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Casabianca

In November of 1942, the French submarine, the "Casabianca,", escapes from German-held Toulon, and, upon joining the Free French forces at Algiers, is sent on a secret mission to Corsica to take two secret-service agents to make contact with the underground there. The agents contact the Marquis resistance forces, and learn they are ready to revolt but lack the needed arms and ammunition. The submarine is sent back to Corscia with the necessary weapons for the resistance-fighters, and also returns with trained troops to assist the resistance forces in attacking the Germans.

Casabianca

5.8 1951
The Broken Violin

If a violin was actually broken here we don't get to see it. Sadly this is one of many Georges Melies films that are only available in a fragment. Hopefully one day a complete print will turn up but until then at least we have this. The film starts off in some sort of bakery as the boss starts giving orders and then a bit later we see a young man pull out a violin he has been hiding and start to play it. The film then flashes to another location but this is where it cuts off so I'm not certain where the story went from here.

The Broken Violin

4.8 1908
Fissures

Charlotte, an alienated sound engineer, travels to the country home where her mother was just murdered. She is quickly frustrated by the lack of progress in the police investigation and so begins her own. While listening to a fresh sound recording she made in her mother's house, Charlotte discovers a strange phenomenon, she can hear sounds from the past in her headphones. Soon she is using this ability to hear the past to piece together the last few days of her mother's life, drawing ever closer to discovering who killed her, even as the murderer returns to try and eliminate Charlotte before they are discovered.

Fissures

5.6 2007
Iphigenie en Aulide /  Iphigénie en Tauride @ Festival d'Aix-en-Provence 2024

A decade before the French Revolution, in a country riven with bitter polemics, Gluck throws the history of opera into confusion by raising it to an unheard-of peak of tragic intensity. Experiencing his two Iphigenias in a single evening goes beyond the norms of operatic life: it is to enter the very heart of the curse on the family of King Atreus of Mycenae, to follow a logical destiny through a cycle of endless violence. How does the victim of Aulis become the murderess of Tauris? That is the burning question that Dmitri Tcherniakov must adress, plunging the spectator into the midst of a household haunted by the dead and setting in train an implacable process of dehumanization, with parallels to our world today. Conducting Le Concert d’Astrée, Emmanuelle Haïm drives this dual tragedy to the summit of its expressive power, leaving humanity to be translated through arias of the utmost poignancy.

Iphigenie en Aulide / Iphigénie en Tauride @ Festival d'Aix-en-Provence 2024

NR 2024
Madame Rosa

Madame Rosa lives in a sixth-floor walkup in the Pigalle; she's a retired prostitute, Jewish and an Auschwitz survivor, a foster mom to children of other prostitutes. Momo is the oldest and her favorite, an Algerian lad whom she raises as a Muslim. He asks about his parents; she answers evasively. As she ages and takes fewer children, Momo must do more for her; as money is tight, he tries to earn pennies on the street with a puppet. He's a beautiful man-child, and Madame Rosa makes him promise never to sell himself or become a pimp. A film editor, Nadine, befriends him, and his father appears as well. Madame Rosa reaches her last days in fear of hospitals, and Momo must act.

Madame Rosa

6.8 1977
Le roman d'un truqueur

"Le roman d'un truqueur" mixes the story of a fictional investigation with the reality of its filming by the author, in a spirit of humor, self-mockery and pastiche. After having unscrupulously infiltrated the action, the producer, confusing fiction and reality, tries to hijack the investigation for his own benefit. Entangled in their investigation, but true to their role, the actors thwart the producer's schemes and then look for a financing solution themselves to bring the film to a successful conclusion.

Le roman d'un truqueur

10.0 1992
Fateless

A Hungarian youth comes of age at Buchenwald during World War II. György Köves is 14, the son of a merchant who's sent to a forced labor camp. After his father's departure, György gets a job at a brickyard; his bus is stopped and its Jewish occupants sent to camps. There, György find camaraderie, suffering, cruelty, illness, and death. He hears advice on preserving one's dignity and self-esteem. He discovers hatred. If he does survive and returns to Budapest, what will he find? What is natural; what is it to be a Jew? Sepia, black and white, and color alternate to shade the mood.

Fateless

6.9 2005