternal youth is. They drink, dance and love each other, surrounded by their music and people. It begins to be hot; they have all the summer and all the life ahead of them. They are the future, the generation that joins together inclusion and narcissism, determination and uncertainty. The generation that wants to change the world while it collapses around them.

La mugre

NR 2019
Make Life

In a downtown building, old and beautiful, of the turbulent Buenos Aires, stories of men and women who keep secrets behind solid walls are intertwined. For Lucy, it is the secret price for freedom; for the Ukrainian immigrant and the Tucuman teenager, it is a refuge; for Lorenzo, it is debauchery; for Gaby and Mariano, disagreement; for Mónica and Sergio, the promise of new life. The stories are intertwined. No one is the same after opening the door to their most intimate desire

Make Life

NR 2020
The Winter of the Anjanas

A young worker enjoying an affair with an upper class beauty, Adelaida, is drafted by the Spanish Army to fight in the Cuban War of Independence. After Adelaida receives an unusual announcement regarding her lover's death in combat, she refuses to believe the loss of her lover. Her class-conscious family, led by her jealous sister Maria, believes that Adelaida has lost her mind and places Adelaida in an insane asylum. However, Adelaida continues to to live according to her beliefs of passion and freedom. Fellow "inmates" tell her about the wood-nymphs which inhabit the adjacent forest. Adelaida is convinced these nymphs will lead her to her lover and to happiness.

The Winter of the Anjanas

4.9 2000
Devil's Gold

Devil Gold is director José Novoa's third collaboration with producer Elia Schneider, and like the previous two films, Huelepega (or Glue Sniffer, which Schneider directed in 2000) and Sicario (1994), the film is a thriller-melodrama that focuses on a real-life problem plaguing Venezuela, with an emphasis on how the conditions affect children. Thus, after a few titles explaining the impact that gold mining has had on the country's Amazon region, along with helicopter footage (later to be blended into the narrative) of the ecologically devastated area, the film settles in on the lawless shanty town of Payapal for its narrative. Gallego (Armando Gota) runs the mine, exploiting his cheap labor force. Aroldo (Pedro Lander) breaks into Gallego's safe and steals his gold, along with a good deal of gold that Gallego was holding for his workers. Aroldo involves the unwitting Carmen (Jenny Noguera) in the robbery, and, when they are discovered, he shoots and kills Gallego's young son.

Devil's Gold

4.7 2000
Las llaves de la independencia

Lázaro Expósito is a young revolutionary in mid-nineteenth century Mexico. This story tells us the life of a boy who, from his very birth, is adopted by Javier Artal a member of a Spanish landowning family but within this family he is repudiated by his father’s elder brother because of his race and origin. This fact will mark him as he grows up in a comfortable environment although he is aware he does not really form part of it. The continuous in-and-outs of the story allow us to get to know Lázaro who is strong in fighting and tender in love but who will never get to know his true origins. The story takes place on an estate run-down from constant fighting which was the famous Artal Brothers Estate before the war. They arrived with their wives from Spain and their descendants were already born on the other side of the Atlantic.

Las llaves de la independencia

NR 2005