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Monster Attack 3

Su Jinfeng, a local citizen, contracted a deserted island in the sea from his village. He has been planting coconut trees and picking coconut fruits on the island for several years. On this day, Su Jinfeng suddenly encountered a dinosaur while working in the coconut grove. He was frightened and fled for his life. Afterwards, Su Jinfeng was puzzled and brooding about the encounter with dinosaurs, and immediately informed a media of the information, hoping to attract attention and solve the mystery of dinosaurs. Media editor Lin Peilun was overjoyed when she heard the news. As a media person, she knew that if the situation was true, the prehistoric civilization of dinosaurs would be an unprecedented major discovery for the contemporary age. She may even be the first to report the incident..

Monster Attack 3

3.0 2022
Varying Adolescence

Also goes by the title "我们的从前," and the English translated title "The Way We Were." The film follows the lives of four friend in high school. Qin Wei comes to Beijing with his father to study during his third year in high school; he secretly likes his class leader, Yun Yun, but he dares not express himself too explicitly, and instead spends his days in anticipation and fantasy... The four friends plan a performance at the school's arts festival, and rehearse an absurd comedy version of "Romeo and Juliet." But instead something else happens.

Varying Adolescence

NR 1995
881

Two Singaporean girls join together to form the Papaya Sisters, a getai group that sings at performances during the seventh lunar month. Big Papaya is estranged from her mother, who disapproves of her performances, whilst Little Papaya is an orphan who suffers from terminal cancer. The two are assisted by Auntie Ling and her son, Guan Yin. The two soon rise to the top of the Singaporean getai scene singing traditional Hokkien songs, but their fame brings along with it the enmity of the Durian Sisters, a rival group of techno-singing Eurasian girls.

881

5.9 2007
Fish Bone

Eighteen-year-old girl Li Qi failed the college entrance examinations. She disobeyed her mother, refusing to return to school to be a returning student. The relationship between Li Qi and her mother worsened. At classmate Xiaowei’s birthday party, Li Qi and Xiaowei had a quarrel. Li Qi smashed Xiaowei’s newly-bought iPhone in a rage. Unexpectedly, her originally peaceful summer life was changed after the quarrel. Facing the crisis of claiming compensation by her classmate, Li Qi chose to hide it from her mother, determined to keep it as her secret and solve the problem alone. And this secret was like a fishbone stuck in her throat, gradually becoming an unspeakable discomfort for her. The bitterness and pains of growing-up come one after another. She began to rethink her relationship with her mother, and her relationship with the world.

Fish Bone

NR 2025
Correct Me If I'm Wrong

In this vulnerable documentary, the filmmaker captures how their family resorts to spiritual interventions in an attempt to rid them of their queer identity. The grandmother believes they must be possessed by a ‘demon girl’ – the unborn girl their mother was forced to abort before she became pregnant with Hao. Undergoing prayers, therapies, treatments and ceremonies, Hao paints a wry portrait of these complex relationships with admirable clarity and compassion.

Correct Me If I'm Wrong

NR 2025
Li Wen at East Lake

As with everything in life, the same goes for East Lake, a threatened lake near the expanding mega city of Wuhan. You can get worked up about it and get involved - or you can think, it won’t affect me. Fortunately there’s the intriguing new film by Li Luo, which brings to an end these doubts. East Lake (Dong Hu) is a scenic area in the city of Wuhan, threatened by new amusement parks, high-rises and even an airport. ‘East Lake is getting smaller and smaller, but it's bigger and bigger in my memory,’ wrote a friend to the Canada-based Chinese filmmaker Li Luo as a result of the development. In a lucid way, the film investigates how the lake is linked to the people, leading to reflection on identity and survival in today’s China. The form is varied and free. Li uses documentary as well as fictional style elements, and often an ironic mixture of both. © iffr.com

Li Wen at East Lake

6.8 2015